RAW Artists announce the National Arts Drive, a three-hour community experience on Saturday, June 6, 2020, spanning throughout Canada, United States and Mexico.
Local artists will showcase their work while respecting social distancing – from windows, balconies, driveways, front lawns, workspaces, or appropriate commercial spaces. Community supporters are invited to visit participating local artists, performers, musicians and designers living in their community from a safe distance.
Collingwood resident and Orillia native Michelle Bylow is leading the charge in bringing the drive to Canada and Northern Ontario Communities.
“We are using all the resources available to us to continue our mandate of artists supporting artists,” said Bylow, executive director of RAW Artists Canada. “The drive will give artists visibility and financial support from their communities. 100 per cent of the proceeds go to the creatives”.
The Orillia & District Arts Council has joined as a community partner to help spread the word to Orillia and area artists.
“The success of the drive will depend on getting the word out to artists and their communities. We are thrilled to be working with the Orillia Arts Council and look forward to supporting the Orillia artistic community,” said Bylow.
The driving tour will be paired with a mobile website designed and built by RAW Artists. Art showcases will be identified on a map within the app, enabling drivers to plan their routes.
Using the site, visitors can support artists by liking, following and/or sharing artists’ work via social media, tipping artists through a touch-free pay app (i.e. Venmo, PayPal), and/or making future purchases from the artists online. All donations go directly to the artists.
Bylow and her team are aiming to register 10,000 Canadian artists for the event. RAW supports 10 different verticals within the arts community – film, fashion, music, visual art, performing art, beauty, accessories, photography, craft and technology. There is no charge for artists to participate, and they do not have to be members of RAW.
About RAW Artists:
Founded in 2009, RAW is the largest independent, international arts organization in the world. RAW’s mission is to serve independent artists with the tools, resources, education and exposure needed to thrive and succeed in their creative careers. RAW is an online and offline platform that has showcased over 200k artists in 70 cities across the globe in multi-faceted arts events that draw crowds of 1,000+ attendees.
Due to the “Stay at Home” orders issued by the Canadian government; RAW Artists Canada has halted regular operations since March 15, 2020.
Crap 80s Metal Art is our new favourite thing – Louder
The 1980s was The Golden Age Of Metal. Iron Maiden, Metallica, Guns N’ Roses, Slayer, Mötley Crüe, Celtic Frost, Winger… pound for pound, it threw up more great bands than any other decade in the history of this beautiful planet we call Earth.
But it was a fantastic time to be alive for another reason. The 1980s was the era of really bad album art – and nothing did bad album art like metal.
We’re not talking about the 5th Grade demon that adorns the sleeve of Slayer’s Show No Mercy, or even the physics-and-biology defying cover of Anthrax’s Fistful Of Metal (just how do you punch somebody’s lights out from inside their mouth?).
No, this is next-level insanity. The kind that is usually cooked up by people who don’t usually get to play with anything sharper than crayons. The kind that makes Pantera’s heroically awful Metal Magic cover look like Pablo Picasso’s Guernica (actually, now we mention it…)
Handily for lazy journalists everywhere, the Facebook group Crap 80s Metal Art has pulled together a gloriously grotesque gallery of album sleeves that range from the hilariously wrongheaded to the who-in-the-name-of-a-badly-scribbled-Beelzebub-thought-this-would-be-a-good-idea?
You’ll find all manner of wrongness there. Woefully rendered barbarian hastily plooped by people who have clearly never seen an actual human before. Snarilng monkey-wolves with 17 eyes and 12 teeth and tongues that would make Gene Simmons weep. Topless demons riding unicorns. Topless unicorns riding demons. And lots and lots of album covers from Italy. Ye gods! Have we forgotten the Rennaissance?
We’ve cherry-picked some of the best for your delectation here – and by ‘best’ we obviously mean ‘worst’. But we can’t take any credit here – that goes to the mighty warriors who dedicate their lives to digging through crates to unearth these masterpieces. Or at least spend a couple of minutes googling them.
There’s plenty more where these came from. Some might say too much more. But not us. So head over to Facebook to feast your eyes, fill your boots and drink in the full glory of Crap 80s Metal Art. You’ll thank us for it.
Battleaxe – Burn This Town (1983)
Axes? Motorbikes? Furry boots? This should be hanging in the Louvre
Various – No Substitute For Steel (1985)
It’s the HMV logo. Only with a demon instead of a dog. See what they’re doing there? You guys kill us.
Creepin’ Death – Errare Humanum Est…Perseverare Diabolicum
“Look, Keith, you told me to turn it off and turn it on again.”
Because nothing says ’80s heavy metal’ like a topless unicorn playing a skull guitar in front of a Pride flag.
Another comp, another rainbow colour scheme. Is there something you want to talk about, 80s metal?
Rod Sacred – Rod Sacred (1989)
“Do ya think I’m sexy?” Oh, wait, that was Rod Stewart.
Skeletor: The KK Downing Years.
Angeles del Infierno – Todo Lo Que Quiero
Nom, nom, TWANG!
Drysill – Welcome To The Show
Er, we’ll give your show a miss if it’s all the same.
M.T. Eyes – Thunder In My Ears b/w Walk On The Road (1985)
Beware of the… dog? Snake? Finger? Fingersnakedog?
Sphinx – Here We Are (1981)
Suck on this, Powerslave!
We genuinely have no idea who this is…
Larpa? Earpx? Help us out, will you.
Seriously, we give up.
Barrie by-law demands 10-year-old's Canadian flag art be removed from city property – CTV News
Erin van Kessel says she was sitting outside her north-end Barrie home Thursday morning when a by-law officer handed her a warning. The Barrie resident was told she is to remove chalk-art of a Canadian flag drawn by her 10-year-old daughter in honour of Canada Day on Wednesday.
“2004-142-2,” says Van Kessel, while looking over the document citing her infraction. The City’s by-law for that particular code refers to use of public property.
“2. No person shall throw, drop, place, or otherwise deposit garbage, paper, paper or plastic products, cans, rubbish, or other debris on any City property, unless authorized by the City.”
Van Kessel said large green plastic objects which may have been children’s items left at the curb near the end of her driveway did not belong to her. The chalk art however has left her disappointed. Van Kessel was informed by the by-law officer someone had complained of the chalk spray-painted art on the lawn at the end of her driveway. The chunk of grass, painted red and white, is city property.
“They couldn’t really say why, I mean, mostly because it is on city property but really,” said Van Kessel in response to the by-law violation.
Van Kessel was informed she had 24-hours to remove her daughter’s chalk painting from the lawn or face a potential fine. Her daughter, Van Kessel says, is distraught and doesn’t understand why the chalk art needs to be removed.
“Not too happy,” said Van Kessel. “Because she did put a lot of work into it and now we have to remove it,” she said.“It’s a child doing something exciting when she’s been stuck in the house for four months; and no school, no friends, so what more is there to do!”
The City of Barrie confirmed a complaint was made and a by-law officer visited the home; providing the following statement to CTV News.
“The city’s enforcement services received and responded to a complaint about individuals painting on city property. By-law officers are obligated to investigate and respond to all complaints received.
While the homeowner advised that the paint was washable, the officer was unable to confirm if it was or not, which was why the property owner was warned that they had 24 hours to remove it from the city’s boulevard. A warning was issued to the property owner, not the child.”
Van Kessel plans to have the art work removed by Friday morning.
“I guess other people don’t appreciate it or look at it the same way we do,” she said. “What can you do? I guess it’s the way of the world these days.”
VIDEO: Supporters turn out to honour art gallery curator – Maple Ridge News – Maple Ridge News
The community is celebrating Barbara Duncan, curator of the ACT Art Gallery.
Many of you may not know that the art gallery and the gallery store at The ACT were closed and its curator Barbara Duncan and her assistant Susan Thompson were fired by the arts council in late April, a mere five weeks into the lockdown of the COVID19 pandemic.
The gallery as we have always known it, is now referred to as the gallery space.
The arts council has never publicly admitted that they fired the curator.
In May, two high profile articles in The News featured the financial disaster the ACT was experiencing, but there was no mention of closing the gallery and firing Barbara Duncan.
The subsequent press releases from the arts council are cloaked around the pandemic creating a financial disaster.
This decision has been kept from the public.
Consistent reference to the incident as a personnel matter that couldn’t be discussed, raised questions regarding Barbara’s competence or whether she was charged with something unlawful and this speculation has resulted in harming her reputation.
In a letter I received from the executive director, Curtis Pendleton, she stated that, “Barbara has done exemplary work in our community in her position as curator and she will be missed.”
Why would an employee who has done exemplary work be suddenly fired?
The arts council is effectively standing by and watching the fallout after they lit the bomb!
A 1,250 strong petition has been presented to the arts council and city council requesting a reinstatement of Barbara Duncan. An impressive result considering that not many people knew about it and was collected within a two-week period during a pandemic.
If the arts council had appealed to the public for support to keep the gallery and retain their their employees, I am certain the community would have responded generously.
They showed no confidence that the community would choose to save the gallery. However, taking this unilateral step ensured that the community would have no input nor be given the opportunity to keep this valuable cultural asset alive.
Instead of cutting two jobs, everyone could have agreed to take a pay cut or cut back on work days. But perhaps there always was a different plan before the pandemic and a perfect opportunity presented itself.
I felt proud to have such a professional be in charge of the many facets that a high quality gallery demands and I am requesting a thorough review by a third-party investigator to see if all the proper procedures were followed, if all other avenues to save the gallery were explored and whether the two employees were compensated for their sudden dismissal and given due process financially.
It is a publicly funded organization and this decision has made the public lose trust in this arts council. They have forgotten that they are accountable to the public. I feel the arts council owes Barbara and the community an honest explanation, and perhaps we can start there.
On the sunny June 19, 40 supporters of the art community organized a surprise car and heart parade to honour Barbara Duncan. It should be noted that so many others wanted to attend, but we respected the provincial guidelines regarding large gatherings.
Barbara was our curator for 10 years and in that time, she built an exciting, well respected gallery, which was known for its support of local artists, professional artists and artisans, as well as featuring both contemporary and unique exhibitions.
She was the face of gallery, always respectful, innovative, and open to ideas.
The community did not want Barbara to disappear without a heartfelt appreciation within the park grounds outside of the ACT.
It was not a rally nor a demonstration, but a public celebration in recognition of Barbara’s support of our community and showcasing artists in their best light.
The arts community and its supporters wanted to honour and thank Barbara by giving her a warm, genuine, and joyful send off to remember the community of Maple Ridge by, because June 19 would otherwise be only remembered as a very sad day for Maple Ridge.
Betty von Hardenberg, Maple Ridge
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