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SC Rewind: The 1971 Art Derby – Standardbred Canada

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Published: September 26, 2020 11:35 am ET

In the current edition of Rewind Robert Smith recalls a rather novel promotion from 50 years ago that was spearheaded by Bill Galvin, longtime Publicity official of the Ontario Jockey Club. It was a pretty ingenious endeavor that attracted the attention of a huge number of participants.

Fifty years ago The Ontario Jockey Club was a very well organized and successful entity. Their tracks were state of the art (two of the three fairly recently completed) and the on-track product rivalled any jurisdiction then in existence. The O.J.C. Publicity department was a very active segment of the operation and did a first-class job of promoting current and future events and happenings. They also were always eager to seek out new fans, even the youngsters, many of whom attended the races with their parents.

In 1971 under the guidance of Bill Galvin, future Hall of Fame writer and communicator, the Publicity folks repeated an exciting promotion called Art Derby For Kids. Previous competitions had been based on poetry, this one on art. The subject of the latest Art Derby was a Standardbred mare named Superior Princess and her young daughter Hieland Barbara. Both of these fine-looking animals were owned by Mrs. Edith Hie of Cobourg, Ont. It was through the generosity of Mrs. Hie and her husband Cliff that these two were “loaned” to Bill Galvin for this interesting event.

In order to be eligible for the 1971 Art Derby the child had to be 12 years or younger by October 15, which was the closing date for the competition. The task at hand was for the child to submit a creative drawing of Superior Princess and her daughter. It was to be drawn on any size piece of paper up to 20 x 24 inches using any type of pen or pencil. Included in the permissible tools were watercolours, magic markers, poster colors and acrylics. Oils were not acceptable. An entrant who met the age qualifications could submit as many drawings as they wished.

Children who wished to get a close-up view of Superior Princess and her cute little foal were advised to tune in to the Uncle Bobby Show, a long-running children’s program of that time. This popular educational show was then in its eighth year and aired daily except Sunday on Toronto’s CFTO which was Channel 9. For those not in the Toronto viewing area there were six other locations with varying dates throughout August and early September to choose from. So wide was the viewing area that it included the cities of Windsor, Edmonton, Calgary, Halifax, Regina and even St. John’s, Nfld.


Owner Cliff Hie holds broodmare Superior Princess while her foal is attended to by a visitor on the Uncle Bobby Show. A TV cameraman catches all of the action. That’s “Uncle Bobby” with the striped trousers. (Courtesy of Bill Galvin)

Two judges were selected to oversee the Canada-wide competition. Mrs. Kay Boa, Head of the Art Dept. at Ridley College in St. Catherines, and Barry MacKay, a bird artist and naturalist were chosen. Mr. MacKay was a regular guest on the Uncle Bobby Show.

The grand prize for winning the 1971 Art Derby was a fully paid trip to the fabulous new Disney World in Orlando, Florida via Eastern Air Lines. The first prize also included the teacher of the winner who would accompany the child. This was a major prize as Disney World had just opened at this time and very few people had visited there.

AND THE WINNER IS…

In October of 1971 the winner of the contest was announced. That lucky person was 11-year-old Kim Thoms, daughter of Wm. and Ann Thoms, and a student at Beverly Acres School in Richmond Hill, Ont. A horse lover, Kim created her prize-winning art during her spare time at school. The judges commented that Kim’s art was an excellent piece which went beyond the horse and it was obvious that she put a great deal of effort into her work.

Taking second prize of $50 was Teri Lynn Maxwell of Scarborough, Ont. with third going to Melanie LeMarchant of Cobourg, Ont. who received $25. Jackie Cameron of Amherst, N.S. and Heather Fisher of Morinville, Alta. both received honourable mention.

Three Derbies were held in the years 1969, 1970 and 1971 all with similar formats. They reached huge audiences through newspapers, magazines including extensive front-page coverage in the Toronto Star, Canada’s largest newspaper. The total media coverage for the three Derbies was 9,236,400. It was estimated that this year’s event attracted 300,000 viewers on the TV programs when the mare and foal were guests.

Bill put on a lot of “neat” promotions and special events back in the day. He staged donkey races, arranged for Santa Claus to land in the centrefield, put on sleigh rides for kids, held Christmas dinners for the horsemen and that’s just a small sampling of his many endeavors.

Quote For The Week: “A smile can start a conversation without saying a word.”

Who Is It?

Around the same time as the contest described in today’s Rewind (within a year or two) another version of the Art Derby was held. Can you name the three people in the above photo as they appear in the TV studio with that year’s “celebrities”. Second from left is the TV show host Uncle Bobby. (Courtesy of Bill Galvin)

Where Was It?

Can you identify where this famous photo was taken? Now how about naming the winning horse and driver and what event was taking place. That’s a lot but I’ll bet our experts will come up with it. (Hoof Beats Photo)

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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Sudbury art, music festival celebrating milestone

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Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.

The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.

Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”

With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.

The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.

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