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ken kelleher depicts cars and motorcycles as sculptural art pieces in digital series

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ken kelleher digitally sculpts cars and motorcycles

Metallic car designs that bulge and slope, and life-size motorcycle models that balloon with pillowy paddings. Ken Kelleher’s digital art pieces on vehicles borrow their elements from whimsical dream sequences and hypnotic attraction toward grandeur design inquiries and possibilities.

His pink metallic car packs a rear with swelling bumps that narrow to two exhaust vents. He strips his black vehicle from having any doors, windows, and views, and retains its headlights and hood. The enclosure for his dandelion-colored car rises and falls like rugged mountains, gifting the overall design the look of a palm-sized mouse for a computer.

ken kelleher digital art
Mellow Yellow | images courtesy of Ken Kelleher

The element of surprise compels Kelleher to boost his digital sculptures with instilled mystery and transient jolt. Viewers narrow their eyes to fully scrutinize the realness of his art pieces. What goes behind the windowless cars and under the puffy motorcycles is up to the viewers’ discretion and imagination.

Part of the artist’s slant comes through as he believes that ‘you create something that has never before existed in the world until you created it.’ For Kelleher, his pursuit of delight and element of surprise from the get-go bubbles up as he says, ‘this phase of creation is the phase in which what you made is still brand new to you. It has been born out of you. It didn’t exist before, and now it does.’

ken kelleher digital art
Pink Bubblegum Sport

Making forms in drawings real

Ken Kelleher disperses his artistic codes in a maelstrom of alleyways, from large-scale installations to digital art pieces. His state of mind nudges him to sketch first and let the draft unfold into rough renderings using his computer. First, he creates his virtual sketches and lets them brew for a while. He inquires then on how he can turn them into tangible products of art and design.

‘Once I create the renderings, I research how they could be done and connect with people who I think would be right for the project,’ he says. The artist slash creative director in digital design eyes sculptures more for the reason of tangible creations. In his new digital art pieces, his ethos to bring about playful, life-size and -like sculptural cars and motorcycles stately manifest.

ken kelleher digital art
Black Beauty

Kelleher curates his personal design language by experimenting. He’s worked on wood, steel, fiberglass, tape, plastic, and his materials portfolio keeps on growing. Going digital for his oeuvre illustrates his drive to expand and create through creative mediums.

He says that he makes sculptures based on a dialogue with the materials, ‘and with my imagination, sometimes form appear in a drawing, and I am inspired to make them real.’ His cars and motorcycles digital art carves a virtual path for the American creative to play with the automotive fans’ wondering visions on the what-if designs of vehicles.

ken kelleher digital art
Orange Stryker

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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