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To Recognize Misinformation in Media, Teach a Generation While It’s Young – The New York Times

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The Instagram post looked strange to Amulya Panakam, a 16-year-old high school student who lives near Atlanta. In February, a friend showed her a sensational headline on her phone that declared,Kim Jong Un is personally killing soldiers who have Covid-19!” Of course, the news wasn’t real. “I was immediately suspicious,” Ms. Panakam said. She searched online and found no media outlets reporting the fake story. But her friends had already shared it on social media.

Ms. Panakam was startled by how often students “grossly handle and spread misinformation without knowing it,” she said. Yet media literacy is not part of her school’s curriculum.

So Ms. Panakam ­­contacted Media Literacy Now, a nonprofit organization based near Boston that works to spread media literacy education. With its help, she wrote to her state and local representatives to discuss introducing media literacy in schools.

The subject was hardly new. Well before the internet, many scholars analyzed media influence on society. In recent decades, colleges have offered media studies to examine advertising, propaganda, biases, how people are portrayed in films and more.

But in a digital age, media literacy also includes understanding how websites profit from fictional news, how algorithms and bots work, and how to scrutinize suspicious websites that mimic real news outlets.

Now, during the global Covid-19 crisis, identifying reliable health information can be a matter of life or death. And as racial tensions run high in America, hostile actors can harness social media to sow discord and spread disinformation and false voting information, as they did in the 2016 elections and may well be repeating in the current elections.

Indeed, Facebook and Twitter recently shut down fake accounts linked to the Internet Research Agency, backed by Russia. Twitter said this month that it suspended nearly 1,600 accounts, including some in Iran that “amplified conversations on politically sensitive topics” like race and social justice.

Online misinformation might seem like an incurable virus, but social media companies, policymakers and nonprofits are beginning to address the problem more directly. In March, big internet companies like Facebook and Twitter started removing misleading Covid-19 posts. And many policymakers are pushing for tighter regulations about harmful content.

What still needs more attention, however, is more and earlier education. Teaching media literacy skills to teenagers and younger students can protect readers and listeners from misinformation, just as teaching good hygiene reduces disease.

A RAND report last year said research showed signs that media literacy increases “resiliency to disinformation.”

Erin McNeill, the founder of Media Literacy Now, grew concerned when her young sons were exposed to sexist female stereotypes on television and in video games. She raised the issue to her son’s fifth grade teacher, who voluntarily created a media literacy unit that included analyzing those messages.

Going further, she said, “we need policy so it’s embedded in the education system,” and in 2011 she wrote to Massachusetts politicians and eventually got support from some, notably a state senator, Katherine Clark, who is now a representative in Congress.

Two years later Ms. McNeill founded Media Literacy Now, to help people in other states lobby policymakers. The organization’s online tool kit included templates for emailing to elected officials, alongside samples of policy documents, research papers and videos. Changes were already happening before Media Literacy Now was founded. Since 2008, 14 states have passed legislation supporting some form of media literacy in schools, potentially affecting tens of millions of students.

And media literacy is getting more support. Last year, Senator Amy Klobuchar, Democrat of Minnesota, introduced a bill calling for $20 million to fund media literacy education.

While that federal bill has little chance of passing, momentum has grown at the state level, and 15 states were considering media literacy bills this year. Media Literacy Now has influenced nearly 30 bills in 18 states since its founding.

In Connecticut, for example, it guided a group of African-American social workers who had founded a company named Welcome 2 Reality to seek new state laws that passed in 2015 and 2017. The state now requires schools to teach safe use of social media and also formed an advisory council on media literacy education that is drafting a baseline report.

Marcus Stallworth, a founder of the social workers’ group who has taught an elective titled “Social Media: The Good, Bad, and the Ugly” at the University of Bridgeport, saw how deeply media affected students. “Social media — anyone can say anything,” he tells them. He also asks them to consider who is disseminating information and what their intent might be. For example, are posts coming from an official source like the governor, or from a potential scammer?

After connecting with Media Literacy Now, the social workers realized that state education policies could have wider impact. Qur-an Webb, a member of Welcome 2 Reality who saw that ordinary citizens could influence lawmakers, concluded that “these are people we vote for — they should meet with us.”

There is no silver bullet for disarming misinformation. But states’ media literacy education policies typically include first steps, like creating expert committees to advise education departments or develop media literacy standards. Next come recommending curriculums, training educators, funding school media centers and specialists, monitoring and evaluation.

States set guidelines for education departments, although local districts often have final control of curriculums.

Even without legislation, teachers can incorporate media literacy concepts into existing classes or offer electives. At Andover High School in Massachusetts, Mary Robb has taught the subject for 19 years. As part of Media Literacy Now’s advocacy, she and her students testified at a Massachusetts State House hearing in 2013.

Ms. Robb now includes media literacy in civics classes, where students might analyze war propaganda and assess the credibility of websites. “‘Fake news’ is not news that you disagree with,” she emphasized.

At Swampscott High School in Massachusetts, Tom Reid has taught media literacy for 15 years and testified at the State House. He pointed out that lessons should focus on critical thinking, rather than being “too focused on simply trying to get students to reduce their screen time.”

Teaching resources already exist. News Literacy Project, for example, has a free 13-lesson online curriculum. Its lessons also cover topics like “deep fake” videos and the role of journalism in a democracy.

Other resources include Ground News, which compares reportage; Adfontes Media, which assesses the reliability of news sources; and Media Education Foundation, which makes documentaries about media’s impact.

Establishing policies is one important step, but Media Literacy Now does not track how they are carried out. “Just passing one bill does not necessarily mean the lessons are being taught,” Ms. McNeill said. “Advocacy still needs to be done.”

Many young people say media literacy is invaluable. Mr. Stallworth’s students said they wished they had learned about the subject earlier.

“Why are we waiting until they get to college?” Mr. Stallworth asked. “It makes more sense to introduce them much earlier.”

Ms. Yee is a journalist who has written about solutions to social problems in the United States, Africa, Asia, Australia and Europe.

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The Times is committed to publishing a diversity of letters to the editor. We’d like to hear what you think about this or any of our articles. Here are some tips. And here’s our email: letters@nytimes.com.

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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