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Turner Prize 2023: Windrush and Covid pandemic inspires nominees

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Burden of Proof, 2022Danko Stjepanovic

The Windrush scandal and the effects of the pandemic are among the issues explored by the artists shortlisted for this year’s Turner Prize.

Barbara Walker, Rory Pilgrim, Ghislaine Leung and Jesse Darling are in the running for the prestigious art award.

Their work ranges from installations of manipulated household goods to a seven-song oratorio.

They will be displayed at the Towner Eastbourne, East Sussex from September, with the winner announced in December.

Alex Farquharson, the director of Tate Britain and chair of the Turner Prize jury, told BBC Radio 4’s Today programme the artworks shared common themes.

“They deal with a number of different social issues as well as social structures that perhaps risk confining and restricting life, almost taking freedom away in some cases,” he said.

“At the same time I think that there’s a remarkable sense of empathy and sensitivity and the human running through that in relationship to those social issues.”

Here is a brief overview of the nominees and their work.

Jesse Darling

 

Jess Darling. No Medals No Ribbons

Ben Westoby/ Modern Art Oxford

Oxford-born Jesse Darling works in sculpture, installation, video, drawing, sound, text and performance to explore and reimagine the everyday technologies that represent how people live.

The 41-year-old, who now lives in Berlin, has been nominated for his solo exhibitions No Medals, No Ribbons and Modern Art Oxford and Enclosures at Camden Art Centre.

The jury was struck by Darling’s ability to manipulate materials in ways that express the messy reality of life.

They felt that these exhibitions revealed the breadth and integrity of Darling’s practice, exposing the world’s underlying fragility and refusing to make oneself appear legible and functioning to others.

 

Enclosures by Jesse Darling

Eva Herzog

Ghislaine Leung

 

Fountains by Ghislaine Leung

GRAYSC

Ghislaine Leung’s solo exhibition Fountains at Simian, Copenhagen, tests the boundaries of the gallery space.

Baby monitors, child safety gates, inflatable structures, toys, and water fountains are used to turn the exhibition structure on its head, asking questions about time, leisure, and labour.

It also includes a wall painting the size of the artist’s home studio wall divided into all the hours of the week. The portion of studio hours available to the artist is marked in black.

It shows the realities of Stockholm-born Leung’s multiple roles as an artist and a mother. She is 42 and lives and works in London.

The jury commended the warm, humorous, and transcendental qualities that lay behind Leung’s work, as well as her commitment to challenging the way art is produced and circulated.

 

A wall painting the size of the artist's home studio wall divided into all the hours of the week with the portion of studio hours availabel to the artist marked in black. Thursday 9am-4pm, Friday 9am-4pm.

GRAYSC

Rory Pilgrim

 

RAFTS production still 2021

Matthew Ritson

Bristol-born Rory Pilgrim is a multi-disciplinary artist working across a wide range of media including song writing, composition, films, texts, drawings, paintings and live performances

He has been nominated for the Turner Prize for the commission RAFTS at Serpentine and Barking Town Hall, and a live performance of the work at Cadogan Hall in London.

He worked with local communities in Barking and Dagenham to create stories, poems, music and film reflecting on times of change and struggle during the pandemic.

It was made during the pandemic, with Pilgrim, 35, positioning the raft as a symbol of support keeping people afloat in challenging and precarious circumstances.

The jury praised the project as a standout example of social practice.

 

RAFTS installation view

George Darrell

Barbara Walker

 

Burden of Proof 2022

Danko Stjepanovic

Barbara Walker grew up in Birmingham to Jamaican parents and her work is concerned with the issues of class and power, gender, race, representation and belonging.

She has been nominated for Burden of Proof, which looks at the individuals and families affected by the Windrush scandal.

It featured large scale charcoal portraits drawn directly onto the gallery wall and eight framed works on paper.

Portraits of people affected by the scandal are layered over hand drawn reproductions of identity papers – documentary evidence of their right to remain in the UK.

The jury applauded Walker’s ability to use portraits of monumental scale to tell stories of a similarly monumental nature, whilst maintaining a tenderness and intimacy.

 

Burden of Proof 2022

Danko Stjepanovic

All the shortlisted artwork will go on display at Towner Eastbourne from 28 September until 14 April as part of the gallery’s centenary celebration.

The winner will be awarded £25,000 with £10,000 awarded to the other nominees.

The Turner Prize winner will be announced on 5 December 2023 at an award ceremony in Eastbourne’s Winter Gardens.

 

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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