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Art installation a nod to the glory days of the railway – Calgary Herald

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Local developer Gerald Knowlton has developed a railway park and public piece of art, along with restoring a CP caboose, in the town of Standard. Here Knowlton is seen admiring the station he was born in.


Photo courtesy Spencer Purdy / Calgary

Many successful business people also have a keen interest in a hobby, offering relaxation from their difficult daily tasks.

Some find pleasure in collecting. For others, building landscapes for model trains is rewarding, but Gerald Knowlton prefers the full-scale rolling stock as an homage to the railways that helped build this country.

He has a fine model train set and wonderful railway memorabilia. But Knowlton likes full-scale, where he can climb aboard and relive his childhood in the station at Standard, which led to his development of Champion Park in Okotoks and his significant donation of a public art piece in the newly opened Memory Lane Park in Standard.

Formed and named as a hub for CP trains, Standard is a small farming community about 80 kilometres east of Calgary.

Knowlton grew up in the Standard railway station and moved to Calgary in 1960 after graduating from the University of Western Ontario. He began working for C.H. Noton but, by 1961, he had brought together some partners and purchased the firm, renaming it Knowlton Realty in 1962.

Over more than 30 years, he built his company from a one-office, $125,000-a-year operation to a five-office national firm handling more than $100 million worth of real estate every year.

He was responsible for transforming a collection of properties in Calgary’s downtown into the two towers that became home to Petro-Canada — now known as Suncor Energy Centre — and for creating a similar development that resulted in Bow Valley Square.

He says he was fortunate to be in the “right place at the right time,” but he was the visionary “right man” who took over the young company in 1965.

He sold the company in 1995 and established Congress Inc. in 2001 to oversee and enhance the Knowlton’s investments, but he also sought opportunities on behalf of a consortium of investors and remained involved in office and retail developments.

His successes enabled him to pursue his railway interests, and he set about developing the 54-acre Champion Park south of the city as an homage to CP and the former station agent at Standard, his father, Ted Knowlton, who served in that capacity for 42 years.

The old Standard station had been demolished, but Knowlton was able to transport a similar station from Champion, about 150 kilometres south of Calgary, that was built in 1911 and restored at Champion Park in 1980.

Gifted to the town of Okotoks and Foothills County in 2016, besides the fully equipped station the park features other period buildings including the section house, ice house, bunk house, outhouse and a number of huts and a tool shed.

Rolling stock includes the 60-foot-long Saskatchewan executive car, engine, boxcar, stock car and several cabooses.


The caboose Knowlton found in Leader, SK, that he fully restored to its CP glory inside and out.

Photo courtesy Spencer Purdy /

Calgary

CP had also donated a strip of land to the Village of Standard in 1923 to be developed as a park, but it wasn’t until 2015 that The Standard Community Facility Enhancement Society was formed to develop the space for the pleasure of its residents and to offer an interesting permanent display to attract visitors.

A sense of the historical role of Memory Lane meant the railway had to play a big part, and the society contacted the son of the former station agent to participate and support the venture.

Knowlton, who lived in the station until leaving for university, has been a driving force behind another full-scale exhibit that includes a public art installation of the station, platform and track, and a majestic caboose.

The Vanish Station design and construction is thanks to Knowlton’s grandson and Ted Knowlton’s great grandson, Vancouver-based architect Spencer Purdy, and structural engineer Patrick Wallain, whose company Exhibau creates and stages events worldwide for clients such as Nike, BMW and TED.


Vanish Station is a pieve of art that shows the former railway station disappearing as one walks or drives past it.

Photo courtesy Spencer Purdy /

Calgary

Before studying architecture at the University of Southern California, Purdy lived in the Calgary area and for three years in the station now at Champion Park. In his youth, he also spent time in Standard during visits with his grandfather and from both experiences learned of the importance of the station as a hub for the village; sending off shared goods from farm and ranch, sending off young folks in search of a future, and bringing in coveted products not available locally.

Standard Mayor Alan Larsen says he remembers excitedly waiting at the railway station for his first bike — ordered from the Eaton’s catalogue — to arrive on the train.

Purdy wanted the new station to be of its current era while still referencing and honouring the design of the original station. The newly erected Vanish Station is built in a series of panels printed with the original 1909 elevations arranged at a 45-degree angle. The alignment of the panels offers two ever-changing views allowing visitors to experience the station and beyond — what stood and what vanished in one installation.

While this was being planned and designed with input from the village, Knowlton searched throughout Western Canada for a suitable caboose to sit on tracks by the station platform. He found the perfect equipment in Leader, Sask., that he purchased, had shipped to Standard and had refurbished and repainted as not only true CP rolling stock but a facility that can be used as a meeting place for village events, surrounded by picnic area, benches, shelters and landscaping along the 1.1-kilometre pathway.

In honouring the CP and Ted Knowlton, the family and townsfolk have provided a commemorative display that will be enjoyed both by locals and tourists. The hope and intent of the project is that people of all generations will be encouraged to visit Standard to learn from the past and enjoy the present at modern Vanish Station.

Gerald Knowlton still has a passion for railroads and has enjoyed many train rides all over the world, but the CP is in his blood and he’s excited to show off his salute to its history in Alberta.

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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