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In soup vs. art, climate change protesters lose, says activist

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As It Happens7:05Attacking paintings with soup isn’t an effective way to fight climate change, says activist

Hurling soup or some sort of damaging food at famous paintings has a become a popular trend among climate activists hoping for a brighter future, but Lucy Whelan says those demonstrations aren’t actually having the impact those activists would hope.

“It’s a kind of spectacle and nothing has really been harmed,” Whelan, a climate activist herself, told Nil Köksal on As It Happens. “The problem with climate change right now is that so many people know it’s scary, but we’re quite complacent.”

In October, protesters Phoebe Plummer and Anna Holland made headlines by throwing soup on Vincent van Gogh’s Sunflowers in London’s National Gallery. But the soup caused no discernible damage to the glass-covered painting.

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In an interview with As It Happens in October, Plummer said that the action she and Holland took was necessary in the shadow of the climate crises.

“Right now, there’s 33 million people displaced by floods in Pakistan. Thousands of people are dying of starvation in Somalia due to extreme famine from crop failure,” said Plummer.

This photo from Italian news agency Ansa, shows climate activists from Last Generation and a security guard by The Sower, an 1888 painting by Dutch artist Vincent Van Gogh, after activists threw pea soup at it on Nov. 4. (ANSA/AFP/Getty Images)

“And it took two young people throwing soup at a painting to get more people talking about the climate crisis, [more than] the millions of lives have been destroyed by climate disasters.”

When Whelan first saw what Plummer and Holland had done, she was shocked. But she says, while she wholeheartedly agrees with the intention behind the protest, she feels it’s a lose-lose scenario.

“Either the soup or the acidic liquid that’s chosen is actually going to damage the artworks, in which case, I think that’s the tragedy. It makes the protesters look like hooligans who are not interested in preserving things for the future, which they obviously are,” said Whelan.

“Or it’s not going to damage the work … then what we have is something that looks shocking, but actually it just makes us all go, ‘Oh, it’s fine,’ …[which] is exactly the kind of thinking that we need to stop being quite so good at.”

Making a difference

Other famous pieces of art have been hit as well. In late October, mashed potatoes were chucked Claude Monet’s painting Les Meules, and someone smashed chocolate cake on a waxwork figure of King Charles.

In Canada, protesters with Stop Fracking Around, a group demanding an end to the Coastal GasLink Pipeline project, poured maple syrup onto Emily Carr’s 1934 painting Stumps and Sky at the Vancouver Art Gallery on November 12.

“Her painting Stumps and Sky … is a lament of ecological destruction and her art actually paid attention to Indigenous peoples. She cared about all that binds us to the world. She seemed just the wrong person,” said Whelan.

Protesters said they chose the painting because the fallen trees depicted the kind of environmental destruction they are trying to prevent. But Whelan says that instead, protesters should be more thoughtful about the pieces they target.

This photo provided to media from the group Stop Fracking Around shows Erin Fletcher, left, and Emily Kelsall, right, in front of the Emily Carr painting ‘Stumps and Sky,’ at the Vancouver Art Gallery on Saturday, Nov. 12. (Stop Fracking Around)

“At least think about making some seriously disruptive attacks on art that celebrates consumption and economic growth,” said Whelan.

“I think we need to be more thoughtful, not more art historical, about about what is the target of activism.”

Whelan says she is on the protesters’ side. As a climate activist herself, she’s tried to make meaningful changes and taken part in protests.

She’s spoken to her local politicians in Cambridge, England, and talked with neighbours about how they can do things differently to protect the environment.

“There will be so many people watching attacks like this saying, ‘oh, I support action on climate change. I really do. But just not this not attacks on art.’ And I would encourage anyone who says that to make that real, to translate that into action,” said Whelan.

“If you do support action on climate change, [and] you don’t want to see it like this, contact your counselors, do something you do approve of. Walk the talk.”


Produced by Kate Swoger.

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Collaborative art project highlights the artistic and healing properties of trees – GuelphToday

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Combining nature, art and science came to fruition with a collaborative stick weaving project today.

At the How To Draw A Tree Wellness Circle on Johnston Green at the University of Guelph, people were welcomed to join artists Dawn Matheson and Agnes Niewiadomski to create a sculpture made out of sticks. 

Trees saved Matheson’s life. She has her own challenges with mental health but being with trees in nature relaxes her and calms her mind.

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“It’s just a practice I’ve developed. It grounds me,” she said. 

She wanted to bring a bit about what fuels her creativity and helps her mental health to the public with this art project.

The process of the sculpture will continue to unravel in the next couple of weeks as people add sticks to it. About 50 people came out to the event on Wednesday.

Eventually the sculpture will be used as a set piece for a play put on by Guelph Collegiate Vocational Institute (GCVI) students. 

“Our idea is always like, challenge yourself to try something that you’re not used to,” said Gerard Gouchro, teacher and minor head of arts at GCVI. Students came to help create pieces of art as part of the sculpture. 

The project stemmed from an idea to get people engaged with the wellness circle. An art project called How To Draw A Tree was created by Matheson four years ago. Although the project is finished she hopes people will still engage with it. 

The team behind the project is a mix of artists, sound composers, students, poets, ecopsychologists and more. They created sound walks. People can go through a guided tour in the Arboretum while listening to artists talk about their relationship to trees.

There are four guided sound walks onsite and each person has a tree planted at the wellness circle that they connected with while working on the project.

The stick sculpture will be a work in progress. There will be a sign that reads anyone is welcome to add a stick to the sculpture. “It’ll become a true process based community sculpture, maybe it’ll get destroyed, which is fine by me. I’m a process based artist, there’s no final product,” said Matheson.

Most of the materials used for stick weaving are sticks from trees in the Arboretum that were pruned in the winter. Instead of the material being put into a chipper “this was a great opportunity to share it here for this project,” said Justine Richardson, director of the Arboretum. 

Matheson hoped with minimal instruction people felt free to add sticks to the sculpture wherever they saw fit.

“It’s just kind of come alive to see everyone’s contributions. I’m really impressed,” said Niewiadomski.

Trees are the ultimate improvisers; they move wherever the sun is, said Matheson. Trees are good listeners and you can’t experience a lot of rejection from them.

“There’s two parallel crises that are the biggest crisis in the world right now. And that’s mental illness and climate crisis,” she said. This is what the project is about.

There will be researchers from the U of G who will be studying the art project and will give feedback to see how beneficial creating a connection between people and the earth is.

The question that runs through Matheson’s mind is; how do we glean life and creativity from trees but also give back to nature?

The art piece will be up for the next couple of weeks on Johnston Green and people can contribute by adding in their own sticks.

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PHOTOS: 'Urban art advocates' brighten up London with public murals – The London Free Press

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Squatters at Gordon Ramsay's Pub Have 'Left the Building' After Turning It Into an Art Café – PEOPLE

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Squatters occupying one of Gordon Ramsay’s London pubs have vacated the property, one week after police were made aware of their activity.

The Camden Art Cafe, an “autonomous cafe” who had identified themselves as the occupants of the celebrity chef’s York & Albany pub, shared the news in an Instagram post.

“We are sad to announce Camden art collective have left the building after being served papers yesterday,” the post read. “We wish those left in the building the best of luck in their endeavours. We hope to be a part of the community again soon, watch this space!!”

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The account did not specify who is left in the building, and London’s Metropolitan Police could not immediately be reached by PEOPLE for comment.

On April 13, BBC reported that the Central London pub had been occupied by at least six people, who allegedly boarded the windows. PEOPLE confirmed on April 15 that Ramsay’s pub had been occupied by squatters. 

York & Albany pub.

Ray Tang/Shutterstock


The building where York & Albany was located and rented by Ramsay was listed on the market for £13 million, or about $16 million U.S. dollars, in December.

The Camden Art Cafe spoke about the price when they shared an official statement on April 15 about occupying the building.

“We aim to open our doors regularly to anyone and everyone, particularly the people of Camden who have been victims of gentrification and parasitic projects like HS2,” the statement said, adding that they will provide free food and “space to display their art without the ridiculous red-tape that galleries require people to jump over.”

The post continued, talking about how the wealth disparities in Camden made it “fitting that £13 million properties that most locals would never be able to afford to visit should be opened up to all.” 

On April 15, the Metropolitan Police told PEOPLE that they were made aware of the squatters at a “disused property” near London’s Regent’s Park on April 10.

“This is a civil matter and so police did not attend as an emergency call out,” the statement continued. 

In the statement, the police said they would get involved if necessary: “We [are] in the process of identifying if any subsequent offences [sic] have occurred, and will take action where appropriate.”

Ramsay’s team declined to comment on the situation since it is being handled legally.

According to the U.K.’s official squatter rules on the government website, “Simply being on another person’s non-residential property without their permission is not usually a crime.”

But the website lists vandalization, not leaving when ordered by the court and using utilities as crimes that would permit police involvement.

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