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Bob Dylan Says He ‘Regrets’ an ‘Error in Judgment’ in Selling Machine-Signed Art and Books: ‘I Want to Rectify It Immediately’

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Bob Dylan issued a rare public statement Friday night to admit that he “regrets” having made “an error in judgment” in using machine technology to affix duplicate signatures to artwork and books that were advertised and sold as hand-signed over the past three years.

He says the use of autopen signatures only occurred since 2019, when he was afflicted with a case of vertigo, and on through the pandemic, when he was not able to have staff assist him with the hand-signing he had previously done. Dylan says was given “the assurance that this kind of thing is done ‘all the time’ in the art and literary worlds.” Now that it has come to light and stirred controversy, the singer-songwriter says, “I want to rectify it immediately. I’m working with Simon & Schuster and my gallery partners to do just that.”

Other musicians have been suspected of using autopen for purportedly hand-signed items, and in rare instances have even owned up to it, but the others have not been selling art prints that routinely sell for $3,000 to $15,000, as Dylan’s art prints do. Dylan’s statement indicating that he has used for autopen to sign artwork follows Simon & Schuster’s admission one week ago that a batch of $600 autographed copies of Dylan’s new book, “Philosophy of Modern Song,” had been machine-signed, with refunds immediately offered.

A gallery that has specialized in selling Dylan art prints, the U.K.-based Castle Galleries, issued a statement Saturday to say it was “reaching out to each and every one of our collectors who purchased any print from the (pertinent) editions to offer a solution to fully rectify the matter.” It’s believed that galleries that sold the recent artwork will be announcing a plan to deal with the issue early this week.

Dylan’s statement, published on his Facebook account, says that he did hand-sign everything that was advertised as such up until 2019. It reads as follows:

“To my fans and followers, I’ve been made aware that there’s some controversy about signatures on some of my recent artwork prints and on a limited edition of ‘Philosophy Of Modern Song.’ I’ve hand-signed each and every art print over the years, and there’s never been a problem,” the statement begins.

“However, in 2019 I had a bad case of vertigo and it continued into the pandemic years. It takes a crew of five working in close quarters with me to help enable these signing sessions, and we could not find a safe and workable way to complete what I needed to do while the virus was raging. So, during the pandemic, it was impossible to sign anything and the vertigo didn’t help. With contractual deadlines looming, the idea of using an auto-pen was suggested to me, along with the assurance that this kind of thing is done ‘all the time’ in the art and literary worlds.”

Dylan’s statement concludes, “Using a machine was an error in judgment and I want to rectify it immediately. I’m working with Simon & Schuster and my gallery partners to do just that. With my deepest regrets, Bob Dylan.”

It’s unknown whether plans to address the artwork situation would involve refunds — which could conceivably run into at least hundreds of thousands of dollars — or the less costly option of providing replacement prints that are truly hand-signed, if Dylan is now up to it — or some other unknown option. The “Philosophy of Modern Song” snafu, meanwhile, has already been addressed, with customers who bought the $600 limited edition of 900 books having already been refunded this week by Simon & Schuster.

Dylan’s reps did not immediately respond to a request for further comment.

Castle Galleries’ statement, also posted on Facebook, reads: “We were informed late yesterday that during the Covid 19 pandemic Bob Dylan used an autopen to sign several of his limited edition prints rather than his usual hand signature. These editions are: The Retrospectrum Collection prints and the Sunset, Monument Valley print which were released by us this year. We can confirm that all other editions were individually hand signed by Bob Dylan himself.”

The gallery’s statement continues: “We were entirely unaware of the use of autopen on these particular prints, and we sincerely apologize for the disappointment this may cause. We will be reaching out to each and every one of our collectors who purchased any print from the above editions to offer a solution to fully rectify the matter. Details on how we intend to resolve this matter will follow shortly.”

Castle Galleries’ statement on Bob Dylan’s signed art

As of Saturday morning in the U.S., prints of hundreds of different Dylan paintings were still being advertised on Castle Galleries’ website, and as “hand-signed,” ranging in price from about 2700 pounds for the lowest-priced individual print to £14,500.00 (or about $17,500 U,S. dollars) for a boxed set of six. Many, if not most, of these items predate the period in which the singer-artist says he began using the machine technology, but collectors will no doubt be scrambling to figure out which side of the divide their prior purchases land on.

Not all fans are upset about the revelations about the signatures. On Dylan’s Facebook post expressing regrets about the autopen signatures, the thousand-plus responses that had been added by Saturday morning were overwhelmingly in favor of the singer, saying the duplications were no big deal to start with and/or that he did a stand-up thing in publicly apologizing. Many sympathized with Dylan over the vertigo he described himself as having experienced in 2019. (The artist’s statement did not say whether he still suffers from the condition.)

The website Autograph Live has been integral in tracking what turned out to be easily detectible duplicate signatures on the books, although there were 17 different variants of the signature ultimately detected as users of the site compared notes and screenshots.

Soon after the book duplicates came to light, users began comparing signatures on their far more expensive art prints and seemingly finding some identical signatures, as well… albeit in what might be called auto-pencil. The general consensus on forums so far seems to be a belief that what Dylan said in his Facebook statement is true — that prints signed prior to 2019 or 2020 do appear to have individually signed.

Dylan’s statement that he has suffered from vertigo is the first time this has been revealed to the public. The singer continues to be active, having resumed his vigorous touring routine with a highly acclaimed tour.

The post that has become a resource for those looking to compare notes on the machine-generated signatures was created by Jason Hicks, who posts as Jason H on Autograph Live, who tells Variety, “Celebrities need to be taught a lesson to stop this autopen practice for good, for the sake of our hobby. I despise autopen with a passion, which is why I spent countless hours creating that post, comparing photos and organizing as much info as possible. … It’s been a sore thumb in this hobby since before I was born. If autopen technology advances, there’s a chance it may become undetectable, which is why we need to end its use ASAP.”

Van Morrison was recently accused in the forums of using autopen to sign CDs, although his management issued a statement denying it. Sinead O’Connor, however, owned up to doing it with her signed memoir, with no apologies. In both these instances, the disputed items were selling for less than $50, limiting the potential for uproar.

“The books which are signed,” said O’Connor, “I signed using a signature stamp as I was not in a position to hand write my name ten thousand times, which is how many I was asked to sign. My son was unwell as was I. So I stamped them myself. And it is my signature,” she contended. Nonetheless, many retailers withdrew O’Connor’s “autographed” books, which were selling for about $30, from sale.

One of the world’s most famous country singers was widely accused in forums last year of using autopen for a series of book and record releases; although there was never any public acknowledgement of the complaints, a publisher was said to have quietly taken returns and issued refunds on items that cost hundreds of dollars. Dylan’s publisher issued refunds without requiring consumers to return their books.

Autopen is commonly used by elected officials and executives, but its use in the world of celebrities often leads to speculation and doubt in the world of signed collectibles. A video showing how the commonly available machines operate:

YouTube video

The unfolding controversy over Dylan’s use of autopen for items advertised as “personally hand-signed” was magnified by the extent to which Simon & Schuster went to great pains to attest to the signatures’ authenticity in advertising and correspondence, even sending the $600 limited-edition “Philosophy of Modern Song” books out with a letter of authenticity signed by the publisher. Requests for refunds were initially refused, as the pubisher continued to attest to the signatures’ authenticity, before admitting that a “mistake” had been made Nov. 20 and refunding all purchases this past week.

If the publisher did refund the purchase price on the 900 books sold as hand-signed, that would amount to more than $500,000 in refunds given out this past week — not counting a separate run of 90 autographed books that had been advertised as up for sale in the U.K. The value of Dylan’s real signature was evident in listings on eBay that showed attempts to resell the supposedly autographed books for thousands of dollars each before the autopen news wiped out their value.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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