adplus-dvertising
Connect with us

Art

Visual Paradise student art showcase shines online – The Kingston Whig-Standard

Published

 on


Article content

KINGSTON — While the artwork in the 2020-21 Visual Paradise final show is the culmination of the work of 25 students in the Creative Arts Focus Program as is usually the case, the format in which it’s being showcased is different.

In previous non-COVID years, the focus program would normally hold an in-person, gallery-style show for the public to see the students’ artwork. But that is not able to happen this year, and the artwork is being displayed entirely online.

Mushrooms, a layered papercut by Mara Klug. Photo by Creative Arts HMHS Focus Program

“2020-21 was a year we will never forget,” Lauren McEwen, the Creative Arts SHSM (Specialist High Skills Major) Focus Program teacher, said in the opening letter for the showcase. “A significant lesson that we have learned throughout this challenging and unprecedented time is how important and valuable the arts truly are towards our wellness, positivity, appreciation and hope. Art-making allows us to process our experiences and to express and understand the world around us, serving as an aid for healing and recovering. It is in times of crisis when we need humanity, expression and the sense of community that the arts create more than ever.”

Advertisement

Story continues below

This advertisement has not loaded yet, but your article continues below.

Article content

A number of students were interested in the art of fashion, so McEwen was able to invite Carly Beamish, a costume designer who is currently out of work due to COVID, to come for a week and work with the students, providing hands-on instruction to create their own wearable art.

“We were able to get her tested, bring her to Kingston (from Toronto) and work with those students on designing and building and constructing garments,” McEwen said. “That was an awesome experience for those students. She actually taught over half the class, anyone who was interested, how to make masks.”

One of those students was Morgan Greastrom, who created sunglasses, a mixed-medium jacket and a number of purses and bags, along with their watercolours, sketches and digital drawings.

Heart Jacket by Morgan Greastrom. Photo by Creative Arts HMHS Focus Program

“I love the work I do and want to continue to learn even more through education and a career focused on solving issues within our society and the fashion industry. I am especially focused on creating solutions to issues related to LGBTQ+ people, socio-economic class, mental health/illness, sustainability, education and the intersectionality of these issues and many more,” Greastrom said on her artist profile webpage.

Due to the octomester schedule of the school year, students participated, both in-person and virtually, in the program from October to January.

“With running the program through COVID, it did present many challenges,” McEwen explained. “We weren’t able to do some of the things that the program normally thrives in, like trips to galleries and to Toronto and portfolio day and different things like that. In lieu of those opportunities, we really tried to keep things in-house and do as many things as we can in the room. That provided more time for the students to be in the class really refining their skills and exploring the things that they really wanted to explore.”

Advertisement

Story continues below

This advertisement has not loaded yet, but your article continues below.

Article content

Another silver lining to this year was to create the virtual showcase. The students were able to design their own display digitally, from how they would represent themselves as an artist to the information on their artist’s page and how their art was displayed.

“What you’re looking at in the Visual Paradise final show is the students come up with the final proposals for the works they’re going to complete during the semester, based on the portfolio requirements for post-secondary applications,” McEwen said. “So if a student is applying to a digital illustration or animation, they have to research the requirements for their applications and create a proposal of the works they’ll complete throughout the semester. It allows the students to advocate for themselves and works on their own confidence and self-efficacy.”

The artwork showcased by the students covers a wide range of mediums, from traditional sketches, painting, sculpture and mixed-medium to digital images, animation and fashion.

Woman I, a coloured pencil drawing by Kaitlyn Fleming. Photo by Creative Arts HMHS Focus Program

“There was a lot of digital drawing and animation,” McEwan said. “That was something that I was very surprised about, is how many students in the class were drawn to digital drawing.”

The Creative Arts SHSM Focus Program, which was founded by now-retired teacher Karen Peperkorn in 1990. It is a specialized arts program that allows students to spend a semester focusing on their artistic portfolio development.

“With this portfolio-building program, that’s when the students really get to explore those categories/options for post-secondary career paths,” McEwen said. “I think the students were really surprised of the freedom that they were granted with their creative expression. My beliefs, as an instructor, is that students will approach me with their ideas of the projects that they want to complete and it’s my job to help them complete them, but I’m not going to drive their bus for them, they’re going to drive their own bus.”

The Visual Paradise artwork can be viewed online through the showcase’s website sites.google.com/limestone.on.ca/creativeartsfocusprogram/home?authuser=0 or via the classes’ Twitter account @CreativeArts90.

jmckay@postmedia.com

twitter.com/JMcKayPhotoWhig

Collages, medium of marker, magazine, pen, scrapbook paper and “found objects” by Moksha Patel Photo by Creative Arts HMHS Focus Program

Let’s block ads! (Why?)

728x90x4

Source link

Continue Reading

Art

Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

Published

 on

In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

Continue Reading

Art

Ukrainian sells art in Essex while stuck in a warzone – BBC.com

Published

 on


[unable to retrieve full-text content]

Ukrainian sells art in Essex while stuck in a warzone  BBC.com

728x90x4

Source link

Continue Reading

Art

Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

Published

 on

The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

Source link

Continue Reading

Trending