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National Fibre Art Exhibition comes to Woodstock – Woodstock Sentinel Review

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The path through life can take some unexpected turns.

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The path through life can take some unexpected turns.

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Beginning Oct. 16, Crossroads, a brilliant display of quilts, felting, weaving and other fibre art from across Canada that embraces the vagaries of life will be showcased in Woodstock.

“Crossroads is a fitting theme, not only as the Grand National Fibre Art Exhibition embarks on its first touring exhibition, but as many of us have encountered personal, social and political crossroads this past year,” said Mary Reid, the director and curator of the Woodstock Art Gallery.

While hosted by the Woodstock Art Gallery, the Crossroads exhibit will actually be displayed  the Woodstock Museum National Historic Site.

“It’s been a long time coming since I first learned of the exhibition in 2018. I am so impressed with the exhibition. The organizing committee spans from coast to coast, so it’s very national in its scope,” Reid said.

“It is all volunteer based. It was so impressive to see how much they has been done in finding funding, as well as all of the heavy lifting involved to get this going.”

Juried by award-winning artists Tracey Aubin, Debora Barlow and Judy Villett, the exhibition features 48 fibre art pieces interpreting the Crossroads theme.

“This medium of fibre art crosses art and craft. There are some traditional quilt pieces, pieces with new media and 3D pieces. There is such a variety of creative techniques, imagery and skills, from abstract to realistic.”

The Grand National Fibre Art Exhibition was developed in 2003 to showcase the incredible creativity of Canadian quilt artists and has since expanded to include a wide variety of fibre art materials and technique.

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​According to the Grand National Fibre Art Exhibition, Crossroads encourages observers to think of the people throughout history who have meet and acted on their own “crossroads.”

Living through the current pandemic, the theme of crossroads is particularly timely, Reid noted.

“When this was being planned, we had no idea of what the future would hold. Who would have ever known?” Reid said. “I would like to thank our colleagues at the Woodstock Museum for providing the space and resources to help share this meaningful exhibition with our community.”

Crossroads will be on view at the museum at 466 Dundas St. until Feb. 26, 2022.

A virtual artist webinar, hosted by the Woodstock Art Gallery in partnership with the fine art program at Fanshawe College, is scheduled for Jan. 20, 2022, at 3 p.m.

Registration details for the webinar will be shared on the gallery’s website.

bgeernaert@postmedia.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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