Art
Selling art online comes with difficulties, say Almaguin, North Bay galleries – NorthBayNipissing.com
Wiatr also has created a slideshow of the gallery’s current exhibit.
Vox believes online presentations such as these shouldn’t stop after COVID-19.
“Everybody who has accessibility issues is now suddenly getting all this amazing content,” she says. “I don’t think that we can just drop it suddenly. I think that there’s going to have to be a stronger digital component from all these art institutes.”
Kay Brownell, meanwhile, admits displaying artwork online from her Magnetawan gallery has been difficult.
“It’s been hard,” says Brownell of Windows to the North Gallery. “I am actually selling some things, but I have to learn how to do the online stuff.
“I don’t know what else to do,” says Brownell, admitting she has had to pick up a second job to help pay the bills.
In addition to herself and her partner, Brownell’s gallery is home to 40 artists. She admits she’s worried about losing her gallery and having to go online to sell her work while leaving the other artists on their own.
“I don’t know how else to help these other women. But I have to be able to pay my own bills first.”
Brownell says she’s adapted to the restrictions of social distancing by selling online and with a drive-thru gallery where she leaves pieces outside for customers to pick up. She says she’s even willing to display pieces outside for people to view if they are interested in buying.
But Brownell believes selling art online is not the same as selling in person.
“If I were going to buy art, I want to see it, touch it, feel it,” she explains. “But because of our reputation, people know our pieces are excellent. We only have top-of-the-line pieces in there, but only the people who have been into our gallery know that so they have to share with their friends.”
Nature Natives Art Gallery in South River, run by Christina Kearne and Joe Clayton, has been open for six years but also recently closed due to COVID-19.
Kearne says they haven’t been selling pieces during COVID-19 but have instead used the time to create more artwork for their gallery once it reopens.
“We hope to see people when everything opens back up again,” says Kearne. “We’re adding new pieces to our collections.”
She says Nature Natives doesn’t rely too much on an online presence, but has had people come in after seeing their work on Facebook.
“In the past few years, I’d say definitely so. All of a sudden they will come in and say, ‘Oh, I didn’t know you were here.’”
Vox believes many people are starting to tire of relying on their computer screen for entertainment.
“I think a lot of people are waiting to get back into museums and art galleries,” she says. “I do think the experience in person is completely different than something you get online. I know from speaking to some colleagues at other institutes that people are getting screen fatigue and they want real life experiences.”
Wiatr agrees.
“At any point in time anybody can Google what the Mona Lisa looks like and yet how many thousands, hundreds of thousands of people visit the Mona Lisa each year in person. We all know what it looks like. There’s something different about seeing it in person, whether it’s historical, or whether it’s a piece of artwork that’s created in modern times.
“Despite all the digital mess of our world today, we’re still drawn to the physical.”
To view artwork from these galleries, you can visit their websites:
Virtual Tour of Callander Bay Heritage Museum Alex Dufresne Gallery
The Easel – WKP Kennedy Gallery Digizine
inspiRED – WKP Kennedy Gallery Vidcast
Mackenzie Casalino’s reporting is funded by the Canadian government through its Local Journalism Initiative.
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Ukrainian sells art in Essex while stuck in a warzone BBC.com
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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”
On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.
Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”
The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.
Blaze in the West Wing
The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.
About Somerset House
Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.
Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.
Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.
Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.
The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.
Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”
With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.
The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.
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