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Fan favourites set to return to the stage with The Art of Dining – OrilliaMatters.Com

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We have almost hit mid-February and it shows. Lots of snow, coming up to another deep freeze, but the sun is starting to come back and has some warmth in it. Looking forward to maple syrup time and some mud and flowers. But first we have the rest of February to get through.

Lots of fun cultural events to help us do just that, in our culturally great city of O-Town.

The Orillia Opera House (OOH) has some nice programming coming up in the next little while. Mariposa Arts Theatre’s The Art of Dining opens this Thursday and already has a couple of nights sold out.

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The Art of Dining is a comedy about a couple and the opening night of their first restaurant, when everything that could go wrong…does! Fan faves Stacey Schat, JL Durnford, Sally Holdsworth and more are in this hilarious show that will help beat the mid-winter blahs. Better grab tickets here soon though, it’s only on Thursday through Sunday until Feb. 23.

Next up at the OOH, Canadian favourite Murray McLauchlan, for one night only, Feb. 19 at 7:30 p.m. I have been a fan of his for years, and have seen him in our own OOH, at Peter Gzowski’s Red Barn Theatre (dating myself here), and at the Horseshoe Tavern in the city. He always puts on a great show and his songs are real Canadiana. Grab your ticket today through the OOH box office here.

The OOH and the Orillia Centre for Arts and Culture present Artists Talk Feb. 22 at 2 p.m. This will be an entertaining and informative afternoon with four artists in various media, and a sneak peek at some young up-and-comers as well. Tickets are $28 plus fees and available here.

And a little further down the calendar, March 7, the OOH has a crazy afternoon of dance, in the Extreme Dance Connection Competitive Gala. You will probably see some pretty amazing moves in this fun afternoon of dance, beginning at 3:30 p.m. Tickets are $25, available here.

St. Paul’s Centre has a ton o’ fun happening this month and early next, as well. First of all, did you know the Reconciliation Art Gallery there is open Monday to Thursday from 8 a.m. to 4 p.m. and is free of charge? Go on in to 62 Peter St. N. and check out the Call #83 Art Exhibit, with 16 pieces by settler and Indigenous artists. It’s quite a sight, and story.

Also at St. Paul’s, this month: Orillia Concert Band and Salvation Army Citadel Band are teaming up to support the Orillia Pregnancy Resource Centre in the Spirit of Life concert, Feb. 22 at 3 p.m. Admission is by freewill donation to the charity.

On Feb. 23 at 2:30 p.m., it’s the Jubilee Chorale’s Sweetheart Soiree, a cabaret-style show with special guests, including St. Paul’s own Blair Bailey and Jim Harris. This show is a fundraiser in support of Helping Hands Orillia and a freewill donation will be gratefully accepted.

On Tues. Feb. 25, St. Paul’s invites the community to join in on a free pancake and sausage supper for Shrove Tuesday, from 5 to 6:30 p.m. Come out and enjoy.

Friday, Feb. 28 from 1 to 7:30 p.m. March of Dimes presents The Family Caregiver Experience, a day of speakers, information and support for caregivers in families. This event is free, just register here if you would like to attend.

On Feb. 29, all day at St. Paul’s Centre, there is a writing workshop by Deepam Wadds. Come and spend time with your writing, gently guided by Deepam. Snacks provided, to register go here.

And March 1 at 3 p.m., join the Orillia Vocal Ensemble at St. Paul’s Centre in a fun concert in support of Mariposa House Hospice, again a freewill donation will be collected in support of the charity. Go St. Paul’s! Lots of fun events in this busy event centre.

Speaking of event centres, the Geneva Event Centre on West Street South has a couple of things coming up, so take note: Feb. 15 a wonderful night of music and more in support of the Orillia Suns Volleyball team. There will be three bands and lots of fun, advance tickets can be purchased at Stuffed on Peter Street South or tickets will be at the door at 8 p.m.

On Feb. 19, from 5:30 to 8 p.m., also at the Geneva, Simcoe Moms For Overdose Awareness presents an evening for everyone who has been affected or wants to understand.

“During our event we will be sharing local community mental health/addictions services with workers at the event to help answer any questions, we will meet the moms and share legacies of those lost, we will learn mindfulness techniques, build a community and the health unit will be doing a demonstration and giving away free Naloxone Kits. We will be joined by Natalie Harris who will guide us in creating Addiction Get Well Cards that will be sent to local detox facilities. Finger foods and drinks will be available.” So, come out, and find out, and help with this dreadful issue in our community.

The Orillia Museum of Art & History History Speakers evening is next Wednesday, Feb. 19 at 7 p.m. and features John Merritt who will talk about the black settlers in Oro, in honour of Black History Month. Admission is free for these informative and engaging talks, at the Orillia Museum of Art and History each month.

Don’t miss The Cellar Singers’ St. John Passion Feb. 29 at 7:30 p.m. at St. James’ Anglican Church, 58 Peter St. N. You can grab tickets at the door or here. Don’t wait it could sell out!

Music at the bars? Yup, lots of music for you and your Valentine’s sweetie! At the Brownstone Café, Friday, Bruce Beckons and The Wild Run with Sam Johnston, Saturday Sunshine Express, Global Paradise and Dummy. At the Hog ‘n’ Penny, Friday: Michael Martyn; Saturday: Christina Hutt. At Fionn’s, Friday: Jakob Pearce. At Studabaker’s, Friday: Chris Lamey. At Casino Rama, Friday: Wayne Newton; Saturday: The Australian BeeGees.

Have a wonderful Valentine’s Day and don’t forget to send me your arts news, by Tuesday at noon to annaproctor111@gmail.com.

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Art and Ephemera Once Owned by Pioneering Artist Mary Beth Edelson Discarded on the Street in SoHo – artnet News

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This afternoon in Manhattan’s SoHo neighborhood, people walking along Mercer Street were surprised to find a trove of materials that once belonged to the late feminist artist Mary Beth Edelson, all free for the taking.

Outside of Edelson’s old studio at 110 Mercer Street, drawings, prints, and cut-out figures were sitting in cardboard boxes alongside posters from her exhibitions, monographs, and other ephemera. One box included cards that the artist’s children had given her for birthdays and mother’s days. Passersby competed with trash collectors who were loading the items into bags and throwing them into a U-Haul. 

“It’s her last show,” joked her son, Nick Edelson, who had arranged for the junk guys to come and pick up what was on the street. He has been living in her former studio since the artist died in 2021 at the age of 88.

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Naturally, neighbors speculated that he was clearing out his mother’s belongings in order to sell her old loft. “As you can see, we’re just clearing the basement” is all he would say.

Cardboard boxes in the street filled with an artist's book.

Photo by Annie Armstrong.

Some in the crowd criticized the disposal of the material. Alessandra Pohlmann, an artist who works next door at the Judd Foundation, pulled out a drawing from the scraps that she plans to frame. “It’s deeply disrespectful,” she said. “This should not be happening.” A colleague from the foundation who was rifling through a nearby pile said, “We have to save them. If I had more space, I’d take more.” 

Edelson’s estate, which is controlled by her son and represented by New York’s David Lewis Gallery, holds a significant portion of her artwork. “I’m shocked and surprised by the sudden discovery,” Lewis said over the phone. “The gallery has, of course, taken great care to preserve and champion Mary Beth’s legacy for nearly a decade now. We immediately sent a team up there to try to locate the work, but it was gone.”

Sources close to the family said that other artwork remains in storage. Museums such as the Guggenheim, Tate Modern, the Museum of Modern Art, the Brooklyn Museum, and the Whitney currently hold her work in their private collections. New York University’s Fales Library has her papers.

Edelson rose to prominence in the 1970s as one of the early voices in the feminist art movement. She is most known for her collaged works, which reimagine famed tableaux to narrate women’s history. For instance, her piece Some Living American Women Artists (1972) appropriates Leonardo da Vinci’s The Last Supper (1494–98) to include the faces of Faith Ringgold, Agnes Martin, Yoko Ono, and Alice Neel, and others as the apostles; Georgia O’Keeffe’s face covers that of Jesus.

Someone on the streets holds paper cut-outs of women.

A lucky passerby collecting a couple of figurative cut-outs by Mary Beth Edelson. Photo by Annie Armstrong.

In all, it took about 45 minutes for the pioneering artist’s material to be removed by the trash collectors and those lucky enough to hear about what was happening.

Dealer Jordan Barse, who runs Theta Gallery, biked by and took a poster from Edelson’s 1977 show at A.I.R. gallery, “Memorials to the 9,000,000 Women Burned as Witches in the Christian Era.” Artist Keely Angel picked up handwritten notes, and said, “They smell like mouse poop. I’m glad someone got these before they did,” gesturing to the men pushing papers into trash bags.

A neighbor told one person who picked up some cut-out pieces, “Those could be worth a fortune. Don’t put it on eBay! Look into her work, and you’ll be into it.”

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Biggest Indigenous art collection – CTV News Barrie

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Biggest Indigenous art collection  CTV News Barrie

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Why Are Art Resale Prices Plummeting? – artnet News

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Welcome to the Art Angle, a podcast from Artnet News that delves into the places where the art world meets the real world, bringing each week’s biggest story down to earth. Join us every week for an in-depth look at what matters most in museums, the art market, and much more, with input from our own writers and editors, as well as artists, curators, and other top experts in the field.

The art press is filled with headlines about trophy works trading for huge sums: $195 million for an Andy Warhol, $110 million for a Jean-Michel Basquiat, $91 million for a Jeff Koons. In the popular imagination, pricy art just keeps climbing in value—up, up, and up. The truth is more complicated, as those in the industry know. Tastes change, and demand shifts. The reputations of artists rise and fall, as do their prices. Reselling art for profit is often quite difficult—it’s the exception rather than the norm. This is “the art market’s dirty secret,” Artnet senior reporter Katya Kazakina wrote last month in her weekly Art Detective column.

In her recent columns, Katya has been reporting on that very thorny topic, which has grown even thornier amid what appears to be a severe market correction. As one collector told her: “There’s a bit of a carnage in the market at the moment. Many things are not selling at all or selling for a fraction of what they used to.”

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For instance, a painting by Dan Colen that was purchased fresh from a gallery a decade ago for probably around $450,000 went for only about $15,000 at auction. And Colen is not the only once-hot figure floundering. As Katya wrote: “Right now, you can often find a painting, a drawing, or a sculpture at auction for a fraction of what it would cost at a gallery. Still, art dealers keep asking—and buyers keep paying—steep prices for new works.” In the parlance of the art world, primary prices are outstripping secondary ones.

Why is this happening? And why do seemingly sophisticated collectors continue to pay immense sums for art from galleries, knowing full well that they may never recoup their investment? This week, Katya joins Artnet Pro editor Andrew Russeth on the podcast to make sense of these questions—and to cover a whole lot more.

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