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The media hate plagiarism, but they want a special carve-out for Claudine Gay

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AP Photo/Steven SenneClaudine Gay, Edgerley Family Dean of Harvard’s Faculty of Arts and Sciences, addresses an audience during commencement ceremonies, Thursday, May 25, 2023, on the schools campus, in Cambridge, Mass. Harvard has announced that Gay is to succeed Harvard University Lawrence Bacow, and is to become its new president beginning July 1, 2023. (AP Photo/Steven Senne)

In every newsroom in every town and every city in America, plagiarism is a cardinal sin.

It’s a firing offense, and it usually means you’ll never work in the field again. Plagiarism, when detected in journalism, results not only in the loss of employment, but also ignominy and public apologies. Everyone in the press understands the severity of lifting others’ work without attribution.

Yet, from following the news coverage of ex-Harvard president Claudine Gay’s rise and fall, you would think that the press had just been introduced to the concept of plagiarism.

Indeed, even with irrefutable evidence that Gay had built her career on the backs of her peers, a good number of reporters and editors have expressed both indignation and a lack of interest in the story, as if they are annoyed that it exists at all. Some are downplaying the academic dishonesty that caused Gay to resign, while others are questioning whether stealing other people’s work is so bad in the first place.

It’s not great that we live now in time where words that we in the press all agreed on just five minutes ago are suddenly up for redefinition or reconsideration for no other reason than personal partisan pieties.

In the days leading up to Gay’s resignation, some journalists even went as far as to pretend that they don’t already know plagiarism when they see it.

The New York Times, for example, initially shrugged at the story, citing Gay’s allies at Harvard who originally claimed that there was no there there. The paper’s first word on the matter was a story titled, “Harvard Clears Its President of ‘Research Misconduct’ After Plagiarism Charges.”

This story obviously did not age well following a more thorough investigation by Harvard and others. But ignore the more thorough investigation for a moment, and ask yourself this: Why did the New York Times take on faith the word of Gay’s subordinates at Harvard? Why not look at the actual evidence and decide for themselves, as various publications have done with so many other plagiarists? The evidence was there for review.

The New York Times knows exactly what plagiarism is, and under normal circumstances it takes the matter seriously. Its editorial standards specifically state that “Staff members who plagiarize…betray our fundamental pact with our readers. We will not tolerate such behavior.”

Academia takes a similar position. At Harvard, the student guidebook states that student plagiarists “will be subject to disciplinary action, up to and including requirement to withdraw from the College.” So plagiarism is an offense worthy of expulsion, even for students paying hundreds of thousands of dollars for an education. And rightly so.

Harvard has a particularly broad definition of plagiarism, which states that even a properly attributed paraphrase of a source can be plagiarism if it is “too close to the original” in its wording.

All of this is to say: Harvard, the New York Times and the media and academia more broadly know exactly what plagiarism is and should have had no trouble identifying it.

Why, then, were we greeted with these mealy-mouthed responses to Gay’s transgressions? Was it all too embarrassing?

Worse still are the media commentators who complain that Gay is guilty of nothing more than just a teeny, tiny bit of plagiarism. Let’s not get carried away, they say.

“Gay’s field, political science, is a data-driven discipline in which abstracts from one paper are not-infrequently copied as parts of a literature review in another,” argued Guardian columnist Moira Donegan, “and that the borrowed phrases and summaries that account for Gay’s ‘plagiarism’ are not crimes of theft but of sloppiness, with little bearing on the originality of her work.”

Tell that to Gay, who at least felt enough shame to request four corrections in mid-December. Tell it to Harvard, which announced an additional three corrections days later. Also, tell that to author Carol Swain, who alleges that Gay lifted her work practically note-for-note without any attribution.

At CNN, reporter Matt Egan went out of his way to avoid the core issue of Gay’s intellectual theft.

“Now, we should note that Claudine Gay has not been accused of stealing anyone’s ideas in any of her writings,” he said. “She’s been accused of, sort of, more like copying other people’s writings without attribution….So it’s been more sloppy attribution than stealing anyone’s ideas, but nonetheless, you put all that together and you throw on top the political pressure and also the pressure from donors.”

“Copying other people’s writings without attribution” — if only there were a word for that.

It is certainly disheartening to see members of the press downplay and pooh-pooh allegations of serial plagiarism. But worst of all are those arguing that Gay’s plagiarism is defensible or even secondary to the story because her critics are the “wrong” type of people — a classic example of the ad hominem fallacy. Sure, they concede, Gay’s critics have her dead to rights. She’s a plagiarist. But, ugh, her critics are conservatives! We cannot allow them a win!

At New York magazine, columnist Jonathan Chait argued conservative activist Chris Rufo, who first brought Gay’s plagiarism to light, is the real villain in all of this, not the woman whose career has been built partly on intellectual theft and lies.

“This is the kind of trap Rufo specializes in exploiting,” Chait groused. “He attacks targets with high ethical standards, which he himself doesn’t care about at all, forcing them to choose between maintaining their standards and resisting his nakedly political agenda.”

But Gay’s dilemma is precisely that she does not have “high ethical standards.” You can complain all you want that she was a target of conservative criticism, but that’s a bit like blaming the witness to a crime and not the criminal.

At MSNBC, New York Times editorial board member Mara Gay (no relation) argued that the reporters and activists who investigated Gay’s plagiarism are just “racist.”

“This is really an attack on academic freedom,” Gay said. “This is an attack on diversity. This is an attack on multiculturalism, and…I don’t have to say that they’re racist because you can hear and see the racism in the attacks”

It is certainly an interesting take to claim that plagiarism is “academic freedom.” Or that it is “racist” not to have a plagiarism carve-out for writers who happen to be Black. Or that racism somehow caused Claudine Gay to plagiarize several dozen times within her already-thin corpus of academic publications.

The Associated Press, meanwhile, invented a completely new standard to soften the story in Gay’s favor, reporting: “The plagiarism allegations came not from her academic peers but her political foes, led by conservatives who sought to oust Gay and put her career under intense scrutiny in hopes of finding a fatal flaw.”

It matters that the facts did not come first from Gay’s peers — the ones who at first reflexively abandoned their own institution’s plagiarism standards to whitewash her behavior? If this is the new standard now for reporting on factual opposition research, it could really spoil the excitement of the 2024 presidential election.

Dismissive, defiant, indignant — members of the press have had several responses to the Gay plagiarism scandal. The responses differ by degrees, but the one thing tying them all together is a sense of resentment that they had to cover this story at all. The resentment is especially easy to see when one realizes that we are fighting over a concept that was uniformly agreed upon just a few weeks ago.

Were it not for the journalism of far smaller news organizations, organizations such as the AP likely would never have touched the story in the first place. And ignoring stories because you find them uncomfortable, or because they make you sad, is not really journalism, is it?

Becket Adams is a writer in Washington and program director for the National Journalism Center.

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Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

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Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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