Tech
Reviews Of The New HomePod Reveal The Tech Media Has Work To Do In Appreciating Accessibility


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The advent of the second generation HomePod brings with it yet another opportunity to acknowledge the smart speaker’s accessibility to people with disabilities. Besides ecosystem-centric amenities like Handoff, Apple supports a bevy of accessibility features in the device; they include VoiceOver, Touch Accommodations, and much more. This is an important distinction to point out, as I’ve done in this space before. This column is precisely the forum for it.
It’s important to mention because, quite frankly, most reviewers fail to do so.
As a lifelong stutterer who has always felt digital assistants—and by extension, smart speakers—are exclusionary due to its voice-first interface paradigm, it disheartens me to see my peers in the reviewer racket continually undervalue the actual speech component of using these devices. It’s understandable—it’s difficult, if not downright impossible, to consider a perspective which you cannot fully comprehend. Yet there is room for empathy—and really, empathy is ultimately what earnest DEI initiatives are meant to reflect—with regards to how privileged it is for the majority of journalists (and their readers) to effortlessly shout into the ether and have Alexa or Siri or the Google Assistant swiftly spring into action.
Look no further than the embargoed HomePod 2 reviews that dropped earlier this week ahead of the product’s general availability starting on Friday. Every single one of them, whether in print or on YouTube, focuses solely on the sound quality. While perfectly sensible to do so, it’s cringeworthy to watch everyone utter not a single word about the speaker’s accessibility features or how verbally accessible Siri may be to someone with a speech delay. Again, expertise is hard—but empathy is not. Put another way, there are very real and very important characteristics of Apple’s new smart speaker that largely go ignored because it’s presumed (albeit rightly so, given how language models are typically trained) that a person is able to competently communicate with the thing. The elephant in the room is there’s far more to tell concerning the HomePod’s story. It’s counterintuitive to most, but it isn’t all about sound quality or smarts or computational audio or ecosystem.
Of course, the responsibility rests not on the tech press alone. Smart speaker makers in Apple, Amazon, Google, Sonos, and others all have to do their part on a technical level such that using a HomePod is a more accessible experience for those with speech impairments. Back in early October, I reported on tech heavyweights Amazon, Apple, Google, Meta, and Microsoft coming together “in a way that would make Voltron blush” on an initiative with the University of Illinois to help make voice-centric products more accessible to people with speech disabilities. The project, called the Speech Accessibility Project, is described as “a new research initiative to make voice recognition technology more useful for people with a range of diverse speech patterns and disabilities.” The essential idea here is current speech models favor typical speech, which makes sense for the masses, but which critically leaves out those who speak using atypical speech patterns. Thus, it’s imperative for engineers to make the technology as inclusive as possible by feeding the artificial intelligence the most diverse dataset possible.
“There are millions of Americans who have speech differences or disabilities. Most of us interact with digital assistants fairly seamlessly, but for folks with less intelligible speech, there can be a barrier to access,” Clarion Mendes, a clinical professor in speech and hearing science and a speech-language pathologist, told me in an interview ahead of my report from October. “This initiative [the Speech Accessibility Project] lessens the digital divide for individuals with disabilities. Increasing access and breaking down barriers means improved quality of life and increased independence. As we embark on this project, the voices and needs of folks in the disability community will be paramount as they share their feedback.”
Astute readers will note what Mendes ultimately expresses: empathy!
It should be stressed the thrust of this piece is not to throw my colleagues and friends under the bus and denigrate their work. They aren’t unfeeling people. The thrust here is simply that, as a stutterer, I feel extremely marginalized and underrepresented when I watch, say, MKBHD hurl rapid-fire commands at Siri or another without trouble. By and large, the smart speaker category has long felt exclusionary to me for the speech issue alone. The uneasiness doesn’t go away just because Apple’s HomePod line sounds great and fits nicely with my use of HomeKit. These are issues Apple (and its contemporaries) must reckon with in the long-term to create the most well-rounded digital assistant experience possible. Software tools like Siri Pause Time, a feature new to iOS 16 that allows users to tell Siri how long to wait until a person stops speaking to respond, is limited in its true effectiveness. The problem is, it sidesteps the problem rather than meet it at the source. It puts a band-aid on something that requires more intricate treatment.
All told, what the new HomePod reviews illustrate so well is the fact the technology media still has a ways to go yet—despite making big strides in recent times—in truly embracing accessibility as a core component of everyday coverage. The expectation shouldn’t be to ask mainstream reviewers to suddenly become experts at assistive technologies to assess stuff; that’s unrealistic. What is highly realistic, however, is to carry an expectation that editors and writers would seek the knowledge they don’t have. It’s conceptually (and practically) no different than an outlet investing in other social justice reporting—in the AAPI and Black communities, for example, especially important nowadays given recent events.
If reviewers can endlessly lament the perceived idiocy of Siri, it isn’t a stretch to acknowledge the adjacency of Siri’s lack of gracefulness in parsing atypical speech. Moreover, it shouldn’t be akin to pulling teeth to ask newspeople to consider regularly running more nuanced takes on products alongside the more overviewing ones. The disability viewpoint is not esoteric; it matters. It’s long past time disability inclusion (and disabled reporters) figure prominently at the tech desks of newsrooms the world over. Accessibility deserves a seat at the table too.





Tech
The Japanese Collector’s Edition Of Zelda Tears Of The Kingdom Is Available At Amazon


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The Legend of Zelda: Tears of the Kingdom might be the most-anticipated game of 2023. If you’re interested in snagging some cool collector’s gear to go with the game, you’ll want to check out the Japanese Collector’s Edition, which is available to import through Amazon. And since the US version of the Collector’s Edition is sold out right now, this might be your only way to get all the exclusive swag that comes bundled with the base game. The Zelda-themed Pro controller is also available to import for around the same price as the CE, which means it’s quite a bit more expensive
~$148
The Tears of the Kingdom Japanese Collector’s Edition costs ¥14,520, which roughly translates to $110. You’ll also have to pay around $38 shipping, bringing your total cost to approximately $148. Inside, you’ll find the base game, a steelbook game case, poster, pinset, and art book. You’ll also get a Zelda-themed fork and spoon–a preorder bonus that’s exclusive to the Japanese version of the game.
You might want to be careful before rushing off to preorder this Collector’s Edition, however, as it’s unclear if it’ll include English subtitles or voiceovers. Breath of the Wild eventually received English dubs for its Japanese version–but that update didn’t arrive until several months after launch. So unless you speak fluent Japanese (or don’t mind taking a gamble), you might want to hold out on a purchase until we hear more from Nintendo about its language options. Of course, some collectors may just want to have all of the goodies that come with this edition, in which case the language barrier may not matter.
Tears of the Kingdom doesn’t launch until May 12, but preorders for the US Collector’s Edition sold out shortly after going live. That makes this Japanese Collector’s Edition one of the only ways to get all the collectibles. It’s possible Nintendo could open another batch of preorders–but we’d expect those to sell out just as fast as the first batch.
Though the North American Collector’s Edition is hard to find, you can preorder the special-edition Nintendo Switch OLED from major retailers, including Amazon. Check out our The Legend of Zelda: Tears of the Kingdom preorder guide for details on all things related to the upcoming Zelda game.
The products discussed here were independently chosen by our editors.
GameSpot may get a share of the revenue if you buy anything featured on our site.





Tech
Xiaomi Launches Redmi Note 12 Series – TVC News Nigeria
Tech
Apple to host Worldwide Developers Conference in June


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People attend a keynote address event during the 2022 Apple Worldwide Developers Conference (WWDC22) at the Apple Park in Cupertino, California, the United States, June 6, 2022. (Xinhua/Wu Xiaoling)
Free for all developers, WWDC23 will spotlight the latest iOS, iPadOS, macOS, watchOS, and tvOS advancements. The event will also provide them with unique access to Apple engineers, as well as insight into new technologies and tools.
SAN FRANCISCO, March 29 (Xinhua) — Apple announced on Wednesday the company will host its annual Worldwide Developers Conference (WWDC) in an online format June 5-9, with an opportunity for developers and students to celebrate in person on the opening day at Apple Park, in the western U.S. state of California.
Free for all developers, WWDC23 will spotlight the latest iOS, iPadOS, macOS, watchOS, and tvOS advancements. The event will also provide them with unique access to Apple engineers, as well as insight into new technologies and tools.
This year’s online program will include sessions, one-on-one labs, and opportunities to engage with Apple engineers and other developers.
WWDC23 is also an opportunity to support student developers through the Swift Student Challenge, one of many Apple programs that seek to elevate developers and learners of all ages who love to code. With the help of Swift Playgrounds, students can create an app playground on a topic of their choice, according to Apple.
“WWDC is one of our favorite times of the year at Apple because it’s an opportunity to connect with the talented developers from around the globe who make this community so extraordinary,” said Susan Prescott, Apple’s vice president of Worldwide Developer Relations. ■





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