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New interactive art installation in front of Ackland Art Museum engages community – The Daily Tar Heel

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The Ackland Art Museum installed a new interactive art piece, or “spatial gesture,” on its terrace that features magenta arches and iridescent glass– inviting Chapel Hill community members to stop and look. 

The eye-catching art features several arches that extend from the ground and frame reflective panels that change color based on light and movement. When backlit by red, green and blue lights, the panels capture shadows of those standing in front of them. 

White platforms at each end of the arches allow visitors to sit, perform, eat or just talk with friends.

The Urban Conga, a design studio based in Brooklyn, N.Y., created the installation, called pARC, as an open-ended space for the Chapel Hill community. It was installed on June 18 and will remain there until July 2024.

Maeghann Coleman is a designer on the Urban Conga team and helped create the installation. An artist and architect, she has been there since its start in 2013. 

She said her team tried to work together to mesh the concepts of both the arches and seating elements with the shadow play. 

“We’re taking art off the pedestal and giving people the opportunity to interact in the way that they would want to,” Coleman said. 

Coleman said she hopes the piece will be used by visitors and help them create new relationships with people who they don’t normally interact with.

Ryan Swanson, who serves as The Urban Conga studio’s founder and creative director, mirrored Coleman’s desire for the installation to foster community. 

“Within the space, we tried to create multiple tools that people could kind of use to create, inspire and really learn and listen to each other and really become this communal space,” Swanson said.

According to The Urban Conga’s website, the art should invite people off the street and into the museum and University. The goal of the installation is to attract passersby to the museum to view, relax, laugh and — most importantly — play.

“We really focus on sparking community interaction and social activity through open-ended play,” Swanson said. “So through our work, we see play as a tool to bring people together within the public space.”

The Ackland Art Museum is hosting a sunset celebration at the pARC this Friday at 5 p.m. where attendees can make their own pARC-inspired iridescent suncatchers, relax with friends and family and explore the museum’s galleries. 

On Sunday, July 24, the museum is hosting “Ackland F.A.M.: Play at the pARC”. From 1 p.m. to 5 p.m., families can grab an activity kit and take a summery scavenger hunt through the galleries. In the evening, there will be a pARC-inspired movement workshop led by choreographer Killian Manning and will feature special musical guest Dan Levine on cello. 

Katie Ziglar, the director of the Ackland Art Museum, said the exhibit is meant for all age groups to enjoy. 

“We have our values as a museum,” says Ziglar. “We have three they are rigor, playfulness and responsiveness. This is right up our alley, our playful ally.”

She said pARC is the third installation in a series of interactive installations.

“The first was some beautiful turning, spinning that people could ride around on with different colors made by a Mexican design group,” Ziglar said. 

The second was an “installation based on ancient Arabian water vessel in our collection,” according to Ziglar. 

She said that she hopes the new installation brings new audiences to the Ackland, and that it inspires people to want to learn more about the museum and what it can offer the public. 

“I think the biggest thing is showcasing the value of play and how it can be used in different ways in different spaces to people together,” Swanson said. “And that’s really the true essence of our work, is highlighting that play is a valuable tool.” 

university@dailytarheel.com

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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