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Is depression linked with social media use in adults? – Medical News Today

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New research finds a link between depressive symptoms and social media use among adults. peepo/Getty Images
  • Researchers investigated the link between social media use and depression in adults, including older adults.
  • They found that the use of some social media, but not all, has associations with an increased risk of depressive symptoms.
  • Alongside expert commentators, the team asks for caution when interpreting the results due to study limitations and uncertainty around causation.

The use of social media has correlations with reduced well-being and increased anxiety and depression among adolescents and young adults.

One review highlighted a study that found using the internet to communicate and play games for more than 4 hours a day predicts depressive symptoms 1 year later. The research also found that depressive symptoms predict increased internet use and decreased participation in nonscreen activities.

Another study involving 990 participants in the United States found a link between social media use and the development of depression. However, preexisting depression did not predict social media use.

However, how accurate these studies are may be questionable because many of them rely on self-reported social media use. A review of 47 studies investigating the accuracy of self-reported digital media use raised a concern that self-reported measurements rarely correlate with logged measurements.

Furthermore, studies often do not include adults in their samples, so the effects of social media on older age groups are relatively unknown.

Lastly, whether there is a causal relationship between social media use and depression — and which comes first — is still unknown.

Recently, researchers conducted a survey study investigating the link between social media use and the development of depressive symptoms.

The results suggest certain social media use preceded the worsening of depressive outcomes. The findings appear inJAMA Network Open.

However, some experts doubt the extent to which these findings can be interpreted.

The researchers analyzed results from survey data taken between May 2020 and May 2021 from individuals aged 18 years and above. The survey sample included quotas for sex, age, and race and ethnicity from each of the 50 states in the U.S. to ensure it was representative of the country’s population.

Survey questions included the nine-item Patient Health Questionnaire (PHQ-9) to assess for depressive symptoms. Questions examined whether participants had “little interest or pleasure in doing things” and whether they were “feeling down, depressed, or hopeless” on a four-point scale.

The researchers also queried participants on:

  • their use of social media, such as Facebook, Instagram, and TikTok
  • whether they consumed any sources of COVID-19-related news in the last 24 hours
  • the number of social supports they have available to discuss problems
  • the number of face-to-face meetings they had with nonhousehold members in the previous 24 hours

For the data analysis, the team included participants who had filled out the surveys at least twice and had an initial PHQ-9 score of less than 5, indicating less than mild depression.

Overall, 5,395 people completed two surveys. Their average age was 55.8 years old, while 65.7% were female, 4.7% Hispanic, 10.6% Black, and 76.3% white.

From their analyses, the researchers noted that Snapchat, Facebook, and TikTok use in the first survey had associations with a significantly greater risk of an increase in self-reported depressive symptoms.

They also noted that COVID-19-related news participants consumed in the last 24 hours alongside the number of social supports and daily face-to-face interactions only impacted results linked to Snapchat.

While TikTok and Snapchat use had correlations with depressive symptoms among those aged 35 years and older, but not those younger than 35, Facebook use had associations with depressive symptoms among those under 35, but not those older than 35.

The researchers say that due to the observational nature of their study, they cannot ascertain why social media use may have links to depression. However, they identify possible mechanisms.

“One possible explanation for our results is that people who are at risk for depression, even if they’re not currently depressed, are more likely to use social media,” Roy H. Perlis, M.D., M.Sc., lead author of the study, told Medical News Today.

“Another is that social media actually contributes to that increased risk. With our study design, we can’t distinguish between the two. What we can exclude is the possibility that depressed people are more likely to report social media use, which was a limitation of some previous studies,” he added.

When asked to explain what might be behind this association, Sara Makin, M.S.Ed. NCC., LPC., and founder and CEO of Makin Wellness, who was not involved in the study, highlighted that when isolated, people may turn to social media as a way to feel more connected. However, this may have an inverse effect and therefore result in depressive symptoms.

She also noted the effect of social comparison: “Social media often only shows people ‘living their best lives’ or the positive things that are happening like purchasing a new house, getting a new job, graduating from college, etc. Most people compare their failures to others’ successes, which can make us have negative thoughts about ourselves.”

While it seems as though rates of depression increased during the COVID-19 pandemic, some question whether social media use had a casual role at all.

“Big limitations make it difficult, if not impossible, to conclude anything worthwhile from the findings, “ Craig J. R. Sewall, a postdoctoral fellow at the University of Pittsburgh, who was not involved in the study, told MNT.

“The item they used to measure use of [social media] platforms is a simple ‘yes/no’ response to this question: ‘do you ever use any of the following social media sites or apps?’ So a person [who] used Instagram, for example, 5 years ago and a person [who] used Instagram 5 hours ago would both answer ‘yes.’”

“That’s a big problem and renders this finding practically meaningless: In adjusted regression models, Snapchat, Facebook, and TikTok use at first survey were significantly associated with greater risk of increase in self-reported depressive symptoms,” he continued.

“Because the question about [social media] use was phrased the way it was, even if they found an association between [social media] use and depression, they would have no way to ascertain whether that [social media] use was recent or a long time ago, whether they frequently visited the [social media] platform or whether it was a ‘one-and-done’ situation [or both]. As a result, it’s a big stretch to conclude that participants’ increase in depression between May 2020 and May 2021 had anything to do with whether they used certain [social media] platforms,” he explained.

“I believe the ‘link’ found in this study is dubious but, generally, if there is a link [between social media] and depression, there could be a number of explanations. In the time of COVID-19, I believe the most plausible explanation is that many people experienced increases in depression due to the myriad negative impacts of the pandemic.”

– Dr. Sewall

“At the same time, people had to rely more on digital technology like [social media] to connect with friends, colleagues, and loved ones. So people who became more depressed due to the pandemic may have relied on [social media] more as a coping mechanism,” he concluded.

“Explaining the links between social media use and depression requires a lot of careful thought and precise methodology, “ said Dr. Fisher. “In my personal opinion, this should be done in a way that moves away from cross-sectional, self-report measures like are employed in this study and toward measures that consider the individual (sometimes called idiographic methods), and those which measure social media use in a more objective fashion (like using device logs or a data donation framework).”

“I just don’t know that we have enough evidence from this paper to decisively conclude that there is a link between social media use and depression, much less that the causal directionality here is that social media use [leads to] depression. It’s also possible that those who were more depressed during the pandemic happened to use social media more (e.g., to connect with friends). The methods used here don’t let us conclude either way,” he added.

The researchers conclude that we need to understand the relationship between social media use and mental health better.

“Even if social media use is only telling us about underlying risk, rather than causing it, can we understand why?” said Dr. Perlis. “Might we be able to intervene to prevent depression and anxiety? We hope that our work will inform both mental health researchers and policymakers in thinking about how to study and potentially act on this relationship. What we can’t​ continue to do is simply ignore this association or try to wave it away as a statistical artifact.”

The researchers note that their study has several limitations. Firstly, they say they could not properly control for all factors that may have influenced their results. They stress that their research does not prove causation and that social media use may “simply be a marker of underlying vulnerability to depression.”

When asked how these findings should influence public health, Ms. Makin said: “For one, limits for the amount of social media that one consumes should be set. This can be easily done by going into your settings on your [smartphone], so once you have reached your limit for the day, you can no longer access the app.”

“Likewise, research may need to be done to determine what is an appropriate amount of time to spend on social media where it makes us feel good but does not cause us to become fixated on the lives of others and cause feelings of depression. It may also be helpful to suggest changes about the way that we interact and react on social media with others. Teenagers and adolescents who have social media accounts may need to be monitored more closely to make sure they are not victims or perpetrators of cyberbullying,” she added.

However, Dr. Sewall believes these findings should not influence public health recommendations, given the “flimsy” evidence:

“If the hope is to help people improve their well-being during these very difficult times, I believe it would be a waste of time and resources to focus on people’s [social media] use. [It would be] much better to focus on some of the myriad other issues that have been impacted by the pandemic — like financial security.”

Dr. Fisher agreed that these findings should not directly influence public health recommendations, “at least not in an extreme way.”

Dr. Fisher added: “I do hope that findings like these generate some momentum toward pressuring social media companies to share their data with independent researchers, because this is likely the only way for us to come up with evidence that is actually conclusive with regard to the links between social media use and depression.”

“I am all for increased accountability for social media platforms, but the fact is that social media use is very idiosyncratic, and for some people, it’s positive, and for others, it’s negative, just like many other behaviors.”

“We are likely to actually set our understanding back if we are too quick to pathologize everyday behaviors. I would be disappointed if healthcare practitioners and other public health officials use the findings from this study as justification for any kind of causal link between social media use and depression, especially in a general sense.”

– Dr. Fisher

“There is by no means a consensus in the academic community that ‘social media,’ or even particular social platforms are harmful to mental health in a general sense and [we] need much better data to be more sure about these links, and even more so to understand which direction the causal order flows,” Dr. Fisher concluded.

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Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

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Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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