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'Pre-school Picasso' shakes up German art world – CTV News

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BERLIN, GERMANY —
Mikail Akar doesn’t flinch as the cameras click around him. Born in 2012, the German artistic prodigy has spent half his life in the limelight.

With his striped jumper, goofy grin and dreams of becoming a professional footballer, Akar seems just like any other seven-year-old boy.

Yet the Cologne-born youngster is actually an expressionist whizz kid who has taken the international art scene by storm.

Dubbed the “pre-school Picasso” by German media, Akar’s paintings now sell for thousands of euros (dollars) to buyers from across the world.

‘ENOUGH ACTION FIGURES’

“At just seven years old, he is established in the art world. There is interest from Germany, France and the U.S.,” his father and manager, Kerem Akar, told AFP.

Akar senior discovered Mikail’s precocious talent by chance several years ago, when he gifted his son a canvas and some handprint paints for his fourth birthday.

“We had already bought him enough cars and action figures, so we had the idea of getting him a canvas,” Kerem Akar said.

“The first picture looked fantastic, and I thought at first that my wife had painted it.”

“I thought maybe it was just coincidence, but by the second and third pictures it was clear he had talent.”

BOXING GLOVES

Akar’s talent is visible in his latest collection, a collaboration with Germany and Bayern Munich football star Manuel Neuer.

One work in the collection was recently sold for 11,000 euros ($12,000), with proceeds going to Neuer’s children’s charity.

An explosion of colour reminiscent of Jackson Pollock, the piece is typical of Akar’s abstract expressionist style.

The seven-year-old tells AFP that his idols include Pollock, Michael Jackson and Jean-Michel Basquiat.

He has also developed his own techniques, which include applying paint by punching the canvas with his father’s boxing gloves.

At a presentation of Akar’s new work at a private gallery in Berlin last month, one visitor said she was “speechless” upon discovering that the artist was a child who was just starting primary school.

“The balance and harmony of the composition — I wouldn’t expect that from a child,” Arina Daehnick, a photographer from Berlin, told AFP.

Diana Achtzig, director of the Achtzig Gallery for Contemporary Art in Berlin, said she was impressed by Akar’s “imagination and variation”.

“As long as he has someone supporting him and not exploiting him, then he has a great future ahead of him,” she said.

FOOTBALL DREAMS

Akar himself says his dreams for when he has grown up lie elsewhere.

“When I’m older I want to be a football player,” he said, launching into an excited account of a recent 8-0 victory with his school team.

“Painting is quite tiring for me. Sometimes it can take a long time… especially with boxing gloves,” he said.

His father insists that he and his wife are careful not to push their son too hard and to protect him from the trappings of fame.

“If it gets too much for him, we will intervene. We turn down a lot of requests,” said the elder Akar.

“He only paints when he wants to. Sometimes that is once a week, sometimes once a month.”

SUCCESSFUL BRAND

Yet Akar senior also admits that his life has changed dramatically since discovering his son’s talent, and that he and his wife now “live for art”.

A former salesman and recruitment agent, the 38-year-old has since switched to managing Mikail full time.

He has founded his own agency, and helped to establish his son as a successful brand.

At the event in Berlin, young Mikail rummages through a box of freshly ordered baseball caps adorned with his official logo.

He now has more than 40,000 followers on Instagram, and will exhibit his work abroad for the first time in the spring.

“Our next exhibition is in Cologne,” said the boy’s father. “After that, we are going to Paris!”

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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