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‘Spider-Man: No Way Home’ becomes first pandemic-era movie to smash $1 billion milestone globally

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Spider-Man: No Way Home” unwrapped the best Christmas gift of all, becoming the first pandemic-era movie to cross $1 billion at the global box office.

Sony’s comic-book epic has eclipsed that milestone in a near-record 12 days, tying with 2015’s “Star Wars: The Force Awakens” as the third-fastest film to reach the billion-dollar benchmark. Only 2018’s “Avengers: Infinity War” and 2019’s “Avengers: Endgame” were quicker, smashing the coveted tally in 11 and five days, respectively.

It’s impressive that “Spider-Man: No Way Home” managed to blow past $1 billion in ticket sales worldwide given the rapidly spreading omicron variant of COVID-19. It makes Tom Holland’s Marvel superhero adventure the only movie since 2019’s “Star Wars: The Rise of Skywalker” to surpass $1 billion globally. No other Hollywood film has come close to nearing those box office revenues in the last two years.

Prior to Spidey’s reign, MGM’s James Bond sequel “No Time to Die,” which grossed $774 million globally, stood as the highest-grossing Hollywood film of 2021 (and the pandemic). As the first movie to reach $1 billion worldwide, “Spider-Man: No Way Home” took the earthly throne from another box-office behemoth, China’s “The Battle at Lake Changjin” ($902 million), to officially cement its place as the year’s highest-grossing film worldwide. It’s also notable that “No Way Home” surpassed that high-watermark without playing in China, which is currently the world’s biggest moviegoing market.

At the domestic box office, “Spider-Man: No Way Home” had another dominating weekend, soaring high above the competition during a crowded Christmas corridor.

The newest “Spider-Man” adventure collected $81 million from 4,336 North American theaters over the weekend. To put that figure in perspective, only select COVID-era releases have managed to generate that kind of coinage in their entire theatrical runs, much less in their second weekend of release. “Spider-Man: No Way Home” also managed to do so at a time when several new movies — “The Matrix Resurrections,” “Sing 2” and “The King’s Man,” among others — opened nationwide to decent (and not-so-decent) ticket sales.

It brings the film’s ten-day total to a mammoth $467 million at the domestic box office. That tally is more than double the next highest-grossing movie in Disney and Marvel’s “Shang-Chi and the Legend of the Ten Rings,” which earned a mighty $224 million domestically.

At the international box office, “Spider-Man: No Way Home” added $121.4 million over the weekend and has made $587 million to date, bringing its global revenues to $1.05 billion.

Universal and Illumination’s animated musical “Sing 2” had the biggest start among new releases, debuting in second place with $23.7 million over the traditional weekend and $41 million since Wednesday. (That number is slightly inflated because it includes $1.6 million banked from advanced screenings over Thanksgiving weekend.) It’s a softer start than its predecessor, 2016’s “Sing,” which had secured a three-day total of $35 million and five-day tally of $54.9 million. However, it’s not a bad result for a film targeted at parents with young kids at a time when family audiences have been especially wary about going to the movies.

The movie, directed by Garth Jennings and voiced by Matthew McConaughey, Reese Witherspoon, Scarlett Johansson, Nick Kroll and Bono, has been well received by audiences, who awarded it a coveted “A+” CinemaScore. Unless the pandemic has something to say, “Sing 2” should benefit from a long run on the big screen, especially since it doesn’t have much competition among family films. The original “Sing,” centering on a bevy of animals with killer pipes, also opened around Christmas and played in theaters well into the new year, ultimately grossing $270 million domestically and $634 million worldwide. At this rate, the sequel will have trouble replicating those results but it should remain the de facto choice for youngsters through the holiday season.

“The Matrix Resurrections,” the Warner Bros. and Village Roadshow’s sci-fi sequel, landed with a thud in third place. The cerebral film landed significantly below expectations, scraping together $12 million from 3,552 cinemas over the weekend and $22.5 million since Wednesday. The fourth installment in the seminal series, like Warner Bros. entire 2021 slate, is available simultaneously on HBO Max, though the company didn’t provide digital viewership metrics.

Lana Wachowski returned to direct “The Matrix Resurrections,” which stars Keanu Reeves as the sleek cybercriminal Neo and Carrie-Anne Moss as Trinity. The $200 million-budgeted tentpole has gotten mixed reviews (it has a 67% on Rotten Tomatoes, as well as a “B-” CinemaScore), which may not move the needle for ticket sales while it’s playing simultaneously on a streaming service at no extra charge.

“Right now, if you’re under 35 and going to the movies, your first choice is ‘Spider-Man,’ and your second choice is seeing ‘Spider-Man’ again,” says David A. Gross, who runs the movie consulting firm Franchise Entertainment Research. “You can watch ‘The Matrix’ later with someone who has HBO. That’s how it is when a single movie is dominating the market the way ‘Spider-Man’ is.”

Another newcomer, Disney and 20th Century’s “The King’s Man” finished in fourth place, amassing a paltry $6.3 million from 3,180 screens over the weekend and $10 million since opening on Wednesday. Internationally, the prequel in “The Kingsman” action franchise didn’t make up much ground. The oft-delayed spy comedy, starring Ralph Fiennes, nabbed only $6.9 million from seven overseas markets for a global tally of $16.9 million.

At the domestic box office, “The King’s Man” beat Lionsgate’s real-life sports drama “American Underdog” by a hair. In fifth place, “American Underdog” captured $6.2 million from 2,813 locations since opening on Christmas Day. The crowd-pleasing film about rags-to-riches quarterback Kurt Warner (played by Zachary Levi) has been embraced by moviegoers, who gave it an “A+” CinemaScore and 98% on Rotten Tomatoes. Unfortunately, the movie hasn’t been high on audience’s radars and could get sacked by competitors over the busy holiday stretch.

Strong reviews didn’t do much to boost Disney’s big-budget “West Side Story” remake, which landed at No. 6 in its third weekend of release while bringing in $2.8 million from 2,810 venues. The Steven Spielberg-directed musical has generated $23.9 million domestically since opening earlier in December. The song-and-dance property has also had a slow go at it overseas, grossing only $12.7 million from 46 international territories so far. Globally, the $100 million-budgeted “West Side Story” has earned only $36.6 million.

After four weeks in limited release, director Paul Thomas Anderson’s coming-of-age comedic drama “Licorice Pizza” expanded to 786 North American theaters on Christmas Day and collected $2.32 million on Saturday and Sunday, enough for seventh place. To date, the MGM film and awards season hopeful has generated $3.6 million domestically.

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Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

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Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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