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Think Before You Post: Navigating the Social Media Minefield – Healio

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Social media users attempting to track COVID-19 via Facebook, Twitter, personal blogs or forums are likely to encounter as much misinformation as reliable information. The pandemic has thrown into sharp relief the importance of truth and facts in the online universe.

Social media has increasingly become a reality, if not a necessity, for rheumatologists hoping to advance their careers or exchange information. With so much at stake — either in a pandemic or in day-to-day networking and info-sharing — it is essential to be polished, professional and, above all, accurate.

If social media was once viewed as frivolous or the domain of bored teenagers and early adopters from Generation X, that is no longer true. Case in point: In their study in Rheumatology International, Negron and colleagues carried out an analysis of the hashtag #EULAR2018 to identify patterns of social media use pertaining to the Congress. In a study that included only tweets posted or shared during the 4-day stretch of June 13-16, 2018, they found 10,431 of them in that narrow window.

Although social media offers opportunities to improve patient care and education, it may also invite violations of personal–professional boundaries, noted Suleman Bhana, MD. “Having a personal relationship with a patient outside of the office, even if it is a virtual relationship, presents too many potential compromises of professional objectivity.”
Source: Crystal Run Healthcare.

This raises the question, then, of what all these physicians, researchers, patients and other interested parties are saying about rheumatology.

“Social media use for physicians can be divided into two categories,” Suleman Bhana, MD, a rheumatologist at Crystal Run Healthcare in Middletown, New York, and chair of the ACR’s Communications and Marketing Committee, told Healio Rheumatology. “One is professional networking, and the second is for education.”

These are broad categories that might encompass a cross-section of professional activities. But all it takes is one poor choice — a photo of the swollen joint of a patient who did not authorize the post, perhaps — to put a physician at risk for privacy or Health Insurance Portability and Accountability Act (HIPAA) violations.

Further, doctors, of course, are people, too, and therefore are likely to have their own personal social media needs and goals. Patients and the institutions to which these doctors belong will see all of their profiles in totality. A clean work image could be undermined by questionable activity on personal accounts.

All of this raises the likelihood of wandering into gray areas rife with ethical conundrums. Clinicians must consider the dividing line between those personal and professional profiles. They must consider whether there are guidelines for social media use laid out by their institution or other organizations to which they belong. And they must consider the consequences of crossing ethical or appropriateness boundaries.

It is perhaps for these reasons that there is still a significant proportion of the rheumatology community that actively avoids social media altogether.

Don S. Dizon, MD
Don S. Dizon

Don S. Dizon, MD, professor of medicine at Brown University, offered another take. “One of the things that has, in my opinion, held folks back is the notion that social media has no benefits or is a waste of time, particularly for the busy clinician,” he said in an interview. “I would cast the benefits for rheumatologists as one of impact. We are living in an information age, but unfortunately, not all the information that people can now access is also reliable.”

It is with this in mind that Healio Rheumatology explores the ins and outs and dos and don’ts of social media for the busy rheumatologist.

Social Media Faux Pas

Jilaine M. Bolek-Berquist, MD, a rheumatologist with Mercy Health in Janesville, Wis., ran down a short list of those dos and don’ts in an interview with Healio Rheumatology. “Key dos include sharing only credible health information and resources, countering inaccuracies in the media, avoiding false medical claims and protecting the identity of patients,” she said.

While Dizon, of course, agreed on this last point, he acknowledged that there are ambiguities to consider. “Patient health information must always be protected, but that line can sometimes be very gray,” he said. “For example, you might have had an experience with someone with very severe lupus that impacted you in an emotional way, and you might have shared that on social media. Even if you do not name names, there is the possibility that that patient, or someone who knows her, might see it and identify herself as the patient you discussed without her permission.”

Bhana offered a similar example. “Seeing a patient with an unusual rash or presentation provides an opportunity for the clinician to educate the community,” he said. “I am often tempted to share pictures or information about a particularly unique patient so my colleagues can be aware of what to look for, but it is a good idea not to post about it in the afternoon after their visit. I often wait several months, at least, before sharing.”

A better idea might be to not post pictures of, or commentary about, troubling patients at all, or at least to ask permission before doing so.

Moving away from patient-centered issues, Bolek-Berquist offered a few more considerations for clinicians. “You should also disclose any compensation received, avoid anonymity, accurately state your credentials and always be clear about whether you are representing your employer or institution,” she said.

Misleading claims tops the “don’t” list, according to Bolek-Berquist, along with misrepresenting board certification. “You also want to avoid posting pictures of intoxication or sexually explicit material and, of course anything illegal, which includes HIPAA violations,” she said.

For the most part, clinicians should intuitively be able to follow most of these recommendations, at least for their professional social media accounts. But one issue that compounds the ambiguity is that many doctors also maintain personal social media profiles.

Keeping Profiles Separate

Regardless of whether a clinician wishes to use social media for career advancement or information sharing — and the two approaches are not mutually exclusive — a good first step is to separate those personal and professional profiles.

For Dizon, it is best to accept the reality that most physicians desire to have personal social media accounts and are likely to blur some of these lines. It is for this reason that he noted the concept of “dual passports” as espoused by Mostaghimi and Crotty in Annals of Internal Medicine. In short, they recommend keeping the professional and the personal completely independent.

“One key consideration in this regard pertains to whether one should be following, friending or ‘liking’ posts by patients,” Bhana said. “Having a personal relationship with a patient outside of the office, even if it is a virtual relationship, presents too many potential compromises of professional objectivity.”

Jilaine M. Bolek-Berquist, MD
Jilaine M. Bolek-Berquist

Even networking with colleagues should give clinicians pause, according to Bolek-Berquist. “In terms of social networking with other health care workers, the thought is to only network with colleagues you are not directly evaluating at the time,” she said. “For example, you would not want to ‘friend’ a current medical student, but once they move on to another rotation or to residency where you are not responsible for their advancement, it would be ok.”

While he agreed that caution is best, Dizon suggested that there is an argument to be made for blending the professional and the personal. “More and more, I am mixing them up a bit,” he said.

However, these lapses in professionalism can represent serious potential problems in most social media outlets. In their 2014 study in Physical Therapy, Gagnon and Sabus noted that several prior studies have reported high rates of unprofessional tweeting from accounts clearly identified as physicians. According to the researchers, ‘unprofessional behavior’ included profanity, complaints about patients, violations of patient privacy as well as conflicts of interest.

Although many physicians strive to maintain separate professional and personal identities on social media, others are not so consistent, and therefore can find themselves susceptible to the same whims and miscues as the general public. “My advice to my colleagues is this,” Dizon said. “Do not tweet or post when, one, exhausted, two, angry or annoyed or, three, inebriated.”

If this advice is not enough, the Association for Healthcare Social Media, a 501(c)(3) nonprofit organization, was created to support health care providers on social media. The organization provides resources to help physicians who use social media understand HIPAA concerns, how to disclose conflicts of interest, industry relationships, and how to cite medical literature so patients and the general public can easily digest it.

Physicians who use social media regularly, or those who are just getting started, all can benefit from this information, because if the COVID-19 pandemic has emphasized anything, it is that the social media landscape can change on a daily, sometimes hourly, basis. Moreover, false or misleading statements can have fatal consequences.

Ethical Considerations

While the average social media post does not generally carry life-or-death ramifications, the division between that which is in poor taste and that which is truly unethical should be considered. “The biggest ethical consideration would be to disclose any potential conflicts of interest,” Paul Sufka, MD, rheumatologist and department chair at HealthPartners Medical Group and Regions Hospital in St. Paul, Minn., said in an interview.

Paul Sufka, MD
Paul Sufka

To clear up uncertainties, the AMA has put forth a code of medical ethics relating to professionalism in social media use. The association encourages physicians to:

  • Be cognizant of standards of patient privacy and confidentiality, and refrain from posting identifiable patient information online.
  • Follow ethics guidance regarding confidentiality, privacy and informed consent.
  • Use privacy settings to safeguard personal information when using the internet for social networking, keeping in mind that privacy settings are not absolute.
  • Maintain appropriate boundaries of the patient-physician relationship in accordance with professional ethics guidance.
  • Consider separating personal and professional content.
  • Bring unprofessional content posted by colleagues to their attention, or report the matter to appropriate authorities.
  • Recognize that actions online may negatively affect their reputations among patients and colleagues, may have consequences for their medical careers, and can undermine public trust in the medical profession.

Despite these clear guidelines, what happens when a physician crosses a line can vary from state to state or institution to institution.

“Currently online it is a bit of the Wild West with regard to policing inappropriate behavior, as everyone has different ideas of what, exactly, constitutes inappropriate behavior,” Bolek-Berquist said. “We have a responsibility to redirect our colleagues online if we feel they are violating professional standards.”

Redirecting colleagues is one thing. Serious disciplinary action is another. Rheumatologists need to know what might happen when they cross those lines.

In their review in JAMA, Greyson and colleagues surveyed the 68 executive directors of all U.S. medical and osteopathic boards regarding violations of online professionalism and the actions taken. Inappropriate patient communication online — specifically, sexual misconduct — was reported by 69% of respondents. Inappropriate prescribing and misrepresentation of credentials were also reported by 60% or more respondents.

As for the disciplinary actions taken, formal proceedings were held in 71% of cases, hearings were held in half of cases, physicians agreed to sanctions without a hearing in 40%. The overall rate of serious disciplinary consequences, such as license restriction, suspension or revocation, occurred at 56% of the boards.

“Some folks have been sanctioned by their institutions for their social media activities, others by state boards,” Dizon said. “The sanctions can range from fines if there is a break in HIPAA rules, to loss of employment, to surrendering of their own social media accounts and outright censorship.”

One way to mitigate these outcomes is to be clear about who is saying what, according to Dizon. “If you are a part of an institution, making it clear that you only speak for yourself, if that is indeed the case, is important,” he said. “But it is also important to be deliberate with social media activities. We are professionals after all, and at the end of day, you need to stand by the activities you pursue and partake in.”

Educational Tool

Experts have noted that not all social media activities necessarily have to be ethical minefields. Social networking platforms enable physicians to share information with a broad audience, from other physicians to trainees to patients, with other users determining what content should be viewed as useful and accurate through ensuing discussion and reactions.

Social media can also serve as an important vetting area for newly published research, inviting critical commentary and opinions from the wider physician community in a more relaxed forum than crafting commentaries for official publication in a journal.

Although blogs, wikis and media-sharing sites all contribute to the larger physician sphere of social interaction, the reality is that many social media users check in to one or two sites through the day to see what is happening. Of all the social media platforms, Twitter appears most popular among medical professionals — perhaps due to its rather succinct features. Physicians can respond directly to information shared through Twitter with quick criticism or endorse them with “favorites” or “retweets” that often, in turn, validates that information for other physicians. The use of “hashtags” in Twitter also allows users to focus their discussions, broadcast trending topics to even wider audience and invite additional questions and comments.

In a field as fast paced as medicine, in which professionals often lack the free time to consume information, the brief information bytes and rapid response critiques offered through Twitter often enable even the most overwhelmed physician to stay ‘in the know’.

In their study in the European Journal of Hospital Pharmacy, Martinez-Lopez De Castro and colleagues analyzed the volume and content of tweets pertaining to biological therapies for chronic inflammatory arthropathies. A number of keywords underwent analysis, resulting in 2,480 tweets that ultimately were included.

Among 983 tweets pertaining to therapies, adalimumab (Humira, AbbVie), infliximab (Remicade, Janssen) and etanercept (Enbrel, Amgen) were most common. Rheumatoid arthritis was the most commonly tweeted disease, followed by psoriatic arthritis and ankylosing spondylitis. Other highlights included tweets about safety or adverse events, drug infusion and self-administration.

“Learning more about the patients dealt with in the tweets will enable us to improve our understanding of the areas of greater interest and concern among patients,” the researchers wrote. “This could help hospital pharmacists establish patient-focused strategies addressing the needs of the patients.”

Where all of this information is concerned, Dizon underscored the importance of reliability. “This is where we as health care professionals can make the most difference,” he said. “We can point toward good resources and point away from misinformation.”

This may be an increasingly difficult task for physicians as Twitter offers no official process to check for misinformation, instead relying on crowdsourcing from its users to vet statements for accuracy.

In particular, celebrities on Twitter often present a significant hurdle in proliferating misinformation. Often given “verified account” status – Twitter algorithms prioritize celebrity accounts as being of higher “public interest” – celebrities with no formal expertise on health care topics regularly voice their opinions on them, and are often presented as credible sources to Twitter users. This can present a particular problem for patients using Twitter as a resource to make informed decisions regarding their care.

Connecting to the Future

Regardless of how it is used, one thing is certain: Social media is not going anywhere. The more a clinician or researcher can learn about what is happening in the online universe, the better positioned they may be for success.

Further data from Negron and colleagues showed that the key topic associated with the #EULAR2018 hashtag was “patients,” while sharing knowledge from the meeting, marketing or advertising and sharing experiences or thoughts were the primary themes. The researchers suggested that there was a “staggering” amount of information coming from the meeting and urged leadership to “recognize the value and power” of this information to shape the organization in the future.

What social media has demonstrated is that these organizations, after all, are made up of the individuals who belong to them and participate in the events. Part of that “value and power,” then, is not just the information itself, but how social media users respond to that information and connect with each other about it.

“The best way to get into using social media as a physician is to be active on it during one of the larger rheumatology meetings, even if you cannot be physically present at the event,” Sufka said. “This is a time to identify colleagues with similar interests and make connections. Do not be afraid to join a conversation.”

Suleman Bhana, MD
Suleman Bhana

For Bhana, it can run even deeper than just connections. “Of course, social media has allowed me to meet people I never would have met organically at ACR or EULAR,” he said. “But curating content and observing and engaging other people’s content has opened so many doors for me and allowed me to have a leadership presence in ACR. I never would have gotten there without social media.”

More and more rheumatologists are following Bhana’s lead. Nikiphorou and colleagues examined social media use among 233 young rheumatologists and basic scientists from 47 countries in their study in Annals of Rheumatic Diseases. Regarding professional activities, about half noted that they used social media for clinical and research-related reasons. Moreover, 81% used social media to gather information, 76% for professional networking, 59% for new resources and 47% for learning new skills.

“Social media will continue to be a part of the life of physicians both at work and at home,” Bolek-Berquist said. “It allows us to collaborate with people all over the world, and to share information that has the power to result in better patient care.”

She noted, “Younger physicians have been raised with social media their whole lives and likely will strive to incorporate its use into everyday practice. For example, during the current COVID-19 outbreak, the international rheumatology community was able to quickly assemble to develop a registry of rheumatology patients afflicted with the disease. Without years of previous networking online, this would not have been such a smooth and effective project.”

As for the ethical boundaries discussed previously, Bolek-Berquist suggested that the social media landscape is constantly shifting. “It is not clear as to whether physician-patient social media networking will evolve in the future as a part of medical care, such as in online support groups,” she said.

Regardless, the opportunities to communicate are nearly boundless, and focusing on these positives could usher in a new generation of learning and connecting, according to Sufka. “I have always been impressed when social media helps break down silos between different specialties in medicine,” he said. “I am seeing a lot of this in the wake of COVID-19. People are becoming more and more willing to try to help their new online friends.” – by Rob Volansky

Disclosures: Bhana, Bolek-Berquist and Dizon report no relevant financial disclosures. Sufka reports being the social media editor for @ACR_Journals (Arthritis & Rheumatology, Arthritis Care & Research, and ACR Open Rheumatology).

Social media users attempting to track COVID-19 via Facebook, Twitter, personal blogs or forums are likely to encounter as much misinformation as reliable information. The pandemic has thrown into sharp relief the importance of truth and facts in the online universe.

Social media has increasingly become a reality, if not a necessity, for rheumatologists hoping to advance their careers or exchange information. With so much at stake — either in a pandemic or in day-to-day networking and info-sharing — it is essential to be polished, professional and, above all, accurate.

If social media was once viewed as frivolous or the domain of bored teenagers and early adopters from Generation X, that is no longer true. Case in point: In their study in Rheumatology International, Negron and colleagues carried out an analysis of the hashtag #EULAR2018 to identify patterns of social media use pertaining to the Congress. In a study that included only tweets posted or shared during the 4-day stretch of June 13-16, 2018, they found 10,431 of them in that narrow window.

Although social media offers opportunities to improve patient care and education, it may also invite violations of personal–professional boundaries, noted Suleman Bhana, MD. “Having a personal relationship with a patient outside of the office, even if it is a virtual relationship, presents too many potential compromises of professional objectivity.”
Although social media offers opportunities to improve patient care and education, it may also invite violations of personal–professional boundaries, noted Suleman Bhana, MD. “Having a personal relationship with a patient outside of the office, even if it is a virtual relationship, presents too many potential compromises of professional objectivity.”
Source: Crystal Run Healthcare.

This raises the question, then, of what all these physicians, researchers, patients and other interested parties are saying about rheumatology.

“Social media use for physicians can be divided into two categories,” Suleman Bhana, MD, a rheumatologist at Crystal Run Healthcare in Middletown, New York, and chair of the ACR’s Communications and Marketing Committee, told Healio Rheumatology. “One is professional networking, and the second is for education.”

These are broad categories that might encompass a cross-section of professional activities. But all it takes is one poor choice — a photo of the swollen joint of a patient who did not authorize the post, perhaps — to put a physician at risk for privacy or Health Insurance Portability and Accountability Act (HIPAA) violations.

Further, doctors, of course, are people, too, and therefore are likely to have their own personal social media needs and goals. Patients and the institutions to which these doctors belong will see all of their profiles in totality. A clean work image could be undermined by questionable activity on personal accounts.

All of this raises the likelihood of wandering into gray areas rife with ethical conundrums. Clinicians must consider the dividing line between those personal and professional profiles. They must consider whether there are guidelines for social media use laid out by their institution or other organizations to which they belong. And they must consider the consequences of crossing ethical or appropriateness boundaries.

PAGE BREAK

It is perhaps for these reasons that there is still a significant proportion of the rheumatology community that actively avoids social media altogether.

Don S. Dizon, MD
Don S. Dizon

Don S. Dizon, MD, professor of medicine at Brown University, offered another take. “One of the things that has, in my opinion, held folks back is the notion that social media has no benefits or is a waste of time, particularly for the busy clinician,” he said in an interview. “I would cast the benefits for rheumatologists as one of impact. We are living in an information age, but unfortunately, not all the information that people can now access is also reliable.”

It is with this in mind that Healio Rheumatology explores the ins and outs and dos and don’ts of social media for the busy rheumatologist.

Social Media Faux Pas

Jilaine M. Bolek-Berquist, MD, a rheumatologist with Mercy Health in Janesville, Wis., ran down a short list of those dos and don’ts in an interview with Healio Rheumatology. “Key dos include sharing only credible health information and resources, countering inaccuracies in the media, avoiding false medical claims and protecting the identity of patients,” she said.

While Dizon, of course, agreed on this last point, he acknowledged that there are ambiguities to consider. “Patient health information must always be protected, but that line can sometimes be very gray,” he said. “For example, you might have had an experience with someone with very severe lupus that impacted you in an emotional way, and you might have shared that on social media. Even if you do not name names, there is the possibility that that patient, or someone who knows her, might see it and identify herself as the patient you discussed without her permission.”

Bhana offered a similar example. “Seeing a patient with an unusual rash or presentation provides an opportunity for the clinician to educate the community,” he said. “I am often tempted to share pictures or information about a particularly unique patient so my colleagues can be aware of what to look for, but it is a good idea not to post about it in the afternoon after their visit. I often wait several months, at least, before sharing.”

A better idea might be to not post pictures of, or commentary about, troubling patients at all, or at least to ask permission before doing so.

Moving away from patient-centered issues, Bolek-Berquist offered a few more considerations for clinicians. “You should also disclose any compensation received, avoid anonymity, accurately state your credentials and always be clear about whether you are representing your employer or institution,” she said.

PAGE BREAK

Misleading claims tops the “don’t” list, according to Bolek-Berquist, along with misrepresenting board certification. “You also want to avoid posting pictures of intoxication or sexually explicit material and, of course anything illegal, which includes HIPAA violations,” she said.

For the most part, clinicians should intuitively be able to follow most of these recommendations, at least for their professional social media accounts. But one issue that compounds the ambiguity is that many doctors also maintain personal social media profiles.

Keeping Profiles Separate

Regardless of whether a clinician wishes to use social media for career advancement or information sharing — and the two approaches are not mutually exclusive — a good first step is to separate those personal and professional profiles.

For Dizon, it is best to accept the reality that most physicians desire to have personal social media accounts and are likely to blur some of these lines. It is for this reason that he noted the concept of “dual passports” as espoused by Mostaghimi and Crotty in Annals of Internal Medicine. In short, they recommend keeping the professional and the personal completely independent.

“One key consideration in this regard pertains to whether one should be following, friending or ‘liking’ posts by patients,” Bhana said. “Having a personal relationship with a patient outside of the office, even if it is a virtual relationship, presents too many potential compromises of professional objectivity.”

Jilaine M. Bolek-Berquist, MD
Jilaine M. Bolek-Berquist

Even networking with colleagues should give clinicians pause, according to Bolek-Berquist. “In terms of social networking with other health care workers, the thought is to only network with colleagues you are not directly evaluating at the time,” she said. “For example, you would not want to ‘friend’ a current medical student, but once they move on to another rotation or to residency where you are not responsible for their advancement, it would be ok.”

While he agreed that caution is best, Dizon suggested that there is an argument to be made for blending the professional and the personal. “More and more, I am mixing them up a bit,” he said.

However, these lapses in professionalism can represent serious potential problems in most social media outlets. In their 2014 study in Physical Therapy, Gagnon and Sabus noted that several prior studies have reported high rates of unprofessional tweeting from accounts clearly identified as physicians. According to the researchers, ‘unprofessional behavior’ included profanity, complaints about patients, violations of patient privacy as well as conflicts of interest.

PAGE BREAK

Although many physicians strive to maintain separate professional and personal identities on social media, others are not so consistent, and therefore can find themselves susceptible to the same whims and miscues as the general public. “My advice to my colleagues is this,” Dizon said. “Do not tweet or post when, one, exhausted, two, angry or annoyed or, three, inebriated.”

If this advice is not enough, the Association for Healthcare Social Media, a 501(c)(3) nonprofit organization, was created to support health care providers on social media. The organization provides resources to help physicians who use social media understand HIPAA concerns, how to disclose conflicts of interest, industry relationships, and how to cite medical literature so patients and the general public can easily digest it.

Physicians who use social media regularly, or those who are just getting started, all can benefit from this information, because if the COVID-19 pandemic has emphasized anything, it is that the social media landscape can change on a daily, sometimes hourly, basis. Moreover, false or misleading statements can have fatal consequences.

Ethical Considerations

While the average social media post does not generally carry life-or-death ramifications, the division between that which is in poor taste and that which is truly unethical should be considered. “The biggest ethical consideration would be to disclose any potential conflicts of interest,” Paul Sufka, MD, rheumatologist and department chair at HealthPartners Medical Group and Regions Hospital in St. Paul, Minn., said in an interview.

Paul Sufka, MD
Paul Sufka

To clear up uncertainties, the AMA has put forth a code of medical ethics relating to professionalism in social media use. The association encourages physicians to:

  • Be cognizant of standards of patient privacy and confidentiality, and refrain from posting identifiable patient information online.
  • Follow ethics guidance regarding confidentiality, privacy and informed consent.
  • Use privacy settings to safeguard personal information when using the internet for social networking, keeping in mind that privacy settings are not absolute.
  • Maintain appropriate boundaries of the patient-physician relationship in accordance with professional ethics guidance.
  • Consider separating personal and professional content.
  • Bring unprofessional content posted by colleagues to their attention, or report the matter to appropriate authorities.
  • Recognize that actions online may negatively affect their reputations among patients and colleagues, may have consequences for their medical careers, and can undermine public trust in the medical profession.

Despite these clear guidelines, what happens when a physician crosses a line can vary from state to state or institution to institution.

“Currently online it is a bit of the Wild West with regard to policing inappropriate behavior, as everyone has different ideas of what, exactly, constitutes inappropriate behavior,” Bolek-Berquist said. “We have a responsibility to redirect our colleagues online if we feel they are violating professional standards.”

PAGE BREAK

Redirecting colleagues is one thing. Serious disciplinary action is another. Rheumatologists need to know what might happen when they cross those lines.

In their review in JAMA, Greyson and colleagues surveyed the 68 executive directors of all U.S. medical and osteopathic boards regarding violations of online professionalism and the actions taken. Inappropriate patient communication online — specifically, sexual misconduct — was reported by 69% of respondents. Inappropriate prescribing and misrepresentation of credentials were also reported by 60% or more respondents.

As for the disciplinary actions taken, formal proceedings were held in 71% of cases, hearings were held in half of cases, physicians agreed to sanctions without a hearing in 40%. The overall rate of serious disciplinary consequences, such as license restriction, suspension or revocation, occurred at 56% of the boards.

“Some folks have been sanctioned by their institutions for their social media activities, others by state boards,” Dizon said. “The sanctions can range from fines if there is a break in HIPAA rules, to loss of employment, to surrendering of their own social media accounts and outright censorship.”

One way to mitigate these outcomes is to be clear about who is saying what, according to Dizon. “If you are a part of an institution, making it clear that you only speak for yourself, if that is indeed the case, is important,” he said. “But it is also important to be deliberate with social media activities. We are professionals after all, and at the end of day, you need to stand by the activities you pursue and partake in.”

Educational Tool

Experts have noted that not all social media activities necessarily have to be ethical minefields. Social networking platforms enable physicians to share information with a broad audience, from other physicians to trainees to patients, with other users determining what content should be viewed as useful and accurate through ensuing discussion and reactions.

Social media can also serve as an important vetting area for newly published research, inviting critical commentary and opinions from the wider physician community in a more relaxed forum than crafting commentaries for official publication in a journal.

Although blogs, wikis and media-sharing sites all contribute to the larger physician sphere of social interaction, the reality is that many social media users check in to one or two sites through the day to see what is happening. Of all the social media platforms, Twitter appears most popular among medical professionals — perhaps due to its rather succinct features. Physicians can respond directly to information shared through Twitter with quick criticism or endorse them with “favorites” or “retweets” that often, in turn, validates that information for other physicians. The use of “hashtags” in Twitter also allows users to focus their discussions, broadcast trending topics to even wider audience and invite additional questions and comments.

PAGE BREAK

In a field as fast paced as medicine, in which professionals often lack the free time to consume information, the brief information bytes and rapid response critiques offered through Twitter often enable even the most overwhelmed physician to stay ‘in the know’.

In their study in the European Journal of Hospital Pharmacy, Martinez-Lopez De Castro and colleagues analyzed the volume and content of tweets pertaining to biological therapies for chronic inflammatory arthropathies. A number of keywords underwent analysis, resulting in 2,480 tweets that ultimately were included.

Among 983 tweets pertaining to therapies, adalimumab (Humira, AbbVie), infliximab (Remicade, Janssen) and etanercept (Enbrel, Amgen) were most common. Rheumatoid arthritis was the most commonly tweeted disease, followed by psoriatic arthritis and ankylosing spondylitis. Other highlights included tweets about safety or adverse events, drug infusion and self-administration.

“Learning more about the patients dealt with in the tweets will enable us to improve our understanding of the areas of greater interest and concern among patients,” the researchers wrote. “This could help hospital pharmacists establish patient-focused strategies addressing the needs of the patients.”

Where all of this information is concerned, Dizon underscored the importance of reliability. “This is where we as health care professionals can make the most difference,” he said. “We can point toward good resources and point away from misinformation.”

This may be an increasingly difficult task for physicians as Twitter offers no official process to check for misinformation, instead relying on crowdsourcing from its users to vet statements for accuracy.

In particular, celebrities on Twitter often present a significant hurdle in proliferating misinformation. Often given “verified account” status – Twitter algorithms prioritize celebrity accounts as being of higher “public interest” – celebrities with no formal expertise on health care topics regularly voice their opinions on them, and are often presented as credible sources to Twitter users. This can present a particular problem for patients using Twitter as a resource to make informed decisions regarding their care.

Connecting to the Future

Regardless of how it is used, one thing is certain: Social media is not going anywhere. The more a clinician or researcher can learn about what is happening in the online universe, the better positioned they may be for success.

Further data from Negron and colleagues showed that the key topic associated with the #EULAR2018 hashtag was “patients,” while sharing knowledge from the meeting, marketing or advertising and sharing experiences or thoughts were the primary themes. The researchers suggested that there was a “staggering” amount of information coming from the meeting and urged leadership to “recognize the value and power” of this information to shape the organization in the future.

PAGE BREAK

What social media has demonstrated is that these organizations, after all, are made up of the individuals who belong to them and participate in the events. Part of that “value and power,” then, is not just the information itself, but how social media users respond to that information and connect with each other about it.

“The best way to get into using social media as a physician is to be active on it during one of the larger rheumatology meetings, even if you cannot be physically present at the event,” Sufka said. “This is a time to identify colleagues with similar interests and make connections. Do not be afraid to join a conversation.”

Suleman Bhana, MD
Suleman Bhana

For Bhana, it can run even deeper than just connections. “Of course, social media has allowed me to meet people I never would have met organically at ACR or EULAR,” he said. “But curating content and observing and engaging other people’s content has opened so many doors for me and allowed me to have a leadership presence in ACR. I never would have gotten there without social media.”

More and more rheumatologists are following Bhana’s lead. Nikiphorou and colleagues examined social media use among 233 young rheumatologists and basic scientists from 47 countries in their study in Annals of Rheumatic Diseases. Regarding professional activities, about half noted that they used social media for clinical and research-related reasons. Moreover, 81% used social media to gather information, 76% for professional networking, 59% for new resources and 47% for learning new skills.

“Social media will continue to be a part of the life of physicians both at work and at home,” Bolek-Berquist said. “It allows us to collaborate with people all over the world, and to share information that has the power to result in better patient care.”

She noted, “Younger physicians have been raised with social media their whole lives and likely will strive to incorporate its use into everyday practice. For example, during the current COVID-19 outbreak, the international rheumatology community was able to quickly assemble to develop a registry of rheumatology patients afflicted with the disease. Without years of previous networking online, this would not have been such a smooth and effective project.”

As for the ethical boundaries discussed previously, Bolek-Berquist suggested that the social media landscape is constantly shifting. “It is not clear as to whether physician-patient social media networking will evolve in the future as a part of medical care, such as in online support groups,” she said.

Regardless, the opportunities to communicate are nearly boundless, and focusing on these positives could usher in a new generation of learning and connecting, according to Sufka. “I have always been impressed when social media helps break down silos between different specialties in medicine,” he said. “I am seeing a lot of this in the wake of COVID-19. People are becoming more and more willing to try to help their new online friends.” – by Rob Volansky

Disclosures: Bhana, Bolek-Berquist and Dizon report no relevant financial disclosures. Sufka reports being the social media editor for @ACR_Journals (Arthritis & Rheumatology, Arthritis Care & Research, and ACR Open Rheumatology).

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Bayo Onanuga battles yet another media – Punch Newspapers

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Bayo Onanuga battles yet another media  Punch Newspapers

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Blood In The Snow Film Festival Celebrates 13 Years!

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Blood in the Snow FILM FESTIVAL

Celebrates

13 YEARS

Be Afraid.  Be Very Afraid”

Toronto, on – Blood in the Snow Film Festival (BITS), a unique and imaginative showcase of contemporary Canadian genre films are pleased to announce the popular Festival is back for its 13th exciting year.  The highly anticipated Horror Film festival presented by Super Channel runs November 18th– 23rd at Toronto’s Isabel Bader Theatre  The successful, long running festival takes on many different faces this year that include Scary, Action Horror, Horror Comedy, Sci-Fi and Thrillers.  Festival goers will be kept on the edge of their seats with this year’s powerful line-up.

Blood in the Snow Festival begins with the return of alumni (Wolf Cop) Lowell Deans action horror feature Dark Match featuring wrestling veteran Chris Jericho followed by the mysterious Hunting Mathew Nichols. The unexpected thrills continue with Blood in the Snow World Premiere of Pins and Needles and the Fantasia Best First Feature Award winner, Self Driver.  The festival ends this year on a fun note with the Toronto Premiere of Scared Sh*tless (featuring Kids in the Halls Mark McKinney).  Other titles include the horror anthology series Creepy Bits and Zoom call shock of Invited by Blood in the Snow alumni Navin Ramaswaran (Poor Agnes). The festival will also include five feature length short film programs including the festivals comedy horror program Funny Frights and Unusual Sights and the highly anticipated Dark Visions program, part of opening night festivities.  Blood in the Snow Film Festival Director and Founder, Kelly Michael Stewart anticipates this year’s festival to be its strongest.  This was the first time in our 13 year history, all our programmers agreed on the exact same eight feature programs we have selected.”

Below is this year’s horror fest’s exciting lineup of features and shorts scheduled to screen, in-person at the Isabel Bader theatre. 

**All festival features will be preceded by a short film and followed by a Q&A with filmmakers.

Tickets for the Isabel Bader Theatre lineup on sale now and can be purchased  https://www.bloodinthesnow.ca

Super Channel is pleased to once again assume the role of Presenting Sponsor for the Blood in the Snow Film Festival. We extend our sincere appreciation to the entire BITS team for their unwavering commitment to amplifying the voices of diverse filmmakers and providing a platform for the celebration of Canadian genre content. – Don McDonald, the CEO of Super Channel

Blood in the Snow Festival 2024 Full screening schedule:

Monday November 18th
7pm – Dark Visions

Shiva (13:29) dir. Josh Saltzman

Shiva is an unnerving tale about a recently widowed woman who breaks with a long-held Jewish mourning ritual in hopes of connecting with her deceased husband.

How to Stay Awake (5:30) dir. Vanessa Magic

A woman fights to stay awake, to avoid battling the terrifying realm of sleep paralysis, but as she risks everything to break free, will she be released from the grip of her nocturnal tormentor?

Pocket Princess (9:45) dir. Olivia Loccisano

A young girl must take part in a dangerous task in order to complete her doll collection in this miniature fairytale.

For Rent (10:33) dir. Michèle Kaye

In her new home, Donna unravels a sinister truth—her landlord is a demon with a dark appetite. As her family mysteriously vanishes, Donna confronts the demonic landlord, only to plunge into a shadowy game where the house hungers for more than just occupants. An ominous cycle begins, shrouded in mystery.

Lucys Birthday (9:29) dir. Peter Sreckovic

A father struggles to enjoy his young daughter’s birthday despite a series of strange and disturbing disruptions.

Parasitic (10:00) dir. Ryan M Andrews

Last call at a dive bar, a writer struggling to find his voice gets more than he bargains for.

 Naualli (6:00) dir. Adrian Gonzalez de la Pena

A grieving man seeks revenge, unwittingly awakening a mystical creature known as the Nagual.

The Saint and The Bear (6:34) dir. Dallas R Soonias

Two strangers cross paths on an ominous park bench.

The Sorrow (13:00) dir. Thomas Affolter

A retired army general and his live-in nurse find they are not alone in a house filled with dark secrets.

Cadabra (6:00) dir. Tiffany Wice

An amateur magician receives more than he anticipated when he purchases a cursed hat from the estate of his deceased hero.

9:30 – Dark Match dir. Lowell Dean Horror / Action

A small time WRESTLING COMPANY accepts a well-paying but too good to be true gig.

 

Tuesday November 19th
7pm – Mournful Mediums

Night Lab (15:00) dir. Andrew Ellinas

When a mysterious package arrives from one of the lab’s field research stations, a promising young researcher uncovers a conspiracy against her masterminded by her jealous boss. She soon finds herself having to grapple with her conscience before making a life-or-death decision.

Dirty Bad Wrong (14:40) dir. Erica Orofino

Desperate to keep her promise to host the best superhero party for her 6-year-old, young mother Sid, a sex worker, takes extreme measures and books a last-minute client with a dark fetish.

Midnight at the lonely river (17:00) dir. Abraham Cote

When the lights go out at a seedy little motel bar, at the crossroads of a seedy little town, nefarious happenings are taking place, and three predators are enacting their evil deeds. Enter Vicky, a drifter who quickly realizes whats happening right under everyones nose. After midnight, In the shadows of this dim establishment, evil begets evil, and the predator becomes the prey.

Mean Ends (14:58) dir. Émile Lavoie

A buried body, a missing sister and an inquisitive neighbour makes for a hell of an evening. And the sun isnt close to settling on Erics sh*tty day.

Stuffy (18:26) dir. Dan Nicholls

A young couple sets off in the middle of the night to bury their kid’s stuffed bunny, as one of them is convinced that the stuffy might be cursed.

Dungeon of Death (18:33) dir. Brian P. Rowe

Torturer Raullin loves a work challenge, especially if that challenge involves hurting people to extract information from them.

9:30 – Hunting Matthew Nichols (96 mins) dir. Markian Tarasiuk

Twenty-three years after her brother mysteriously disappeared, a documentary filmmaker sets out to solve his missing person’s case. But when a disturbing piece of evidence is revealed, she comes to believe that her brother might still be alive.

w/ short: Josephine (6:15) dir. John Francis Bregar

A man haunted by his past seeks forgiveness from his deceased wife, but a session with two spirit mediums leads to an unsettling encounter.

Wednesday November 20th
7pm – BITS and BYTES

Ezra (10:57) dirs. Luke Hutchie, Mike Mildon, Marianna Phung

After fleeing the dark and demonic chains of his shadowy old home, Ezra, a killer gay vampire, takes a leap of faith and enters the modern world.

Head Shop (18:14 episode 1-3) dir. Namaï Kham Po

In a post-apocalyptic world, Annas life and work are dominated by her father Sylvestre, a short-tempered mechanic with a terrible reputation for tearing the head off anyone who dares cross him. He decides that shes old enough to follow in his footsteps, much to her dismay. To prove herself, she must now decapitate her first victim. Can she find a way to defy fate?

D dot H (18 :15 episodes 1-2) dirs. Meegwun Fairbrother, Mary Galloway

Struggling artist Doug is visited by the beautiful and enigmatic H, who claims he holds the power to visiting inconceivable places.” Still half-asleep, Doug is shocked when H vanishes suddenly and her doppelganger, Hannah, strides past.

Creepy Bits: Last Sonata (21:08) dir.

Adrian Bobb, Ashlea Wessel, David J. Fernandes, Sid Zanforlin and Kelly Paoli.

Set among forests, lakes, and small towns, Creepy Bits is a horror anthology series helmed by five innovative filmmakers exploring themes of human vs. nature, the invasion and destruction of the natural world by outsiders, and isolation within a vast, eerie landscape that is not afraid to fight back.

Tales from the Void: Whistle in the Woods” (24:36) dir. Francesco Loschiavo

Horror anthology TV series based on stories from r/NoSleep. Each tale blends genre thrills & social commentary exploring the dark side of the human psyche.

9:30 – Self Driver dir. Michael Pierro Thriller

Facing mounting expenses and the unrelenting pressure of modern living, a down-on-his-luck cab driver is lured on to a mysterious new app that promises fast, easy money. As his first night on the job unfolds, he is pulled ever deeper into the dark underbelly of society, embarking on a journey that will test his moral code and shake his understanding of what it means to have freewill. The question becomes not how much money he can make, but what he’ll be compelled to do to make it.
 

w/ short: Northern Escape (10:38) dirs. Lucy Sanci, Alexis Korotash

A couple on a cottage getaway tries to work on their relationship but ends up getting more than they bargained for when they discover something sinister lurking beneath the surface.

Thursday November 21st
7pm – Funny Frights

Midnight Snack (1:41) dir. Sandra Foisy

Hunger always strikes in the dead of night.

Hell is a Teenage Girl (15:00) dir. Stephen Sawchuk

Every Halloween, the small town of Springboro is terrorized by its resident SLASHER – a masked serial killer who targets sinful teenagers that break The Rules of Horror’ – dont drink, dont do drugs, and dont have sex!

Gaslit (10:36) dir. Anna MacLean

A woman goes to dangerous lengths to prove she wasn’t responsible for a fart.

Bath Bomb (9:55) dir. Colin G Cooper

A possessive doctor prepares an ostensibly romantic bath for his narcissistic boyfriend, but after an accusation of infidelity, things take a deeply disturbing turn.

Any Last Words (14:22) dir. Isaac Rathé

A crook trying to flee town is paid an untimely visit by some of his former colleagues. What would you say to save your life if you were staring down the barrel of a gun?

Papier mâché (4:30) dir. Simon Madore

A whimsical depiction of the hard and tumultuous life of a piñata.

The Living Room (9:59) dir. Joslyn Rogers

After an unexpected call from Lady Luck, Ms. Valentine must choose between her sanity and her winnings – all before the jungle consumes her.

A Divine Comedy: What the Hell (8:55) dir. Valerie Lee Barnhart
 Dante’s classic Hell is falling into oblivion. Charlotte,

sharp-witted Harpy, navigates the chaos and sets out despite the odds for a new life and destiny.

Mr Fuzz (2:30) dir. Christopher Walsh

A long-limbed, fuzzy-haired creature will do whatever it takes to keep you watching his show.

Out of the Hands of the Wicked (5:00) dirs. Luke Sargent, Benjamin Hackman

After a harrowing journey home from hell, old Pa boasts of his triumph over evil, and how he came to lock the devil in his heart.

The Shitty Ride (9:13) dir. Cole Doran

Hoping to impress the girl of his dreams, Cole buys a used car but gets more than he bargained for with his shitty ride.

9:30 – Invited dir. Navin Ramaswaran Horror

When a reluctant mother attends her daughter’s Zoom elopement, she and the rest of the family in attendance quickly realize the groom is part of a Russian cult with deadly intentions.

w/ shorts: Defile dir. Brian Sepanzyk

A couple’s secluded getaway is suddenly interrupted by a strange family who exposes them to the horrors that lie beyond the tree line.

 A Mother’s Love dir. Lisa Ovies

A young girl deals with the consequences of trusting someone online.

Friday November 22nd
7:00 pm – Creepy Bits (anthology horror series)

Creepy Bits is a short horror anthology series that explores pandemic age themes of isolation, paranoia and distrust of authority, serving them up in bite-sized chunks. Directed by Adrian Bobb, Ashlea Wessel, David J. Fernandes, Sid Zanforlin and Kelly Paoli.

9:30 – Pins and Needles (81 min) dir. James Villeneuve Horror / Thriller

Follows Max, a diabetic, biology grad student who is entrapped in a devilish new-age wellness experiment and must escape a lethal game of cat and mouse to avoid becoming the next test subject to extend the lives of the rich and privileged.

w/ short: Adjoining (11:42) dirs. Harrison Houde, Dakota Daulby

A couple’s motel stay takes a chilling turn when they discover they’re being observed, leading to unexpected consequences.

Saturday November 23rd
4pm – Emerging Screams (94 mins)

Apnea (14:58) dir. David Matheson

A single, working mother finds her career and her offbeat sons safety in jeopardy when she discovers that her late mother is possessing her in her sleep.

Nereid (7:48) dir. Lori Zozzolotto

A mysterious woman escapes from an abusive relationship with earth shattering results.

BedLamer (15:00) dir. Alexa Jane Jerrett

On the shores of a small fishing village lives a lonely settlement of men – capturing and domesticating otherworldly creatures that were never meant to be tamed.

Blocked (6:30) dir. Aisha Alfa

A new mom is literally consumed with the futility of cleaning up after her kid.

Dance of the Faery (10:23) dir. Kaela Brianna Egert

A young woman cleans up her estranged, great aunt’s home after her death. Upon inspection, she soon realizes that her eccentric obsession with fairies was not born out of love, but of fear.

Deep End (7:36) dir. Juan Pablo Saenz

A gay couple’s heated argument during a hike spiral into a nightmare when one of them vanishes, leading the other to a mysterious cave that could reveal the chilling truth.

Ojichaag – Spirit Within (11:21) dir. Rachel Beaulieu

An emotionally devastated woman seeks comfort in her choice to end her life. As she faces death in the form of a spirit, she must decide to let herself go to fight to stay alive.

Lure (9.56) dir. Jacob Phair

A tormented father awaits the return of the man who saved his son’s life.

Let Me In (10:00) dirs. Joel Buxton, Charles Smith

A reluctant man interviews an unusual immigration candidate: himself from a doomed dimension

7:00 pm –The Silent Planet (95 mins) dir. Jeffrey St. Jules Sci-fi

An aging convict serving out a life sentence alone on a distant planet is forced to confront his past when a new prisoner shows up and pushes him to remember his life on earth

w/ short: Ascension (3:57) dir. Kenzie Yango

Deep in a remote forest, two friends, Mia and Riley, embark on a leisurely hike. As tensions run high between the two, a strange humming noise appears that seems to be coming from somewhere in the woods.

9:30 – Scared Shitless (73 mins) dir. Vivieno Caldinelli Horror / Comedy

A plumber and his germophobic son are forced to get their hands dirty to save the residents of an apartment building, when a genetically engineered, blood-thirsty creature escapes into the plumbing system.
 

w/ short: Oh…Canada (6:20) dir. Vincenzo Nappi

Oh, Canada. Such a wonderful place to live – WHETHER YOU LIKE IT OR NOT. A musical look into the artifice surrounding Canadian identity.

 

Tickets for the Isabel Bader Theatre lineup on sale now and can be purchased https://www.bloodinthesnow.ca/#festival

 

Follow “Blood In The Snow” Film Festival:

https://www.instagram.com/bitsfilmfest/

 

Media Inquiries:

Sasha Stoltz Publicity:

Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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It’s time for a Halloween movie marathon. 10 iconic horror films

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Sometimes, you just have to return to the classics.

That’s especially true as Halloween approaches. While you queue up your spooky movie marathon, here are 10 iconic horror movies from the past 70 years for inspiration, and what AP writers had to say about them when they were first released.

We resurrected excerpts from these reviews, edited for clarity, from the dead — did they stand the test of time?

“Rear Window” (1954)

“Rear Window” is a wonderful trick pulled off by Alfred Hitchcock. He breaks his hero’s leg, sets him up at an apartment window where he can observe, among other things, a murder across the court. The panorama of other people’s lives is laid out before you, as seen through the eyes of a Peeping Tom.

James Stewart, Grace Kelly, Thelma Ritter and others make it good fun.

— Bob Thomas

“Halloween” (1978)

At 19, Jamie Lee Curtis is starring in a creepy little thriller film called “Halloween.”

Until now, Jamie’s main achievement has been as a regular on the “Operation Petticoat” TV series. Jamie is much prouder of “Halloween,” though it is obviously an exploitation picture aimed at the thrill market.

The idea for “Halloween” sprang from independent producer-distributor Irwin Yablans, who wanted a terror-tale involving a babysitter. John Carpenter and Debra Hill fashioned a script about a madman who kills his sister, escapes from an asylum and returns to his hometown intending to murder his sister’s friends.

— Bob Thomas

“The Silence of the Lambs” (1991)

“The Silence of the Lambs” moves from one nail-biting sequence to another. Jonathan Demme spares the audience nothing, including closeups of skinned corpses. The squeamish had best stay home and watch “The Cosby Show.”

Ted Tally adapted the Thomas Harris novel with great skill, and Demme twists the suspense almost to the breaking point. The climactic confrontation between Clarice Starling and Buffalo Bill (Ted Levine) is carried a tad too far, though it is undeniably exciting with well-edited sequences.

Such a tale as “The Silence of the Lambs” requires accomplished actors to pull it off. Jodie Foster and Anthony Hopkins are highly qualified. She provides steely intelligence, with enough vulnerability to sustain the suspense. He delivers a classic portrayal of pure, brilliant evil.

— Bob Thomas

“Scream” (1996)

In this smart, witty homage to the genre, students at a suburban California high school are being killed in the same gruesome fashion as the victims in the slasher films they know by heart.

If it sounds like the script of every other horror movie to come and go at the local movie theater, it’s not.

By turns terrifying and funny, “Scream” — written by newcomer David Williamson — is as taut as a thriller, intelligent without being self-congratulatory, and generous in its references to Wes Craven’s competitors in gore.

— Ned Kilkelly

“The Blair Witch Project” (1999)

Imaginative, intense and stunning are a few words that come to mind with “The Blair Witch Project.”

“Blair Witch” is the supposed footage found after three student filmmakers disappear in the woods of western Maryland while shooting a documentary about a legendary witch.

The filmmakers want us to believe the footage is real, the story is real, that three young people died and we are witnessing the final days of their lives. It isn’t. It’s all fiction.

But Eduardo Sanchez and Dan Myrick, who co-wrote and co-directed the film, take us to the edge of belief, squirming in our seats the whole way. It’s an ambitious and well-executed concept.

— Christy Lemire

“Saw” (2004)

The fright flick “Saw” is consistent, if nothing else.

This serial-killer tale is inanely plotted, badly written, poorly acted, coarsely directed, hideously photographed and clumsily edited, all these ingredients leading to a yawner of a surprise ending. To top it off, the music’s bad, too.

You could forgive all (well, not all, or even, fractionally, much) of the movie’s flaws if there were any chills or scares to this sordid little horror affair.

But “Saw” director James Wan and screenwriter Leigh Whannell, who developed the story together, have come up with nothing more than an exercise in unpleasantry and ugliness.

— David Germain

Germain gave “Saw” one star out of four.

“Paranormal Activity” (2009)

The no-budget ghost story “Paranormal Activity” arrives 10 years after “The Blair Witch Project,” and the two horror movies share more than a clever construct and shaky, handheld camerawork.

The entire film takes place at the couple’s cookie-cutter dwelling, its layout and furnishings indistinguishable from just about any other readymade home constructed in the past 20 years. Its ordinariness makes the eerie, nocturnal activities all the more terrifying, as does the anonymity of the actors adequately playing the leads.

The thinness of the premise is laid bare toward the end, but not enough to erase the horror of those silent, nighttime images seen through Micah’s bedroom camera. “Paranormal Activity” owns a raw, primal potency, proving again that, to the mind, suggestion has as much power as a sledgehammer to the skull.

— Glenn Whipp

Whipp gave “Paranormal Activity” three stars out of four.

“The Conjuring” (2013)

As sympathetic, methodical ghostbusters Lorraine and Ed Warren, Vera Farmiga and Patrick Wilson make the old-fashioned haunted-house horror film “The Conjuring” something more than your average fright fest.

“The Conjuring,” which boasts incredulously of being their most fearsome, previously unknown case, is built very in the ’70s-style mold of “Amityville” and, if one is kind, “The Exorcist.” The film opens with a majestic, foreboding title card that announces its aspirations to such a lineage.

But as effectively crafted as “The Conjuring” is, it’s lacking the raw, haunting power of the models it falls shy of. “The Exorcist” is a high standard, though; “The Conjuring” is an unusually sturdy piece of haunted-house genre filmmaking.

— Jake Coyle

Coyle gave “The Conjuring” two and half stars out of four.

Read the full review here.

“Get Out” (2017)

Fifty years after Sidney Poitier upended the latent racial prejudices of his white date’s liberal family in “Guess Who’s Coming to Dinner,” writer-director Jordan Peele has crafted a similar confrontation with altogether more combustible results in “Get Out.”

In Peele’s directorial debut, the former “Key and Peele” star has — as he often did on that satirical sketch series — turned inside out even supposedly progressive assumptions about race. But Peele has largely left comedy behind in a more chilling portrait of the racism that lurks beneath smiling white faces and defensive, paper-thin protestations like, “But I voted for Obama!” and “Isn’t Tiger Woods amazing?”

It’s long been a lamentable joke that in horror films — never the most inclusive of genres — the Black dude is always the first to go. In this way, “Get Out” is radical and refreshing in its perspective.

— Jake Coyle

Coyle gave “Get Out” three stars out of four.

Read the full review here.

“Hereditary” (2018)

In Ari Aster’s intensely nightmarish feature-film debut “Hereditary,” when Annie (Toni Collette), an artist and mother of two teenagers, sneaks out to a grief-support group following the death of her mother, she lies to her husband Steve (Gabriel Byrne) that she’s “going to the movies.”

A night out with “Hereditary” is many things, but you won’t confuse it for an evening of healing and therapy. It’s more like the opposite.

Aster’s film, relentlessly unsettling and pitilessly gripping, has carried with it an ominous air of danger and dread: a movie so horrifying and good that you have to see it, even if you shouldn’t want to, even if you might never sleep peacefully again.

The hype is mostly justified.

— Jake Coyle

Coyle gave “Hereditary” three stars out of four.

Read the full review here. ___

Researcher Rhonda Shafner contributed from New York.

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