Art
Mackenzie Art Gallery hires John Hampton as permanent executive director, CEO – Global News
The Mackenzie Art Gallery in Regina has announced John G. Hampton as its executive director and CEO, the first Indigenous person to fill that role in a public art gallery in Canada.
Hampton was filling the role on an interim basis as of August 2020, but will take over full-time.
“I am humbled and incredibly proud to take on this work with such an inspiring team and community. The MacKenzie is my hometown gallery, and it has played an integral role in shaping some of my earliest understandings of the role of art and culture in our society,” Hampton said.
Read more:
Shaping Saskatchewan — John Hampton
“I am honoured to be asked to continue the trailblazing work of forerunners like Bob Boyer, Lee-Ann Martin, Kate Davis, and so many more, as we work to live up to our role as caretakers of culture in this territory.
“The MacKenzie has an exciting future ahead of it, and I intend to bring a spirit of interdependence, innovation, trust, wonder, and respect as we celebrate the deep art history of this land in tandem with the most innovative practices and conversations happening in Canada and beyond.”
Artist and search committee member Sherry Farrell-Racette said it was Hampton’s vision for the future that made his hiring an easy decision.
“We are particularly happy to see the MacKenzie follow its groundbreaking path in Indigenous curation— it was, as you know, the first public gallery to hire an Indigenous head curator—and now, we make history again by hiring the first Indigenous executive director and CEO of a public art gallery in Canada,” Farrell-Racette said.
Hampton has spent two years working at MacKenzie and has focused on strengthening gallery programs around radical diversity, cultural health, writing art histories and transformation.
He also helped build a new digital lab, helped develop a Mitacs partnership with the University of Regina, and oversaw the restructuring of the Indigenous advisory circle and the appointment of the gallery’s first elder in residence, Betty McKenna.
Hampton chaired the newly formed equity task force and also worked alongside the U of R and artist Divya Mehra on the first-ever repatriation from the Norman MacKenzie collection of art.
“John’s direction of the programming department has seen the implementation of new innovative digital programs and activities—work that has become even more vital over the past year, enabling us to continue to create transformative experiences of the world through art for our communities, even amidst the challenges of a pandemic,” said Nathan Schissel, MacKenzie’s board of trustees president.
“John’s leadership and achievements at the Gallery have been invaluable over the past several years, and we are confident in his ability to enhance the MacKenzie’s strategic initiatives and objectives, inspire our community, and strengthen our role as a community leader in Saskatchewan and across Canada.”
Hampton joined the gallery as the director of programs in October 2018.
© 2021 Global News, a division of Corus Entertainment Inc.
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Ukrainian sells art in Essex while stuck in a warzone BBC.com
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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”
On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.
Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”
The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.
Blaze in the West Wing
The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.
About Somerset House
Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.
Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.
Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.
Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.
The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.
Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”
With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.
The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.
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