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‘Aggie’ Review: Portrait of an Art Collector by Her Daughter – The New York Times

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Early in the documentary “Aggie,” the director, Catherine Gund, asks her mother and subject, the philanthropist and art collector Agnes Gund, about her expectations for the movie.

“I hope that the film will not be seen by too many people,” replies Agnes — known as Aggie. Stay after the credits for a similar moment in which she appears almost oblivious to the project.

“Aggie” recounts her career and good works. She was president of the Museum of Modern Art from 1991 to 2002, and her projects include founding a program to promote arts education in New York City schools; recognizing and championing a diverse range of artists; and selling a $165 million Roy Lichtenstein from her personal collection to start a fund for criminal justice reform.

The mother-daughter dynamic might have given “Aggie” a perspective distinct from other adulatory profiles of Gund. But it’s not clear that the filmmaker had the distance needed to separate interesting material from banal reminiscence. However great Gund’s influence on other collectors and philanthropists has been, and however progressive and righteous her advocacy for racial justice, “Aggie” doesn’t match her originality with an accordingly innovative approach.

There are a few endearing stories, of, for instance, the time someone nearly tossed a trashlike sculpture by Christo and Jeanne-Claude, and some insights into Gund’s collecting philosophy. (She prefers acquiring work by living artists and watching them develop.) The overall impression is that Gund’s contributions to the art world, to schools and to fighting mass incarceration will last. But the film still may not be seen by many people.

Aggie
Not Rated. Running time: 1 hour 32 minutes. Watch on Film Forum’s virtual cinema.

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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