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US Prosecutors Say Art Collector Financed Hezbollah and Violated Sanctions, Dealing Art and Diamonds Totaling $440 M.

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Collector Nazem Said Ahmad has been charged for violating and evading US sanctions through $440 million worth of imports and exports in art and diamonds, according to federal prosecutors. Eight others, including several of his family members, were also charged.

The nine-count indictment unsealed this week in United States District Court for the Eastern District of New York also includes allegations of conspiring to defraud the United States and other governments, evading customs laws, and money laundering for the benefit of Lebanon-based terrorist group Hezbollah.

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Ahmad has been sanctioned by the US government since 2019 for his role as a major financial donor to Hezbollah through money laundering activities, as well as for personally providing funds to the organization’s secretary-general. He was barred from conducting business, like collecting and selling “high-value art,” real estate, and diamonds, with US entities and persons.

But these sanctions did not stop Ahmad and his partners from using “a complex web of business entities” to procure valuable artwork from American artists and art galleries, as well as secure U.S.-based diamond-grading services, while hiding the art collector’s involvement in and benefit from these transactions, according to a press release from the Justice Department.

“Luxury good market participants should be attentive to these potential tactics and schemes, which allow terrorist financiers, money launderers, and sanctions evaders to launder illicit proceeds through the purchase and consignment of luxury goods,” Brian E. Nelson, the Treasury Department’s undersecretary for terrorism and financial intelligence, said in a statement.

The Treasury Department said it identified 52 individuals and entities in an international network across nine countries that Ahmad used to facilitate “the payment, shipment, and delivery of cash, diamonds, precious gems, art, and luxury goods” for his alleged money laundering and sanctions evasion.

The other individuals charged for helping Ahmad include his son Firas Michael Ahmad, his daughter Hind Nazem Ahmad, his brother-in-law Rami Yaacoub Baker, as well as associates Mohamad Hijazi, Mohamad Hassan Ismail, Sarya Nemat Martin, and Ali Said Mossalem Sundar Nagarajan.

Hind Nazem Ahmad is also the owner operator of the Dida Gallery in Abidjan, Côte d’Ivoire, and Artual Gallery in Beirut, Lebanon. She disputed the allegations, saying she was unaware of the case in federal court; she called the notion of her father being a financier for Hezbollah “absurd.”

“I would have never imagined this would ever be possible,” she told the New York Times.

While one of the defendants was arrested this week in the United Kingdom, the Justice Department said the eight others, including Ahmad, “are believed to reside outside the United States and remain at large.” The American government has also obtained seizure warrants for millions in assets in artwork, cash, and a diamond ring.

Last year, Ahmad’s penthouse in Beirut was featured in Architectural Digest Middle East (since removed from the magazine’s website) for its wide array of paintings and bright sculptures. According to the article, Ahmad’s art collection also includes works by Jean-Michel Basquiat, Ai Weiwei, Thomas Heatherwick, and Marc Quinn.

The indictment further alleges that Ahmad and his associates obtained artwork worth more than $1.2 million from the US after he was sanctioned in 2019, but notes that amount does not account for the tax evasion from foreign governments. By comparison, the indictment said the total weight and value of the diamonds, which had allegedly passed through Ahmad’s businesses after the sanctions had been imposed, were graded at approximately 1,546 carats, worth more than $91 million.

A painting by Luke Agada that was included in an indictment from the US Justice Department.

While the indictment included the prices of the art works based on export records and sales invoices, it did not identify the names of artists and galleries involved, only referring to them by location, such as “Chicago Art Gallery-1.”

Using Google reverse image search on artworks attached to the indictment, several of the works appear to be artists David Salle, Terron Cooper Sorrells, Stickmonger, and UFO907; per the indictment, these pieces were paid for or acquired through other names, entities, or partial payments to obscure they were connected to Ahmad.

Three of the works in the indictment had also been posted to Ahmad’s Instagram account, where he frequently posts images of artists, galleries, and exhibitions to his 172,000 followers. Ahmad identified those paintings as ones by Nicasio Fernandez and Luke Agada.

ARTnews has reached out to each of these artists and Ahmad for comment.

The indictment said the painting by Agada was paid for by wire transfer through an American financial institution based in New York. It shows a woman wearing a black blazer, a white dress with black polka-dots, white gloves, with an antique telephone box instead of a head. The woman holds a cardboard box with a label marked “EVIDENCE.”

 

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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Sudbury art, music festival celebrating milestone

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Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.

The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.

Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”

With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.

The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.

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