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Samsung teaser hints at upcoming Galaxy S21 launch – MobileSyrup

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After a month of leaks, Samsung has finally shared something official about the upcoming Galaxy S21 flagship devices. A new teaser video shared by the company on its YouTube channel hints at the phones, but unfortunately, it doesn’t reveal anything new.

The teaser kicks off with white text on a black screen that reads “New year” then shifts to “New ways to express yourself.” The video cycles through white-on-black outlines of each Galaxy S phone Samsung has released. The outlines showcase how the design of the phones changed with each iteration.

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After showing off the previous devices, the teaser notes that “a new Galaxy awaits” and then shows the year change from 2020 to 2021, with the ’21’ highlighted. That’s about as close to confirmation of the Galaxy S21 name we get, and that’s it for the teaser.

Unfortunately, it doesn’t give us any more information about the upcoming Samsung devices. The teaser also doesn’t include any details for when we can expect Samsung to announce the new phones. The Galaxy S21 is expected to launch at a Samsung Unpacked event in January, perhaps as early as January 14th.

If you want to learn more about the Galaxy S21, you can check out some of the leaked details. We’ve already seen quite a bit, including hands-on photos of an alleged S21 and a specs breakdown of the different device tiers.

Source: Samsung (YouTube) Via: Android Police

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Microsoft reverses Xbox Live price hike, will add free multiplayer for some games – Yahoo Canada Shine On

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Eat This, Not That!

The 10 Most Unsafe States During COVID, According to a New Study

Dr. Anthony Fauci, the chief medical advisor to the President, has admired our Federalist heritage—but not the fact that every state has handled the coronavirus differently. It’s resulted in some areas containing the virus—and others overrun. A new Wallethub study, using data collected from the U.S. Census Bureau, Centers for Disease Control and Prevention, The COVID Tracking Project and rt.live, has ranked all 50 states, in order from most to least safe during the pandemic. The factors they considered: vaccination rates, COVID-19 positivity, hospitalization, death, and transmission. Read on to see the bottom ten, ending with the absolute least safe—and to ensure your health and the health of others, don’t miss these Sure Signs You’ve Already Had Coronavirus. 10 Kansas On the same day it was reported that four nurses in rural Kansas refused to administer the vaccine, deaths rose, currently standing at 3,579 and 7,930 hospitalizations. That includes this heartbreaker: “A Salina couple’s love is being celebrated as they died from COVID-19 while holding hands,” reports KAKE. “‘They were just full of love and happiness,’ Sharolyn Hoffman, the daughter of Bert and Carol Stevenson, said. ‘They got married later in life, after previous marriages, and so, I think they finally found their love match,’ Hoffman said.” 9 Arkansas Earlier this month, the state hit records for hospitalizations, and the surge has included an outbreak in the Legislature. “Rep. Lanny Fite, who serves District 23 in Saline County, said Wednesday that he tested positive but has not had any symptoms,” reports KATV. “Fite said he is isolating at home and had already been quarantining since Rep. Milton Nicks tested positive last week. Fite sits next to Nicks in the House chamber. Rep. Keith Slape tested positive for the virus on Monday.” 8 Pennsylvania Getting a vaccine in Pennsylvania or nearby New Jersey is proving nearly impossible for some. “David Zalles, 82, spent an hour on Montgomery County’s website before he realized all the appointments to get the coronavirus vaccine were already booked,” reports the Philadelphia Inquirer. “Five weeks after the coronavirus vaccine rollout began nationwide, millions are now eligible to get the shots in Pennsylvania and New Jersey. But the states are still receiving far fewer doses than they need, and with no centralized system for administering them, confusion and frustration reign among the vaccine-hungry public.” 7 California California has made headlines worldwide for the severity of its COVID outbreak. The surprising thing isn’t that it’s on this list, but that it’s so far down. “Now, with the crisis showing signs of easing, the main reason for the catastrophic surge is coming into focus: a false confidence that the pandemic could be kept in check,” reports the Los Angeles Times. “For the public, that complacency showed up in fatigue and frustration over safety restrictions. Officials, for their part, were caught off-guard by how rapidly, and how broadly, the virus spread once the numbers began to climb. By Christmas, so many patients struggling to breathe needed to be hospitalized in California that emergency rooms in large swaths of the state closed to ambulances as doctors stuffed patients in hospital corridors. The holiday surge has so far killed more than 18,100 Californians, more than doubling the state’s total death toll from the pandemic in less than three months.” 6 Georgia “Some grim perspective as the average number of deaths per day in Georgia from COVID-19 for the last two weeks has exceeded 100 for the first time ever and the number of confirmed cases has now surpassed 700,000, according to state data,” reports Fox 5. “As of 3 p.m. Thursday, the Georgia Department of Public Health reports 11,511 confirmed deaths and 1,378 probable deaths since the start of the pandemic. That is an average of 101 confirmed deaths per day for the last 14 days or 1,411 confirmed deaths in the same time period. Just over 14.2% of all confirmed deaths in Georgia have happened since the New Year, according to state data.” 5 South Carolina “South Carolina’s death toll is climbing to tragic new heights. Data from the South Carolina Department of Health and Environmental Control shows the state broke its single week record for deaths the week of January 9, tallying 329 confirmed and suspected deaths,” reports WIS News. “The previous record was 325 deaths, counted the week of July 25. Between the weeks ending on Dec. 26 through Jan. 16, DHEC has tallied 1,160. That’s the deadliest four week span of the pandemic.” 4 Nevada “A surge of Nevada coronavirus cases following December holidays may have passed, but deaths are still spiking, experts told a panel guiding the state’s COVID-19 response Thursday,” reports News 4. “‘It’s pretty likely that we’re right in the throes of the peak related to mortality,’ chief state biostatistician Kyra Morgan told the COVID-19 task force a day after state health officials reported a new record high number of deaths in one day, 71.” 3 Mississippi Another state, another Legislative breakout. “At least three members of the Mississippi Legislature recently tested positive for COVID-19, and now there’s a debate between House and Senate leaders about suspending the session,” reports WAPT. The light at the end of the tunnel seems far away. “At the current rate, it would take almost nine months to vaccinate Mississippians now eligible to receive COVID-19 shots, with the majority receiving their doses at Mississippi State Department of Health drive-thru clinics,” reports the Sun Herald. 2 Alabama “Alabama is grappling with surging deaths as COVID-19 cases and hospitalizations remain high and intensive care unit capacity is stretched,” reports ABC News. “The state reported record numbers of new cases and hospitalizations following the holidays. At one point last week, only 39 ICU beds were available statewide.”RELATED: If You Feel This, You May Have Already Had COVID, Says Dr. Fauci 1 Arizona “Over the course of the pandemic, the Yuma area has identified coronavirus cases at a higher rate than any other U.S. region. One out of every six residents has come down with the virus,” reports the New York Times of the country’s “Salad Bowl.” “Each winter, the county’s population swells by 100,000 people, to more than 300,000, as field workers descend on the farms and snowbirds from the Midwest pull into R.V. parks. This seasonal ritual brings jobs, local spending and high tax revenue. But this year, the influx has turned deadly.”No matter where you live, follow the public health fundamentals and help end this surge, no matter where you live—wear a face mask, social distance, avoid large crowds, don’t go indoors with people you’re not sheltering with (especially in bars), practice good hand hygiene, get vaccinated when it becomes available to you, and to protect your life and the lives of others, don’t visit any of these 35 Places You’re Most Likely to Catch COVID.

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Pewdiepie Returns To YouTube With A Face Reveal | TheGamer – TheGamer

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YouTube’s biggest single content creator Felix Kjellberg, better known as Pewdiepie, has returned from a brief three-week break that he took during the first of the year. During his return episode, we learned that Pewdiepie—after a decade of being on YouTube—was finally going to give us a face reveal…in reverse.

Over the last ten years, we’ve become very familiar with what Pewdiepie looks like. The YouTuber has never been shy about showing his face and sharing stories of his life, no matter how embarrassing they may have been. However, given the popularity of YouTubers like Corpse Husband and Dream—who have never shown their faces—Pewdiepie felt that it was time to finally do a reverse face reveal.

Related: Developer Teases Terrifying New Sounds For Minecraft 1.17

In his first video in three-weeks, Pewdiepie returned to his usual comedic review of his community’s subreddit, r/pewdiepiesubmissions. Before jumping into the memes, though, the YouTuber used his intro to do what he called a “reverse face reveal.” All this entailed was turning off his camera and having his editor put an avatar in place of his face.

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As usual, Pewdiepie asked his audience to help him out by creating their own avatars and promised that the highest voted one would be his new avatar. Outside of YouTube, Pewdiepie has recently penned a deal with the video distribution company Jellysmack to bring video content to his Facebook page.

This deal prompted a strangely titled article in the New York Post that claimed that the YouTuber was “making a comeback.” The article contained a caption that said Pewdiepie had been absent for the last five years. Of course, this was all in reference to his absence from, and return to, Facebook—not YouTube. Not one to waste an opportunity, though, Pewdiepie was quick to point out that Felix Kjellberg had been making videos in his absence—in reference to a long-running joke that Pewdiepie and Felix Kjellberg are actually two different people.

Pewdiepie has proven time and again that he can not only keep his audience engaged but that he is still capable of growing his community. In 2020 alone, the YouTuber gained six million followers, through a combination of let’s play and reaction videos. At the end of the day, he has a total of 108 million followers on YouTube. With his reach extending to Facebook in the near future as well, it would be safe to say that Pewdiepie is going to be more prevalent than ever.

Next: CultureFly’s My Hero Academia “Quirks” Box Leaves Something To Be Desired

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Re:Verse Shrinks Resident Evil’s Characters To Reuse Environments Built For Single-Player

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CodeMiko talks reason behind Twitch ban, her approach to streaming, and plans for return stream – Dot Esports

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Popular VTuber and Twitch streamer CodeMiko is known for her creative streams that allow viewers to get involved by influencing parts of the broadcast. She uses her setup and virtual character rig to engage with her audience—which averages nearly 8,000 viewers per stream—and fellow content creators through various segments and interviews.

The Technician, or the developer behind Miko and the stream, does all of the coding, engineering, and rigging herself and is always pushing the level of interactivity with the broadcast forward, describing it as “a quasi interactive, RPG.”

The nature of some interviews, however, has led to Twitch banning Miko from the platform, including two short-term suspensions in September 2020. She found herself suspended from the platform yet again when her account was banned on Jan. 19—this time for two weeks. Neither Miko nor Twitch clued the streamer’s audience of nearly 360,000 followers in to what caused the ban.

Following her third ban, Miko spoke with Dot Esports about what led to the suspension, how she approaches content creation, and her future plans, including details about her return stream planned for Feb. 5 at 2pm CT. 

You said you had more details about why your channel was banned and it wasn’t because of your usage of the word “simp.” What was the reason this time? How long is the ban?

Miko: It was not because of the word simp. It is a long story, but the short of it is, I messed up when I was chatting with a friend and fellow streamer and kind of got lost in the moment. 

Was it something specific that broke the Twitch Terms of Service?

So I have this interview content and basically feature other streamers. During an interview, they often share things with me and send it to me to show on stream. So they will share it and I will put it on screen. 

At this particular moment, we were talking about female harassment online and I asked her what was like the worst comment she had ever received. When I saw the email, it was pretty bad and was more like a threat than a comment. From my experience, threats are almost never from a user’s actual email address, but when I threw up the screenshot, that is basically what got me banned. I violated terms [of service] around privacy.

Obviously, my friend didn’t mean for this to happen, she is very sweet, and I think we both overlooked it because we were so focused on the threat of the email, but I learned my lesson.

What made this ban different from the two your channel was given in September?

Yeah, those were also little slip-ups. It is unfortunate, but I just have to be more careful with things like that and work to prevent them from happening in the future. 

My content isn’t about that stuff, it is about the innovation behind livestreaming and I just want to show what I can make and the innovative side of my stream. I’m actually really excited about coming back because I have been using this time to work on some new stuff and it has been good. 

The suspension is horrible, but at the same time it has kind of given me this time to really really work on my stuff and I am really excited to show it off when I come back. 

How has Twitch been communicating with you since your ban?

I am getting myself an account manager and I think that will help a lot when it comes to communication with Twitch. Once I get one, I hope communication will go a lot smoother in the future. 

Are you going to approach streaming any differently when you get back?

I want to focus more on the innovative side of my content and really push more in the direction of creating fun things to drive that live interaction, in terms of mini-games I can play with chat and the guests during our interviews. I imagine it will be like my interviews but on steroids. 

Basically, I want to focus on adding more interactive aspects to chat that will help the humor of the interviews and situations within the interviews and just adding a lot of color to the content. 

I am always super excited for new stuff. Currently, I was only working on interview content, but now, I am going to implement game show aspects to it as well. I have been going head-on with the live, interactivity part of it. I am planning my return stream to have big streamers that I have worked with and making it into a really fun event. 

I am also just planning out my everyday content as well and it will have different things other than interviews.

You touched on it a bit there, but with how you have been working on your content during the ban, what are your plans for your return stream?

I want to have it be a big game show with my big streamer friends and I am going to hype it up! It will be something that has never been done before on Twitch, in terms of like how I am going to run my version of the content. 

Twitch has done game shows before, but they have done them in a way that is very 2D with cameras and an overlay type of thing where it is flat. But with my VTuber capabilities being in the 3D space I can have it feel more like they are actually inside a studio. 

In my interviews, the streamers come in on a monitor and that is how I interview them, but this way I am going to do this by giving them robot bodies but their heads will be like the computer screen. So they will have certain controls for how they can move their robot bodies and it will feel like they are more inside the space because they will have additional elements that are used in game shows, like a podium and there will be camera cuts to the streamer with their face on the robot head. It will just feel a lot more immersive that way.

They will be able to interact with a wheel that they spin, there will be animations, so when they spin their character spins the wheel we can still see the streamer’s expression because their camera is being fed on the PV screen of the robot. Stuff like that is what my game shows will feel like and chat can always throw fun things at us during the show to throw the streamers off or make things happen to the avatars. I’m excited to debut this when I come back. 

Your content has picked up dramatically in recent months. How have you been able to grow your channel? What have you been doing that you feel works?

I have been streaming since the end of March beginning of April and throughout those first few months, it was just me trying new things every day. My schedule used to be really crazy, where I would go to sleep at around 9pm, wake up at 2am, dev until 12pm, and then stream. I would stream for like four or five hours and then eat and do some other stuff and then repeat all over again.

During that time, it was very rough developing because I would quickly code things in to just see what would happen in chat. It was just testing as I went because there was no rulebook when it comes to that kind of live content that tells you stuff like “chat prefers when they can spawn random things, mini-games, and interaction that is more in the background.” I had to figure out what chat likes in that interactive space because there have been a lot of things that have worked, but a lot of things I have built I have had to scrap because in my head it worked, but when I tested it out live, chat just got really bored. 

Those early months were a lot of RnD and trying to figure out how I could have fun with chat. And then I got to the point where I was doing interview content, just over a Discord call, and I noticed that chat really liked just sitting and watching me talk and interact with another person while being able to affect the interview in various comical ways. So I just pushed that more and created a new environment for it with the TV and format I use and chat really liked it. 

It did really well so I decided to stick with that for now, but I am still researching and developing more things that I can do. One of the biggest projects that I have is I want to create an RPG world where Miko can go on adventure and the bosses would be like big streamers, and chat and Miko have to work together to defeat the boss, like Hasan [HasanAbi], maybe it would be a giant Hasan. 

It is a process that I am constantly going through and that idea might not even end up working. Chat might not feel like it is fun and, in that case, I will scrap it and try something new, but it has just been an ongoing development process and I think that is what I enjoy the most. I love making things and seeing if they are fun, and if they aren’t fun, I scrap it. If it’s fun, I keep it, and I just keep going like that. 

Other than chat liking the content, what made you pivot so hard into interviews on stream? What was the idea behind it? 

Before I started the interviews I would just talk to chat all the time, but having another person that I could interview, I don’t know. I just feel like my content became funnier because I could bounce off of someone, what they said, create more humor with that back and forth. It just led to more funny moments and chat really liked the interactivity with the streamer I am interviewing. I think it kind of created a very fun, sometimes chaotic, sometimes more serious atmosphere. 

When I interview someone I can figure out where their comfort level is, which I do ask them prior to the interview what they are comfortable with sharing and not sharing and if they are okay with me occasionally trolling them on some things, all of those things. Some streamers I take a very laid back approach and we can be more calm or serious to have a nice talk, but with others, I know they are all for being trolled and the humor part of it so I can mess with them a little bit and it becomes a fun back-and-forth. 

Overall, the interview format was just really fun, and was doing really with chat so I decided to keep going and innovating with it. 

What are your thoughts on the growing impact of VTubers and similar styles of creators becoming more common in streaming and content creation, specifically as it starts to expand into Western markets more and more?

I think it’s great! I really like the creative side of Twitch, and it is really exciting to see different content creators try new things and bring new, innovative content out because it just shows that you can do really cool things with just livestreaming. 

I feel like it makes the future of entertainment in this livestreaming and digital format really exciting. So I hope it keeps expanding and more new things pop up on the creative side of Twitch.

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