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From agriculture to iconic Indigenous art, the North Battleford region has much to be proud of – CBC.ca

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CBC’s virtual road trip series Land of Living Stories explores the hidden gems across Saskatchewan. You can invite CBC’s Laura Sciarpelletti to your community for a virtual tour. Visit cbc.ca/lovesk to pitch your ideas.


It is worth looking at the land around North Battleford, Sask., through the strokes of Allen Sapp’s paintbrush. 

In his paintings you will find scenes of families helping families, Cree drumming circles, early ways of farming the land, mothers with their swaddled babies and families joining around the fire to eat. 

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It’s a sincere look at what makes the community electric with life, strength and beauty. 

Allen Sapp (left), Ruth Gonor (centre) and Allan Gonor (right) in their home in North Battleford in the late 1960s or early ’70s. (Submitted by Leah Garven)

Sapp was a Cree painter born on the Red Pheasant Reserve, 30 kilometres south of the city of North Battleford. As a child, he was often sick, so he watched people and his surroundings. That is evident in his paintings. 

Sapp eventually moved to North Battleford, which sits by the North Saskatchewan River, to try to make a living as an artist by selling his paintings door to door.

He gained momentum when, in 1966, he met art collector Dr. Allan Gonor, who recognized Sapp’s artistic talent. Gonor encouraged him to paint what he knew — life on the reserve.

Sapp began to do just that. And by the 1970s, His work was known across North America. 

Allen Sapp playing his drum for visiting students at the Allen Sapp Gallery in North Battleford. (Submitted by Leah Garven )

Today, his work can be found at the Allen Sapp Gallery in North Battleford. 

“Allen captured that agricultural life at a very difficult time for most people, let alone First Nations people who had pass and permit restrictions upon their endeavours of making a living,” said Leah Garven, curator and manager of the gallery.   

“He recorded in his paintings a lot of traditions and ceremonies that were technically banned and outlawed … Speaking for people from Red Pheasant First Nation, of course they’re very proud of their son and who he became and and how he represented their community.”

We still have people who come to the gallery, men in their 60s and 70s, who will just weep looking at the paintings because of the memories that he brings back for that generation and that way of life that’s kind of gone.– Leah Garven

Prior to his death at age 87 in 2015, Sapp drove around the North Battleford in a big Cadillac wearing big hats and other cowboy fashions.

“He was a larger than life character in town. He was very singular and very much an individual. He brightened the historical cultural persona in town,” Garven said. 

Garven describes Sapp as humble, loving, sensitive and generous.

“He was brilliant, frankly. In his last days when he would visit the gallery, he knew exactly where he was. And he would come alive when he saw his paintings and he’d sing a song when he come to the gallery,” Garven said.

“We still have people who come to the gallery, men in their 60s and 70s, who will just weep looking at the paintings because of the memories that he brings back for that generation and that way of life that’s kind of gone.”

One of Garven’s fondest memories of Sapp is the way he would interact with children at the gallery. Sapp would often sing and play his drum with them. 

“I think he had a huge impact on the thousands of students that he met over the years. Imagine the power for Indigenous youth to have a prominent building in North Battleford dedicated to the art of Allen Sapp. In my mind, we work every day for Allen.”

(CBC News)

Positive stories

When you think of North Battleford or the neighbouring town of Battleford, what comes to mind?

It might be headlines about crime. Or maybe it’s the historical armed conflict between First Nations and white settlers in 1885.

For the people who live in the Battlefords and surrounding area, there is much beauty and much to be proud of. 

Photographer and journalist Matt Jacques hosts Untapped: An Original Battlefords Saskatchewan Podcast. The podcast focuses on positive stories and the people within the community.  (Matt Jacques)

Rob Rongve is the co-creator of Untapped: An Original Battlefords Saskatchewan Podcast. The podcast, hosted by photographer and journalist Matt Jacques, focuses on positive stories and the people within the community. 

“We decided to create the podcast series to try and maybe showcase that things are very, very good here. Despite what the headlines may say as far as crime and other social issues in the community, you don’t usually hear the really positive stuff coming on the news,” said Rongve.

“North Battleford has been very publicly advertised as the crime capital of Canada. It’s not the reality for the vast majority of us that live in the community.”

That is not to say that the city and surrounding area does not have crime and social issues, Rongve said. It does — particularly due to poverty, he said. 

“But there’s a huge amount of work being done in the community to help and change that. The podcast was one way to promote the very, very positive underbelly of our great community.”

Rongve said podcast episodes about young and diverse people who are doing things to help their community or beginning creative projects are what impact him the most. 

The City of North Battleford. (Matt Jacques)

Taste of North Battleford

Have you ever wondered if you could enjoy a proper sit-down meal at a restaurant while also catching a live game of curling? Yes, that may be the most Canadian question of all time.

Well the answer is yes, you can. 

Rachel Lee owns and operates Beaver Grill Exprezz with her husband Howard in North Battleford. 

Howard and Rachel Lee own and operate Beaver Grill Exprezz in North Battleford. In the background is the local curling rink. (Don Somers/CBC)

The Korean couple moved to the city from Vancouver six years ago and serve up many different cuisines, including Korean, Vietnamese, Japanese and Western. 

“All the people who come to our restaurant, they’re all from everywhere … all different diversities … all different taste buds. But we have so many different [items on] the menu that they get to choose many different options here and they all enjoy,” Lee said.

The restaurant sits atop of the curling rink that is home to the Twin River Curling Club. Diners can catch the action. 

“It’s definitely excitement that you can see when the curling is happening. And also the customer gets to join as well.”

Vietnamese noodle soup from Beaver Grill Exprezz in North Battleford. (Beaver Grill Exprezz/Facebook)

Lee said their spin on the traditional Thai rice noodle dish Pad Thai is the favourite dish among customers. Her personal favourite is the Korean Kan-Poong Chicken — a deep-fried chicken breast mixed in Korean sweet and spicy sauce with rice. 

Elsewhere in North Battleford is Armoury Brewing Company. The microbrewery opened in late 2018 and quickly become a hub for the community. It was started by five friends and the enthusiasm is palpable as soon as you wank through the doors. 

The taps are always rotating with beers ranging from simple lagers to special holiday brews. Right now Armoury has the cinnamon Vi-Co stout — a bold stout with dark chocolate, cinnamon, vanilla and lactose. 

Armoury Brewing Company opened in North Battleford in late 2018 and quickly become a hub for the community. (Don Somers/CBC)

Saskatchewan Baseball Hall of Fame & Museum 

Let’s head across the river to the town of Battleford. There sits the Saskatchewan Baseball Hall of Fame & Museum, a treasure trove of memorabilia including uniforms, photographs, baseball bats, baseballs and trophies.

“Baseball played such a big role in the development and the settlement of this province. It was a game that everybody could participate [in].They did not need a whole bunch of equipment,” said Jane Shury, president and CEO of the museum.

Baseball also turned out to be a bit of a matchmaker.

“Baseball became a social event. Many of the ballplayers played ball because it gave them something to do. They loved the game and they would meet their girlfriend at the baseball game. And so the girls also would go to the game to watch the game … but mostly to see if they could find themselves a boyfriend!” Shury said. 

Between 1876 and 1883, Battleford was the capital of the Northwest Territories. The first recorded baseball game in the history of the North West Territories was played there on May 31, 1879. 

Today, you can find a picture of that historic game at the museum. 

Shury’s favourite artifact is a photo of the pitcher in an 1886 baseball game in Lumsden. That pitcher was Walter Scott, the first Saskatchewan premier. The image has been made into a mural that covers a wall outside the museum. 

Also outside the museum, you will Canada’s biggest baseball bat.

(CBC News)

Nature

Residents and visitors of North Battleford and the surrounding area do not lack things to do and see in the great outdoors.

Head 70 kilometres east of North Battleford and you will find Crooked Bush — equal parts magical and eerie.

Crooked Bush is considered to be a botanical mystery. The Crooked Bush trail winds through a cluster of aspen trees that twist and turn in all directions … except, for some unknown reason, upwards. 

Then, 50 kilometres north of North Battleford, is Jackfish Lake. It’s a gorgeous body of water surrounded by several beaches, with three campgrounds and several hiking trails at Battlefords Provincial Park.

The lake provides great fishing with perch, walleye, pike and whitefish. An annual ice fishing derby takes place every February, usually attracting more than 2,000 competitors during non-COVID times.

Saskatchewan’s first Black settlement

Murray Mayes will repeat at least 20 times in an interview how hard it was growing up in Saskatchewan’s first Black settlement during the first half of the 20th Century. But he will immediately follow that up with how thankful he is for those hard time, because they made him stronger.

Mayes has a lot of joy, and a lot to be joyful about. He exudes pride and love for all his children, who have gone on to have successful careers, give him grandchildren and make differences in their communities. 

Murray Mayes is a descendant of black pioneers in Saskatchewan. (CBC)

Mayes was born at the beginning of the Great Depression in the Black settlement of Eldon — 100 kilometres northwest of North Battleford.

After the U.S. Civil War many freed slaves, like his grandparents Joe and Mattie Mayes, moved to Oklahoma to begin a new life.

“Then some of the people that came from the south came up and see these African people. And they said, ‘let’s re-enslave them.’ And they thought, ‘we better get out of here,'” said Mayes. 

Freed slave Mattie Mayes was a well-respected midwife in the Eldon district. (Provincial Archives of Saskatchewan/R-A10362)

At the time, Canada was inviting people to settle in the country and cultivate the land. 

In 1910, Joe and Mattie Mayes led a group of Black families up from the U.S. The pioneer family bought about 49 hectares of land in Saskatchewan for $10.

I just thank God I came through all those hard times because I learned so much from them.– Murray Mayes

They weren’t exactly welcome, however. The Canadian government discouraged black immigration, preferring white immigrants, according to Mayes. 

The family set up a life in Saskatchewan regardless. 

During the Depression, Mayes lived in a one-room log house with eight other people.

“I used to trap weasels and did some hunting. We didn’t have a gun even out there. We were so poor,” Mayes said of his upbringing. 

“We struggled and we had bedbugs. But I just thank God I came through all those hard times because I learned so much from them.”

Three generations of the Mayes family in front of the Shiloh Baptist Church they built. (Leander Lane Family Photo Archives)

Sweetgrasss First Nation

Saskatchewan has a rich agricultural history. As early as 1885, Battleford area farmers had formed an agricultural organization. Then in 1906, the North Battleford Agricultural Society was formed. It advocated for farmers and ranchers and spotlighted their successes in the industry.

The Cree First Nation of Sweetgrass — located 25 kilometres west of North Battleford — is part of Saskatchewan’s agricultural legacy.

Garry Albert and his wife Carma Swimmer Albert on their farm in 1997. They have been married for 47 years and counting. (Submitted by Garry Albert)

Back in 1884, a reserve was surveyed for Sweetgrass band members. At that time they sold hay and wood, and kept gardens and livestock.

Today, Sweetgrass farmers like Garry Albert carry on the tradition of their ancestors. Albert’s efforts have produced results that he takes great pride in.

Albert is a third-generation crop farmer with 55 acres of land. His grandfather began farming on Sweetgrass land in about 1920. His father would go on to farm the land as well. Albert took over in 1974. 

The Sweetgrass First Nation reserve had between 12,000 and 15,000 cultivated acres around 1920, according to Albert. 

In 1992, the federal and provincial governments signed a treaty land entitlement agreement with Saskatchewan First Nations. Under the agreement, the First Nations received money to buy land on the open market.

“With that Sweetgrass has gone forward and purchased an additional 12,000 and 15,000 acres of land. And ever since then, I’ve been continuously cropping.”

An aerial shot of the Sweetgrass First Nation. (Submitted by Chief Lorie Whitecalf)

Albert thinks he was always meant to become a farmer. He said he knew from an early age. 

“I think I was as young as 10 years old I was involved with following my grandfather around and my dad. I would be with my dad on an open-cab combine. He was combining into the evening, and I’m there in a little platform falling asleep … a little blanket covering me,” he said.

“Then there would be times he’d be hauling grain on a small truck to Cut Knife, which is only about 15 miles from here. I’d be right there. I never turned them down when they asked me if I wanted to come along.”

Albert said he clearly remembers his grandfather running a team of horses and a wagon on the farmland. 

“I’d go with him to a little pasture to the north of us where he kept a few horses and maybe a few cows. That was the biggest fond memory about my grandfather.”

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Art and Ephemera Once Owned by Pioneering Artist Mary Beth Edelson Discarded on the Street in SoHo – artnet News

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This afternoon in Manhattan’s SoHo neighborhood, people walking along Mercer Street were surprised to find a trove of materials that once belonged to the late feminist artist Mary Beth Edelson, all free for the taking.

Outside of Edelson’s old studio at 110 Mercer Street, drawings, prints, and cut-out figures were sitting in cardboard boxes alongside posters from her exhibitions, monographs, and other ephemera. One box included cards that the artist’s children had given her for birthdays and mother’s days. Passersby competed with trash collectors who were loading the items into bags and throwing them into a U-Haul. 

“It’s her last show,” joked her son, Nick Edelson, who had arranged for the junk guys to come and pick up what was on the street. He has been living in her former studio since the artist died in 2021 at the age of 88.

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Naturally, neighbors speculated that he was clearing out his mother’s belongings in order to sell her old loft. “As you can see, we’re just clearing the basement” is all he would say.

Cardboard boxes in the street filled with an artist's book.

Photo by Annie Armstrong.

Some in the crowd criticized the disposal of the material. Alessandra Pohlmann, an artist who works next door at the Judd Foundation, pulled out a drawing from the scraps that she plans to frame. “It’s deeply disrespectful,” she said. “This should not be happening.” A colleague from the foundation who was rifling through a nearby pile said, “We have to save them. If I had more space, I’d take more.” 

Edelson’s estate, which is controlled by her son and represented by New York’s David Lewis Gallery, holds a significant portion of her artwork. “I’m shocked and surprised by the sudden discovery,” Lewis said over the phone. “The gallery has, of course, taken great care to preserve and champion Mary Beth’s legacy for nearly a decade now. We immediately sent a team up there to try to locate the work, but it was gone.”

Sources close to the family said that other artwork remains in storage. Museums such as the Guggenheim, Tate Modern, the Museum of Modern Art, the Brooklyn Museum, and the Whitney currently hold her work in their private collections. New York University’s Fales Library has her papers.

Edelson rose to prominence in the 1970s as one of the early voices in the feminist art movement. She is most known for her collaged works, which reimagine famed tableaux to narrate women’s history. For instance, her piece Some Living American Women Artists (1972) appropriates Leonardo da Vinci’s The Last Supper (1494–98) to include the faces of Faith Ringgold, Agnes Martin, Yoko Ono, and Alice Neel, and others as the apostles; Georgia O’Keeffe’s face covers that of Jesus.

Someone on the streets holds paper cut-outs of women.

A lucky passerby collecting a couple of figurative cut-outs by Mary Beth Edelson. Photo by Annie Armstrong.

In all, it took about 45 minutes for the pioneering artist’s material to be removed by the trash collectors and those lucky enough to hear about what was happening.

Dealer Jordan Barse, who runs Theta Gallery, biked by and took a poster from Edelson’s 1977 show at A.I.R. gallery, “Memorials to the 9,000,000 Women Burned as Witches in the Christian Era.” Artist Keely Angel picked up handwritten notes, and said, “They smell like mouse poop. I’m glad someone got these before they did,” gesturing to the men pushing papers into trash bags.

A neighbor told one person who picked up some cut-out pieces, “Those could be worth a fortune. Don’t put it on eBay! Look into her work, and you’ll be into it.”

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Biggest Indigenous art collection – CTV News Barrie

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Biggest Indigenous art collection  CTV News Barrie

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Why Are Art Resale Prices Plummeting? – artnet News

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Welcome to the Art Angle, a podcast from Artnet News that delves into the places where the art world meets the real world, bringing each week’s biggest story down to earth. Join us every week for an in-depth look at what matters most in museums, the art market, and much more, with input from our own writers and editors, as well as artists, curators, and other top experts in the field.

The art press is filled with headlines about trophy works trading for huge sums: $195 million for an Andy Warhol, $110 million for a Jean-Michel Basquiat, $91 million for a Jeff Koons. In the popular imagination, pricy art just keeps climbing in value—up, up, and up. The truth is more complicated, as those in the industry know. Tastes change, and demand shifts. The reputations of artists rise and fall, as do their prices. Reselling art for profit is often quite difficult—it’s the exception rather than the norm. This is “the art market’s dirty secret,” Artnet senior reporter Katya Kazakina wrote last month in her weekly Art Detective column.

In her recent columns, Katya has been reporting on that very thorny topic, which has grown even thornier amid what appears to be a severe market correction. As one collector told her: “There’s a bit of a carnage in the market at the moment. Many things are not selling at all or selling for a fraction of what they used to.”

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For instance, a painting by Dan Colen that was purchased fresh from a gallery a decade ago for probably around $450,000 went for only about $15,000 at auction. And Colen is not the only once-hot figure floundering. As Katya wrote: “Right now, you can often find a painting, a drawing, or a sculpture at auction for a fraction of what it would cost at a gallery. Still, art dealers keep asking—and buyers keep paying—steep prices for new works.” In the parlance of the art world, primary prices are outstripping secondary ones.

Why is this happening? And why do seemingly sophisticated collectors continue to pay immense sums for art from galleries, knowing full well that they may never recoup their investment? This week, Katya joins Artnet Pro editor Andrew Russeth on the podcast to make sense of these questions—and to cover a whole lot more.

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