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Fledgling Newburgh art show has big shoes to fill – The Kingston Whig-Standard

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Martha Embury is organizing Stoney Steps Artfest for June 2020 on her family’s riverside farm property in Newburgh. The art show is still seeking vendors until Jan. 31. (Meghan Balogh/The Whig-Standard)

jpg, KI

The end of one artistic chapter is turning the page for another in the village of Newburgh.

In 2019, the community said farewell to Art Among the Ruins, a longstanding art show hosted on the private property of the Anderson family that drew thousands to the hamlet each year.

Now, in 2020, Newburgh will play host to Stoney Steps Artfest, a brand new one-day art show that is hoping to fill the void left by the departure of Art Among the Ruins.

“My vision for Stoney Steps is to have a high-quality show, just like Art Among the Ruins,” Martha Embury, the lead organizer, said.

Embury and her family own the property that will host the show on the banks of the Napanee River, just west of the village.

“When the Andersons had announced they were no longer doing the show, there were those of us in the community, especially my family who are longtime residents of Newburgh, who felt that by not having Art Among the Ruins it would be a big loss for our community,” Embury said. “They did a great job in Newburgh every year, attracting folks to the village.”

Arguably the community’s biggest annual event, Art Among the Ruins brought 2,700 visitors to Newburgh on average each year. The show ran for 14 years.

“They had a high-quality show and we wanted to carry on with that,” Embury said.

Embury said that not long after the Andersons announced the show’s discontinuation, Embury and her family decided to become their successor.

In the spirit of Art Among the Ruins, Stoney Steps Artfest will be nestled on the shores of the Napanee River, with artists setting up in tents in the open air.


Martha Embury stands on the limestone “steps” at the water’s edge on the Napanee River in Newburgh on Saturday. Embury is organizing Stoney Steps Artfest for June 2020 on her family’s riverside farm property. (Meghan Balogh/The Whig-Standard)

jpg, KI

The Embury property, however, differs slightly from the Anderson plot. Whereas Art Among the Ruins saw artists arranged around the ruins of an old mill on the Anderson family’s beautifully manicured sprawling grounds, Stoney Steps will be a bit wilder.

“It’s a much larger property,” Embury said. “There are woodlands and farm and hayfields.”

The large acreage means that Stoney Steps has ample parking for visitors and, in years to come, it could expand from the planned 60 to 70 artists it hopes to host this year.

“The Andersons had 67, and we’d like to keep it about that for the first year,” Embury said. “We see the potential for growing slightly in the future. We’ve got lots of space to grow.”

Stacey Anderson, lead organizer for Art Among the Ruins, said her and her family’s show “built a momentum in the community that people are striving to continue.”

“Art Among the Ruins put Newburgh on the map,” Anderson said.  “People from far and wide came to our little village, supporting the local businesses and spoke favourably of our area. Residents shared their pride about the show.”

Anderson said Stoney Steps will “keep some things consistent” from Art Among the Ruins, but will also evolve.

“With a new show comes a fresh vision, and it is very exciting to see the different experiences that will come along with that,” she said. “We are in full support of the adventure that Stoney Steps is trying to create and will do our best to assist the team however they need us to.”

Anderson reminisced about the years that Art Among the Ruins played a cohesive role in the tiny village. She suspects Stoney Steps will step in to fill that role.

“Art Among the Ruins brought out the best in everyone,” she said. “We purposefully set the bar high, and the artists, volunteers and visitors responded with enthusiasm. The experience was so very special. We know that the Stoney Steps team shares a similar philosophy. We were lucky to have a unique setting for the show and Stoney Steps has an equally unique property. It’s a magical location.”

Anderson expressed that Art Among the Ruins was a success story because of the values that drove it.

“One of the biggest lessons that I have learned is that it doesn’t matter how small one is, if you build something meaningful, inclusive and with integrity, people will respond,” she said.

Ultimately, Embury wants Stoney Steps Artfest to be a festival featuring art, food and entertainment, with an “emphasis on local.”

“The intention is to have a community-minded event where the folks that are cooking and volunteering are all people or service groups in our immediate area,” she said.

Artist applications to display work at Stoney Steps Artfest are open until Jan. 31. For information, visit www.stoneystepsartfest.ca.

mbalogh@postmedia.com

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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