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New details about $20M Toronto airport gold heist revealed in Brink’s suit against Air Canada
In a statement of claim filed in Federal Court and first reported by Glen McGregor on Substack, Brink’s says the shipment of gold and cash was delivered to Air Canada in Zurich, a Swiss financial centre, and loaded aboard Air Canada Flight AC881, a daily passenger and cargo flight to Toronto, on April 17.
Brink’s claims Air Canada provided woeful security despite knowing the high-value contents of the load.
None of the allegations have been proven in court.
Air Canada would not comment on the lawsuit, the heist, or the allegations.
The money, declared as “BANKNOTES”, was being shipped to the Vancouver Bullion and Currency Exchange, according to the lawsuit.
Around the same time, Valcambi SA, a precious metals refining company in Switzerland, hired Brink’s to transport 400.19 kilos of gold — valued at more than $20.4 million — to Toronto.
The gold, declared as “GOLDBARS”, was being sent to the Toronto Dominion Bank in Toronto, the suit says.
The two shipments were combined into one air cargo container about the size of a large office desk.
The plane landed at Toronto’s Pearson airport around 4:20 p.m. The shipping container was unloaded and moved to an Air Canada bonded warehouse at the edge of the airport at about 5:50 p.m., the lawsuit claims.
“Upon receipt of the Fraudulent Waybill, AC personnel released the Shipments to the unidentified individual, following which the unidentified individual absconded with the cargo,” the lawsuit claims.
“AC accepted the Fraudulent Waybill from the unidentified individual without verifying its authenticity in any way.
“Had AC made the necessary and appropriate inquiries in the circumstances, the unidentified individual’s ability to steal the cargo entrusted to its care would have been entirely avoided,” according to the Brink’s claim.
Brink’s sent the nature of the cargo contents, their declared values, and flight information to Air Canada by email when booking the cargo shipment, on or about April 14. The emails were confirmed by Air Canada the same day, according to the lawsuit.
“AC Secure ensures the safe and secure transportation of specific commodities including goods with a declared value of CAD/USD $1,000 per kilogram or more, or when a shipper purchases insurance in the same amount per kilogram, regardless of the commodity,” its website says.
Commodities using AC Secure often include gold, silver, gems, money, watches, jewelry, stocks and bonds.
AC Secure costs more than regular air shipments.
Brink’s transportation contract with the company means Brink’s took on responsibility for the value of the load if lost in transit.
Brink’s now seeks to redeem that loss from Air Canada.
The lawsuit accuses Air Canada of being “reckless in its operation of the AC Secure program” by failing to adequately secure the cargo.
Brink’s claims damages of 13.6 million Swiss Francs, representing the declared value of the missing gold, and US$1,945,843, the value of the missing money.
Brink’s also seeks special damages of an unspecified amount and costs of the legal action.
The lawsuit says that the company was notified in March of ongoing upgrades by Air Canada designed to “build an improved process” for AC Secure, including “better technology enhancements, handovers and (an) improved tracing method.”
But, the suit claims, the airline failed to implement improvements “properly or at all.”
The lawsuit was filed in Federal Court because international shipments are regulated by the Montreal Convention, an international treaty that is incorporated into Canadian law.
“This is still a very active ongoing investigation, and information will be released when investigators believe it will not interfere with the investigation’s integrity. At this time, we have no further information to release.”
Brink’s declined to comment beyond their statement of claim. TD Bank, Valcambi SA, and the Vancouver Bullion and Currency Exchange did not respond to requests for comment prior to deadline.
News
Bad traffic, changed plans: Toronto braces for uncertainty of its Taylor Swift Era
TORONTO – Will Taylor Swift bring chaos or do we all need to calm down?
It’s a question many Torontonians are asking this week as the city braces for the arrival of Swifties, the massive fan base of one of the world’s biggest pop stars.
Hundreds of thousands are expected to descend on the downtown core for the singer’s six concerts which kick off Thursday at the Rogers Centre and run until Nov. 23.
And while their arrival will be a boon to tourism dollars — the city estimates more than $282 million in economic impact — some worry it could worsen Toronto’s gridlock by clogging streets that already come to a standstill during rush hour.
Swift’s shows are set to collide with sports events at the nearby Scotiabank Arena, including a Raptors game on Friday and a Leafs game on Saturday.
Some residents and local businesses have already adjusted their plans to avoid the area and its planned road closures.
Aahil Dayani says he and some friends intended to throw a birthday bash for one of their pals until they realized it would overlap with the concerts.
“Something as simple as getting together and having dinner is now thrown out the window,” he said.
Dayani says the group rescheduled the gathering for after Swift leaves town. In the meantime, he plans to hunker down at his Toronto residence.
“Her coming into town has kind of changed up my social life,” he added.
“We’re pretty much just not doing anything.”
Max Sinclair, chief executive and founder of A.I. technology firm Ecomtent, suggested his employees avoid the company’s downtown offices on concert days, saying he doesn’t see the point in forcing people to endure potential traffic jams.
“It’s going to be less productive for us, and it’s going to be just a pain for everyone, so it’s easier to avoid it,” Sinclair said.
“We’re a hybrid company, so we can be flexible. It just makes sense.”
Swift’s concerts are the latest pop culture moment to draw attention to Toronto’s notoriously disastrous daily commute.
In June, One Direction singer Niall Horan uploaded a social media video of himself walking through traffic to reach the venue for his concert.
“Traffic’s too bad in Toronto, so we’re walking to the venue,” he wrote in the post.
Toronto Transit Commission spokesperson Stuart Green says the public agency has been working for more than a year on plans to ease the pressure of so many Swifties in one confined area.
“We are preparing for something that would be akin to maybe the Beatles coming in the ‘60s,” he said.
Dozens of buses and streetcars have been added to transit routes around the stadium, and the TTC has consulted the city on potential emergency scenarios.
Green will be part of a command centre operated by the City of Toronto and staffed by Toronto police leaders, emergency services and others who have handled massive gatherings including the Raptors’ NBA championship parade in 2019.
“There may be some who will say we’re over-preparing, and that’s fair,” Green said.
“But we know based on what’s happened in other places, better to be over-prepared than under-prepared.”
Metrolinx, the agency for Ontario’s GO Transit system, has also added extra trips and extended hours in some regions to accommodate fans looking to travel home.
A day before Swift’s first performance, the city began clearing out tents belonging to homeless people near the venue. The city said two people were offered space in a shelter.
“As the area around Rogers Centre is expected to receive a high volume of foot traffic in the coming days, this area has been prioritized for outreach work to ensure the safety of individuals in encampments, other residents, businesses and visitors — as is standard for large-scale events,” city spokesperson Russell Baker said in a statement.
Homeless advocate Diana Chan McNally questioned whether money and optics were behind the measure.
“People (in the area) are already in close proximity to concerts, sports games, and other events that generate massive amounts of traffic — that’s nothing new,” she said in a statement.
“If people were offered and willingly accepted a shelter space, free of coercion, I support that fully — that’s how it should happen.”
This report by The Canadian Press was first published Nov. 13, 2024.
News
‘It’s literally incredible’: Swifties line up for merch ahead of Toronto concerts
TORONTO – Hundreds of Taylor Swift fans lined up outside the gates of Toronto’s Rogers Centre Wednesday, with hopes of snagging some of the pop star’s merchandise on the eve of the first of her six sold-out shows in the city.
Swift is slated to perform at the venue from Thursday to Saturday, and the following week from Nov. 21 to Nov. 23, with concert merchandise available for sale on some non-show days.
Swifties were all smiles as they left the merch shop, their arms full of sweaters and posters bearing pictures of the star and her Eras Tour logo.
Among them was Zoe Haronitis, 22, who said she waited in line for about two hours to get $300 worth of merchandise, including some apparel for her friends.
Haronitis endured the autumn cold and the hefty price tag even though she hasn’t secured a concert ticket. She said she’s hunting down a resale ticket and plans to spend up to $600.
“I haven’t really budgeted anything,” Haronitis said. “I don’t care how much money I spent. That was kind of my mindset.”
The megastar’s merchandise costs up to $115 for a sweater, and $30 for tote bags and other accessories.
Rachel Renwick, 28, also waited a couple of hours in line for merchandise, but only spent about $70 after learning that a coveted blue sweater and a crewneck had been snatched up by other eager fans before she got to the shop. She had been prepared to spend much more, she said.
“The two prized items sold out. I think a lot more damage would have been done,” Renwick said, adding she’s still determined to buy a sweater at a later date.
Renwick estimated she’s spent about $500 in total on “all-things Eras Tour,” including her concert outfit and merchandise.
The long queue for Swift merch is just a snapshot of what the city will see in the coming days. It’s estimated that up to 500,000 visitors from outside Toronto will be in town during the concert period.
Tens of thousands more are also expected to attend Taylgate’24, an unofficial Swiftie fan event scheduled to be held at the nearby Metro Toronto Convention Centre.
Meanwhile, Destination Toronto has said it anticipates the economic impact of the Eras Tour could grow to $282 million as the money continues to circulate.
But for fans like Haronitis, the experience in Toronto comes down to the Swiftie community. Knowing that Swift is going to be in the city for six shows and seeing hundreds gather just for merchandise is “awesome,” she said.
Even though Haronitis hasn’t officially bought her ticket yet, she said she’s excited to see the megastar.
“It’s literally incredible.”
This report by The Canadian Press was first published Nov. 13, 2024.
The Canadian Press. All rights reserved.
News
Via Rail seeks judicial review on CN’s speed restrictions
OTTAWA – Via Rail is asking for a judicial review on the reasons why Canadian National Railway Co. has imposed speed restrictions on its new passenger trains.
The Crown corporation says it is seeking the review from the Federal Court after many attempts at dialogue with the company did not yield valid reasoning for the change.
It says the restrictions imposed last month are causing daily delays on Via Rail’s Québec City-Windsor corridor, affecting thousands of passengers and damaging Via Rail’s reputation with travellers.
CN says in a statement that it imposed the restrictions at rail crossings given the industry’s experience and known risks associated with similar trains.
The company says Via has asked the courts to weigh in even though Via has agreed to buy the equipment needed to permanently fix the issues.
Via said in October that no incidents at level crossings have been reported in the two years since it put 16 Siemens Venture trains into operation.
This report by The Canadian Press was first published Nov. 13, 2024.
Companies in this story: (TSX:CN)
The Canadian Press. All rights reserved.
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