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San Diego Museum of Art’s Annual Art Alive Event Goes Virtual – NBC 7 San Diego

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A
springtime tradition in San Diego’s culture and arts scene is going virtual: Art
Alive – the San Diego Museum of Art’s long-running event – plans to bloom
online this weekend.

Now in its 39th year, the Art Alive exhibition takes place on a long weekend in April every year at the San Diego Museum of Art in Balboa Park. The exhibition typically features 100 floral designers’ interpretations of some of the museum’s masterpieces. The floral arrangements are displayed next to each corresponding artwork so visitors can take in both versions at once.

Like
other museums of its kind at Balboa Park, the San Diego Museum of Art has been
shuttered since last month due to the coronavirus pandemic.

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But that
won’t stop the museum from sharing its big event with visitors – at least in
the digital landscape.

The
museum said Art Alive 2020 will be dubbed #VirtualArtAlive and is set to go down
from April 24 to April 26. It’ll be completely hosted online so visitors can enjoy
it from home. It’s the first time in the event’s nearly four-decade history
that it’ll go this route.

So,
here’s how it’ll work.

Visitors
are invited to follow the museum’s social media channels – Facebook, Instagram and Twitter – Friday through Sunday at 3 p.m.
for content featuring floral art interpretations over the years. The channels
will also feature fun facts about Art Alive, plus a dance party, cocktail
recipes and an art demo.

Now,
each year, Art Alive officially kicks off with its Bloom Bash, a big party
featuring art, activities and vendors. Last year, the Bloom Bash expanded into
Balboa Park’s Plaza de Panama and, before the museum’s temporary closure, the
plan was for that to happen again.

For Virtual Art Alive, the Bloom Bash party will be hosted via Instagram Live at 7 p.m. Friday and will feature a music set by DJ Gabe Vega. The museum said attendees are encouraged to dress up, make a cocktail and dance it out.

View this post on Instagram

⁣Leading up to Virtual Art Alive weekend April 24-26, we’ll be sharing past floral designs 💐 of the Museum’s significant collection and interesting stories about works that feature flowers. 🌹⠀ ⠀ Join in on Instagram, Facebook, and Twitter! And throughout #VirtualArtAlive weekend, we invite followers to post their own “floral” interpretations (with materials found #AtHome) to join creations by this year’s #ArtAlive floral designers. Share yours with the hashtag #VirtualArtAlive for a chance to be featured! ⠀ ⠀ 📷: Here are four interpretations of Matisse’s “Bouquet” from 2019, 2018: @floralsbypatricia, 2014, and 2013.⠀ ⠀ The jarring juxtaposition of colors that distinguished Matisse’s paintings beginning in 1900 led to his being branded a #Fauve (wild beast), a label that came to describe an artistic movement.⠀ ⠀ #Matisse retreated to a more restricted palette around 1910, but this large still-life, executed after the outbreak of World War I, demonstrates a return to the bold decorative sensibility and high-keyed color that would come to characterize Matisse’s modern vision.⠀ ⠀ Matisse likened the best painting to a good armchair that provides relaxation from physical fatigue. This resolutely bourgeois conception of art’s function is well served by this elegantly informal subject: an arrangement of flowers—probably gathered in the artist’s garden—positioned against a loosely brushed grey ground.⠀ ⠀ Featured: Henri Matisse (AKA Henri Emile Benoît Matisse). “Bouquet,” 1916-1917. Oil on canvas. Gift of M. A. Wertheimer from the collection of his late wife, Annetta Salz Wertheimer. 1934.77.⠀ ⠀ #BloomBash #ArtAlive2020 #BloomBash2020 #SDMA #SDMAYourWay #BalboaPark #SanDiegoMuseumofArt #Fauvism

A post shared by The San Diego Museum of Art (@sandiegomuseumofart) on Apr 20, 2020 at 6:05pm PDT

Keeping
in theme with the stay at home world we’re living in, Art Alive organizers also
plan to feature an online exhibition of works interpreted by designers using
items from home. On Sunday, visitors can take part in a step-by-step tutorial
for making crepe paper flowers at home.

Visitors
will also have a chance to submit their own photos and memories from Art Alive
for a chance to be featured by the museum.

Art
Alive is the San Diego Museum of Art’s annual fundraiser that helps support the
venue’s ongoing education and outreach programs, and its special exhibitions.

This
year, the Virtual Art Alive events are free, but the museum said those who wish
to donate can do so online
here.

The Art Alive tradition blossomed 39 years ago and each year, about 12,000
visitors stroll through the San Diego Museum of Art to check out the flower
exhibition.

For a few years, the museum’s staff has been making a fun video to draw visitors to the event and before the pandemic, they released this video for Art Alive 2020. So, crank it up and move and groove, and take yourself to the art, even from home.

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Unique art collection on display – CTV News Vancouver

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Unique art collection on display  CTV News Vancouver

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This N.B. artist joined an online movement. Now her art is being shown across the world. – CBC.ca

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Since joining a community that dreams of an internet free from giant corporations that can exploit users’ time and data, Victoria West’s digital artwork has been exhibited across the globe.

West, a photographer and digital artist based in Burton, 30 kilometres southeast of Fredericton, has had her work shown in Paris, Rome, Barcelona, Townsville in northeastern Australia, Miami, New York City, and even a museum in Albuquerque, N.M., — all through connections she’s made in Web3.

West warned it was a “rabbit hole,” but what she found in wonderland she doesn’t believe she’d find anywhere else.

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Web3 is a future version of the internet. 

WATCH | Step inside Eden’s Dye, Victoria West’s NYC exhibit:

N.B. photographer explains how AI has freed her art from constraints

3 days ago

Duration 2:23

The work of Victoria West, a photographer and digital artist based in Burton, was recently showcased at an immersive exhibit in the Big Apple.

Web1, West said, was the first version of the internet, in which users passively consumed information.

As the 2000s dawned, Web2 emerged, and users could now post their own content — think Twitter, blogs, YouTube. People are now creating more and more in digital spaces, but the downside of Web2 is that corporations are technically still the owners of all that creation, and they could take your data and potentially do with it as they please.

Enter Web3, which still exists more in theory: nobody and everybody owns the internet. This version aims to be decentralized. It doesn’t eradicate the distrust some people have in mega companies like Google and Meta — it just removes the need for it, because no one person or organization can own the blockchain Web3 operates on. 

West said within Web3 there’s an art movement, with artists working together and taking control of their work. Imagine if Leonardo da Vinci had an internet connection, as well as Raphael, Michelangelo and Donatello. It’s the renaissance all over again, West said, except it’s happening with digital art.

“And it’s happening online on a much bigger scale.”

Before learning about W3 in 2021, West said she was in a photography bubble.

A floor lights up with a digital winding path and flowers. The walls are artistic images of women with flowers blossoming from their faces.
Victoria West designed this whole exhibit, including the floor. Working with a coder friend and two well-known actors and poets, Vincent D’Onofrio and Laurence Fuller, Eden’s Dye became a multi-media experience. (Victoria West)

Photography isn’t the art form West imagined herself pursuing when she was younger. But when she bought a camera after the first commercial digital models arrived on the market in the mid-2000s, she was hooked.

“I was bothering everybody around me to take their portrait,” she said.

She built up her portraiture business, becoming involved with the Professional Photographers of Canada and competing in photography contests. Still, West didn’t want to just capture moments — she wanted to make them. 

A piece of art shows a naked man curled up in the palm of a giant, stone-like hand. The world appears a wasteland in ashes behind them.
Victoria West created this piece of digital art, which was exhibited at The Crypt Gallery, another gallery in New York City. (Submitted by Victoria West)

That’s when artificial intelligence came on the scene. 

West was using Midjourney, a generative AI program, when it was still in beta testing. Around the same time she became involved with Web3, she experimented with blending AI-produced textures into her photography. In her business, AI quickened her workflow and allowed her to change backdrops and furniture. 

While creating a piece in 2023 called When I Die, West wanted to design a man underground with roots blossoming into a tree. Well, there aren’t any blossoming trees in Canada in February, West joked — so she made the tree using AI.

“I feel like someone took handcuffs off me, and I’m free,” she said.

A woman with long, wavy hair in balayage blonde colouring stands in a photography studio.
West says technology will progress and the internet will change, but what she really wanted was for people to walk into Eden’s Dye and be amazed by the experience. (Shane Fowler/CBC)

Lauren Cruikshank, an associate professor in culture and media studies at the University of New Brunswick, has spoken about the use of AI in universities, but she also thinks about it through an artistic lens.

From the camera to spell check, Cruikshank said the same discussion happens with each new medium: how much of the artistry belongs to the artist, how much to the tools they’re using?

“For some people where it gets uncomfortable is where the role of the human is minimal compared to how much the AI tool is creating or having creative influence,” she said.

With AI, Cruikshank agreed there are degrees — there’s a difference between prompting an AI to generate an image of a beautiful sunset and claiming it as your artwork and what West is doing, combining AI with her own artistry. 

“That sounds really compelling to me,” Cruikshank said.

A smiling woman with wavy blonde hair and wearing a charcoal turtleneck stands in front of a bookshelf.
Lauren Cruikshank is a professor in the media studies department at the University of New Brunswick. (Submitted by Lauren Cruikshank)

When West first saw Lume Studios on Broadway in lower Manhattan, the place she’d eventually display Eden’s Dye, her immersive art exhibit, she knew she wanted it immediately.

She collaborated on the exhibit with some of her Web3 friends. Los Angeles actors and poets Laurence Fuller and Vincent D’Onofrio wrote poetry to accompany each piece of art, which West created using both photography and AI. A coder friend joined the crew, and the result was a floor-to-ceiling immersive exhibit. West’s collaborators also choreographed performances to complement the art, using music produced by AI.

“Why wouldn’t I do that if I can?” West asked. “It’s freeing, I think, and lets you push the boundaries of photography and what you can do with it.”

While the exhibit leaned heavily on romantic, classical themes and Baroque aesthetics, Eden’s Dye is almost a premonition: minted, digital artwork taking up entire walls in people’s homes, flowers growing from code, experiencing art in virtual realms.

Demand will only grow, West said. Technology will progress and the internet will change. But what she really wanted was for people to walk into Eden’s Dye and be amazed by the art they were experiencing.

“They came because of the art, and they were there enjoying the art. You don’t really need to understand anything beyond that.”

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Niagara quilt expo to explore history of modern art form – Welland Tribune

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These aren’t your grandma’s quilts.

Being a grandmother herself, Lorna Costantini said she’s not a huge fan of the above phrase, but she can’t help but use it to describe modern quilting.

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