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Nicola Bulley: Ofcom ‘extremely concerned’ by family media complaints

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Nicola BulleyLancashire Police

Broadcasting regulator Ofcom has said it was “extremely concerned” to hear complaints made about ITV and Sky News by the family of Nicola Bulley.

Ofcom said it had written to both “to ask them to explain their actions”.

The family said the broadcasters contacted them despite their appeal for privacy on Sunday when a body – later confirmed to be that of the 45-year-old mother-of-two – was found in a river.

ITV said it will cooperate fully with Ofcom. Sky News has yet to comment.

Ms Bulley’s family criticised parts of the media and some members of the public for their “absolutely appalling” conduct since she disappeared while walking her dog along the River Wyre in St Michael’s on Wyre, Lancashire, on 27 January.

It is understood Sky News has received Ofcom’s letter and will work closely with the watchdog to answer its questions.

ITV said: “As a responsible broadcaster, we will cooperate fully and respond in detail to Ofcom’s request for information.

“We express sincere condolences to the family at this difficult time and we will not be commenting further.”

ITV News had believed Ms Bulley’s family were willing to engage with the media, it is understood, but withdrew when a family member declined to speak to them and have not made contact since.

Former Sunday Telegraph editor Baroness Wheatcroft also responded to Ms Bulley’s family condemnation of some media organisations, including for allegedly not respecting their privacy.

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The crossbench peer said there was “every reason for people to be deeply upset”.

Speaking on BBC Radio 4’s Today programme, Baroness Wheatcroft said the Independent Press Standards Organisation (IPSO) must “demonstrate it really has teeth” and examine how Ms Bulley’s disappearance was reported.

“I absolutely agree that the editors in this case do not seem to have behaved as they should and I think it’s the opportunity for IPSO to demonstrate that it means business,” she said.

“As a former newspaper editor I’d always hope that my reporters respected the people they’re dealing with and in any situation like the Nicola Bulley case if the family said ‘lay off’ they would have absolutely run a mile.”

People had been behaving “very badly, not least members of the public and social media”, she added.

“It’s become the most extraordinary feeding frenzy.”

Evan Harris, former director of campaign group Hacked Off, said: “There’s one big difference between the people on social media, who I condemn, and newspapers.

“That’s the editor. These purport to be an edited, curated product, therefore they can be regulated and they should be regulated. It’s hard to regulate a bloke in his basement.”

 

Nicola Bulley

Family handout

At a meeting of the Digital, Culture, Media and Sport Committee, SNP MP John Nicholson referred to a news report which he said told of people “literally hunting for clues as tourists in the village”, and included references to people taking selfies on the bench near to where Ms Bulley disappeared.

Mr Nicholson suggested such people were “enjoying the attention and feeling that they’re at the centre of a drama” which was “deeply distressing for the family”.

Areeq Chowdhury, head of policy, data and digital technologies at the Royal Society – a fellowship of some of the world’s most eminent scientists – told the committee the media frenzy in Ms Bulley’s case was “disgusting”.

He said people taking selfies at the site where she went missing could have been seeking a sense of “personal validation” or hoping to make money from online clicks.

In a statement issued after police confirmed Ms Bulley’s death on Monday, her family said her partner Paul Ansell had been falsely accused of wrongdoing and her friends and family “misquoted and vilified”.

They said: “We tried [on Sunday] to take in what we had been told in the day, only to have Sky News and ITV making contact with us directly when we expressly asked for privacy.

“They again have taken it upon themselves to run stories about us to sell papers and increase their own profiles.

“It is shameful they have acted in this way. Leave us alone now.

“Do the press and other media channels and so-called professionals not know when to stop? These are our lives and our children’s lives.”

The family said it was “absolutely appalling and can’t happen to another family”.

‘Uncomfortable’

Former ITN editor-in-chief Stewart Purvis, who has also worked as a senior Ofcom executive, said: “I think the whole issue of how you approach the families of those who have suffered, who are suffering from the disappearance and possibly the death of a loved one, is a continuing issue in the media.”

He said the lack of a public response from ITV or Sky News suggested they were “uncomfortable with the position they are in”.

“I’m sure they don’t want to get into a public row with the family, but if they had a proper defence of this situation, I think we would have heard it from them by now, and I’m sure they’re clustered in a group at the moment trying to work out what to say,” he added.

Meanwhile, Downing Street said it expected Lancashire Police to be “transparent” about its internal investigation into how it handled the case.

Asked whether Rishi Sunak believed an independent, external review would be necessary, the Prime Minister’s official spokesman said: “Our position is to allow the existing process to report back.

“We would expect them to detail their findings and then obviously we will consider the next steps as appropriate.”

 

Paul Ansell partner of Nicola Bulley

PA Media

The investigation into Ms Bulley’s disappearance has attracted widespread speculation, with internet conspiracy theories rife.

Members of the public even visited St Michael’s on Wyre to conduct their own searches, some of which were posted on social media sites including TikTok.

Mr Ansell became the focus for criticism, with some falsely accusing him of involvement in her disappearance.

 

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Ryan Reynolds BLEEDS for Deadpool! Sacrificed Salary to Keep Franchise Alive!

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Marvel fans, rejoice! After a whirlwind journey filled with setbacks and triumphs, Deadpool & Wolverine is finally clawing its way onto the silver screen. This highly anticipated pairing of Ryan Reynolds and Hugh Jackman has had its fair share of challenges, from production delays due to Hollywood strikes to struggling to solidify a cohesive storyline. But through it all, Reynolds’ unwavering dedication to the project has shone through, proving that sometimes, the biggest victories come from the most unexpected sacrifices.

The road to Deadpool & Wolverine began in May 2023 with a triumphant start to filming. However, that momentum was abruptly halted by a wave of strikes that swept through Hollywood, forcing a hiatus until late winter. This wasn’t the only obstacle the project faced. The creative team, including Reynolds himself, wrestled with crafting a narrative that lived up to the outrageous charm of the Deadpool character while seamlessly integrating Wolverine into the fold. There were even whispers of the entire project being shelved altogether, leaving fans anxious about the fate of this dream team.

 

Reynolds’ Pockets Take a Hit, But His Vision Persists

But amidst these uncertainties, a heartwarming detail recently emerged, shedding light on Reynolds’ incredible commitment to the Deadpool franchise. In a revealing interview with The New York Times, Reynolds opened up about the financial sacrifices he made to ensure the success of the original Deadpool film.

“Deadpool wasn’t just a movie; it was a decade-long passion project,” Reynolds confessed. “Honestly, when they finally greenlit it, I wasn’t thinking about box office numbers. I just wanted to see this crazy character come to life on screen. I even gave up my acting salary for the project just to get it off the ground.”

 

However, Reynolds’ generosity didn’t stop there. The studio, it seemed, wasn’t convinced of the importance of having the film’s screenwriters, Rhett Reese and Paul Wernick, readily available on set. “They wouldn’t allow my co-writers on set, which was a huge blow,” Reynolds continued. “So, I took what little money I had left after forgoing my salary and paid them myself to be there. We basically formed a makeshift writer’s room right there on set.”

This wasn’t the first instance of Reynolds’ financial commitment to the Deadpool universe. Writers Reese and Wernick had previously shared on the AMC show Geeking Out that Reynolds also personally financed aspects of Deadpool (2016) to ensure the film achieved the level of quality he envisioned.

 

A Commitment That Reaps Rewards

 

Looking back on the original film’s scrappy beginnings, Reynolds described it as a labor of love fueled by limited resources and boundless creativity. “There wasn’t a lot of money, but I poured my heart and soul into every detail,” he said. “That experience taught me a valuable lesson: the importance of having a strong creative team by your side, no matter the project.”

Reynolds’ unwavering dedication wasn’t just about financial backing; it was about safeguarding the film’s creative vision. His actions ensured that the core team behind Deadpool’s success – the writers, the director, and himself – remained on board to bring their vision to life. This commitment is sure to translate into Deadpool & Wolverine, a film that promises to be a landmark achievement in the wacky world of Deadpool. Mark your calendars, fans – Deadpool & Wolverine slashes into theaters on July 26th!

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Bob Newhart, deadpan comedy icon Dies at 94

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Bob Newhart, the deadpan accountant-turned-comedian who became one of the most popular TV stars of his time after striking gold with a classic comedy album, has died at 94.

Jerry Digney, Newhart’s publicist, says the actor died Thursday in Los Angeles after a series of short illnesses.

Newhart, best remembered now as the star of two hit television shows of the 1970s and 1980s that bore his name, launched his career as a standup comic in the late 1950s. He gained nationwide fame when his routine was captured on vinyl in 1960 as The Button-Down Mind of Bob Newhart, which went on to win a Grammy Award as Album of the Year.

While other comedians of the time, including Lenny Bruce, Mort Sahl, Alan King, and Mike Nichols and Elaine May, frequently got laughs with their aggressive attacks on modern mores, Newhart was an anomaly. His outlook was modern, but he rarely raised his voice above a hesitant, almost stammering delivery. His only prop was a telephone, used to pretend to hold a conversation with someone on the other end of the line.

In one memorable skit, he portrayed a Madison Avenue image-maker trying to instruct Abraham Lincoln on how to improve the Gettysburg Address: “Say 87 years ago instead of fourscore and seven,” he advised.

Another favorite was Merchandising the Wright Brothers, in which he tried to persuade the aviation pioneers to start an airline, although he acknowledged the distance of their maiden flight could limit them. “Well, see, that’s going to hurt our time to the Coast if we’ve got to land every 105 feet.”

Newhart was initially wary of signing on to a weekly TV series, fearing it would overexpose his material. Nevertheless, he accepted an attractive offer from NBC, and The Bob Newhart Show premiered on Oct. 11, 1961. Despite Emmy and Peabody awards, the half-hour variety show was canceled after one season, a source for jokes by Newhart for decades after.

He waited 10 years before undertaking another Bob Newhart Show in 1972. This one was a situation comedy with Newhart playing a Chicago psychologist living in a penthouse with his schoolteacher wife, Suzanne Pleshette. Their neighbors and his patients, notably Bill Daily as an airline navigator, were a wacky, neurotic bunch who provided an ideal counterpoint to Newhart’s deadpan commentary. The series, one of the most acclaimed of the 1970s, ran through 1978.

Four years later, the comedian launched another show, simply called Newhart. This time he was a successful New York writer who decides to reopen a long-closed Vermont inn. Again Newhart was the calm, reasonable man surrounded by a group of eccentric locals. Again the show was a huge hit, lasting eight seasons on CBS. It bowed out in memorable style in 1990 with Newhart — in his old Chicago psychologist character — waking up in bed with Pleshette, cringing as he tells her about the strange dream he had: “I was an innkeeper in this crazy little town in Vermont. … The handyman kept missing the point of things, and then there were these three woodsmen, but only one of them talked!” The stunt parodied a Dallas episode where a key character was killed off, then revived when the death was revealed to have been in a dream.

Two later series were comparative duds: Bob, in 1992-93, and George & Leo, 1997-98. Though nominated several times, he never won an Emmy for his sitcom work. “I guess they think I’m not acting. That it’s just Bob being Bob,” he sighed.

Over the years, Newhart also appeared in several movies, usually in comedic roles. Among them: Catch 22, In & Out, Legally Blonde 2, and Elf, as the diminutive dad of adopted full-size son Will Ferrell. More recent work included Horrible Bosses and the TV series The Librarians, The Big Bang Theory, and Young Sheldon.

Newhart married Virginia Quinn, known to friends as Ginny, in 1964, and remained with her until her death in 2023. They had four children: Robert, Timothy, Jennifer, and Courtney. Newhart was a frequent guest of Johnny Carson’s and liked to tease the thrice-divorced Tonight host that at least some comedians enjoyed long-term marriages. He was especially close with fellow comedian and family man Don Rickles, whose raucous insult humor clashed memorably with Newhart’s droll understatement.

“We’re apples and oranges. I’m a Jew, he’s a Catholic. He’s low-key, I’m a yeller,” Rickles told Variety in 2012. A decade later, Judd Apatow would pay tribute to their friendship in the short documentary Bob and Don: A Love Story.

A master of the gently sarcastic remark, Newhart got into comedy after he became bored with his $5-an-hour accounting job in Chicago. To pass the time, he and a friend, Ed Gallagher, began making funny phone calls to each other. Eventually, they decided to record them as comedy routines and sell them to radio stations.

Their efforts failed, but the records came to the attention of Warner Bros., which signed Newhart to a record contract and booked him into a Houston club in February 1960. “A terrified 30-year-old man walked out on the stage and played his first nightclub,” he recalled in 2003.

Six of his routines were recorded during his two-week date, and the album, The Button-Down Mind of Bob Newhart, was released on April Fools’ Day 1960. It sold 750,000 copies and was followed by The Button-Down Mind Strikes Back!. At one point the albums ranked No. 1 and 2 on the sales charts. The New York Times in 1960 said he was “the first comedian in history to come to prominence through a recording.”

Besides winning Grammy’s Album of the Year for his debut, Newhart won as Best New Artist of 1960, and the sequel The Button-Down Mind Strikes Back! won as Best Comedy Spoken Word Album. Newhart was booked for several appearances on The Ed Sullivan Show and at nightclubs, concert halls, and college campuses across the country. He hated the clubs, however, because of the heckling drunks they attracted. “Every time I have to step out of a scene and put one of those birds in his place, it kills the routine,” he said in 1960.

In 2004, he received another Emmy nomination, this time as Guest Actor in a Drama Series, for a role in E.R. Another honor came his way in 2007, when the Library of Congress announced it had added The Button-Down Mind of Bob Newhart to its registry of historically significant sound recordings. Just 25 recordings are added each year to the registry, which was created in 2000.

Newhart made the best-seller lists in 2006 with his memoir, I Shouldn’t Even Be Doing This!. He was nominated for another Grammy for Best Spoken Word Album (a category that includes audio books) for his reading of the book.

“I’ve always likened what I do to the man who is convinced that he is the last sane man on Earth … the Paul Revere of psychotics running through the town and yelling `This is crazy.′ But no one pays attention to him,” Newhart wrote.

Born George Robert Newhart in Chicago to a German-Irish family, he was called Bob to avoid confusion with his father, who was also named George. At St. Ignatius High School and Loyola University in Chicago, he amused fellow students with imitations of James Cagney, Humphrey Bogart, Jimmy Durante, and other stars. After receiving a degree in commerce, Newhart served two years in the Army. Returning to Chicago after his military service, he entered law school at Loyola, but flunked out. He eventually landed a job as an accountant for the state unemployment department. Bored with the work, he spent his free hours acting at a stock company in suburban Oak Park, an experience that led to the phone bits.

“I wasn’t part of some comic cabal,” Newhart wrote in his memoir. “Mike (Nichols) and Elaine (May), Shelley (Berman), Lenny Bruce, Johnny Winters, Mort Sahl — we didn’t all get together and say, Let’s change comedy and slow it down.′ It was just our way of finding humor. The college kids would hear mother-in-law jokes and say, What the hell is a mother-in-law?′ What we did reflected our lives and related to theirs.”

Newhart continued appearing on television occasionally after his fourth sitcom ended and vowed in 2003 that he would work as long as he could. “It’s been so much, 43 years of my life; (to quit) would be like something was missing,” he said.

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Avril Lavigne Rocks Glastonbury Amidst Bizarre Conspiracy Theory

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Avril Lavigne’s electrifying performance on Glastonbury’s Other Stage had the crowd roaring with approval. However, for some in the audience, a lingering question might have remained: “Was that truly Avril Lavigne on stage?”  The Canadian pop-punk icon finds herself at the center of one of the internet’s most outlandish conspiracy theories.

 

From Let Go to Let Go of the Rumors? The Enduring Conspiracy Theory

The rumour, which can be traced back to a 2011 Brazilian blog post, posits a shocking twist: the real Avril Lavigne tragically died shortly after the release of her smash-hit debut album “Let Go” in 2002.  According to the theory, a look-alike named Melissa Vandella was brought in to replace her and continue her musical career.  The bizarre notion gained further traction with the release of the BBC podcast “Who Replaced Avril Lavigne?” which explored the theory in detail.

 

Lavigne Laughs it Off on Call Her Daddy Podcast

Appearing on the popular podcast “Call Her Daddy” hosted by Alex Cooper, Lavigne addressed the elephant in the room, or rather, the doppelgänger on the internet.  “It’s just funny to me,” she said, acknowledging the contrasting compliments she receives about her youthful appearance.  “Some people say I haven’t aged a day, while others believe I’m an impostor!” she explained.

 

Lavigne Finds Humor in the Absurd

Surprisingly chill about the whole ordeal, Lavigne seemed to find humour in the conspiracy theory.  “Honestly, it could be worse conspiracy theories out there,” she joked.  “I guess I got a good one!” she added, playfully downplaying the absurdity of the rumour.  Even when Cooper playfully prodded, asking if it wasn’t at least a little creepy, Lavigne remained unfazed.  She pointed out other artists who have been targeted by similar outlandish stories.

 

Fueling the Fire or Closing the Case?

However, Cooper couldn’t resist a final confirmation, perhaps for the benefit of any lingering doubters.

“Your name is Avril Lavigne, right?” she asked.  Lavigne’s response?  “I knew you half-believed it!”

This playful non-denial might fuel the fire for some conspiracy theorists.  Did Avril Lavigne address the rumour head-on, or simply add another layer of mystery to the already outlandish story?

 

One thing’s for sure, Avril Lavigne, or perhaps Melissa Vandella according to some, knows how to keep the conversation going.  While her Glastonbury performance silenced any doubts about her musical talent, the question of her true identity, at least for some, remains a lingering internet mystery.

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