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Art
Square Enix confirms Foamstars contains some AI generated art | VGC
Square Enix [726 articles]” href=”https://www.videogameschronicle.com/companies/square-enix/”>Square Enix has confirmed its upcoming PlayStation [8,390 articles]” href=”https://www.videogameschronicle.com/platforms/playstation/”>PlayStation shooter Foamstars [4 articles]” href=”https://www.videogameschronicle.com/games/foamstars/”>Foamstars contains some AI-generated art.
The Final Fantasy publisher’s president recently said in a New Year’s Letter that it intended to be “aggressive in applying” AI in its future game development.
Square Enix has previously used AI for things like improving facial animation and camera angles in Final Fantasy 7 Remake.
At a recent press event, VGC asked Foamstars producer Kosuke Okatani if AI was used for any elements of the game, and he confirmed it had.
Okatani claimed that, while the vast majority of the game was built by hand, it had used Midjourney – a popular generative AI tool that transforms text prompts into visual art – to create a small number of art for in-game icons.
The assets in question are said to be related to in-game album covers for the game’s music tracks.
“All of the core elements in Foamstars – the core gameplay, and the things that make the game enjoyable – those are all made by hand,” he clarified. “However, we did want to experiment with AI as well.
“In terms of the content in the game, this makes up about 0.01% or even less, but we have dabbled in it by creating these icons in the game.”
Square Enix later clarified in a statement provided to VGC: “AI was used in the creation of the in-game album covers for the music featured in the FOAMSTARS’ soundtrack. As developers, we’re always looking at new technologies to see how they can assist with game development.
“In this instance, we experimented with Midjourney using simple prompts to produce abstract images. We loved what was created and used them as the final album covers players will see in the game. Everything else was created entirely by our development team.”
The use of generative AI is a significant pressure point in many creative industries, including video games, with tools such as Midjourney being criticised by some who perceive them as replacing professional artists and using their work without permission for their training set.
Earlier this month, an ongoing lawsuit against Midjourney, Stability AI, and DeviantArt listed thousands of artist names that plaintiffs allege have had their artwork scraped to train them.
In Europe, the EU is moving to regulate generative AI, so that companies would need to disclose any copyrighted data used for training. And just last week, Valve changed the rules around games containing AI-generated assets on Steam, so that developers would need to disclose its use clearly.
Many video game voice actors recently criticised a union deal around the use of AI to replicate their voices, claiming they hadn’t been properly consulted.
Some game companies have embraced AI for non asset generation uses, however, such as in bug testing, improving NPC dialogue, or localisation.
In November, Xbox [7,871 articles]” href=”https://www.videogameschronicle.com/platforms/xbox/”>Xbox announced a multi-year deal with Inworld to build AI dialogue and narrative tools at scale, which it said would enable it to deliver “an accessible, responsibly designed multi-platform AI toolset to assist and empower creators in dialogue, story & quest design.”
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Ukrainian sells art in Essex while stuck in a warzone BBC.com
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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”
On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.
Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”
The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.
Blaze in the West Wing
The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.
About Somerset House
Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.
Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.
Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.
Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.
The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.
Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”
With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.
The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.
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