Bellingham offers pleasant sights and sounds to all who
have ever called the city of subdued excitement home. This has long interested Seattle
artist Ryan Haight, whose Instagram @My_Art_Bytes depicts
Washington scenery in the style of early 8-bit and 16-bit video games.
“I was born in Spokane, and I grew up there until like I
was 18, [when] I moved over to Bellingham to go to school at Western,” says Haight.
“I really enjoyed Bellingham a lot more than Spokane. And I also feel that
Whatcom County has really excellent scenes for pixel art.”
Haight’s art has quickly become popular on social media. On
Instagram, over 3,700 followers share his animations of familiar scenery depicted
in a comfortably retro art style.
“I grew up enjoying games a lot, and as a kid I wanted to
try to make games or play games for a living—but once you grow up you realize that’s
probably not gonna happen,” Haight says. “So, I just started messing around on
a computer and watching YouTube videos about how to make games and how to make
game art, and then I decided to try it myself and post it on the internet for
other people to see.”
Rendering an 8-bit Bellingham
Haight’s pixel art starts with taking or acquiring
reference photos of a given building or landscape.
“Once I have a bunch of reference photos and I know what angle
I want to try to make the piece of art from, I will pull up a bunch of
reference photos on one monitor and start doing pixel art on the other,” Haight
says, “and just block out the buildings or the plants, the relative shape of
things.”
Most of Haight’s work goes into animating scenes and
choosing colors and textures that bring images to life.
“I think that’s one of the most challenging and creative
parts of pixel art,” says Haight. “Trying to describe a scene with relatively
low amounts of information and through that, trying to make textures that are
interpretable as different materials.”
Whatcom County scenes in Haight’s art include various WWU
locations, the Bellingham Herald building, Pel’meni Restaurant, and several
local houses.
“It has like an excellent combination of urban and rural
settings,” Haight says. “Even though I wasn’t raised there, I feel like there’s
a lot of nostalgia to tap into just in the settings, in the university and the
very approachable downtown area.”
Haight has also depicted Seattle locations such as Pike
Place Market, Capitol Hill, and University of Washington, as well as sites in Whidbey
Island, Vancouver, Eugene, Cincinnati, Portland, and Spokane.
Everything Old is New Again
Haight started posting his art on Reddit community r/PixelArt, citing influences
such as Pacific Northwest pixel artist 8pixl and
classic video games in general.
“Back in the day, they had to make pixel art because of
performance constraints on the consoles,” Haight says. “Nowadays, pixel art
isn’t necessary to run a game on a computer; graphics have evolved, but people
still elect to use pixel art in a lot of games simply because it evokes
feelings of nostalgia for older games for some people.”
“I think a lot of art I have is kind of escapist or
something,” says Haight. “You wanna go there, live there, but it’s cool to see
a place where you already live or have lived displayed in that light, in this
sort of rose-tinted perfectionist light. And so, people will often message me
and be like, ‘Oh, I miss going to school at Western! Thank you for making this
art.’ Or, ‘Oh, I live right down the street from that, this is awesome!’ And it
always is really cool to get that feedback.”
Leveling Up
Haight plans to continue making pixel art of Pacific
Northwest environs.
“Eventually, I want to make a video game, because I went to
Western, I got a degree in computer science, and I feel like I could do it if I
just sat down and did it for, like, three years,” Haight says. “But it’s impossible
to stick to one project for that long for me, so we’ll see if that ever happens—maybe
a video game by 2030 or something.”
In addition to Instagram, Haight posts pixel art on Twitter and sells prints on INPRNT, allowing these
pieces to feel like home in more ways than one.
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.