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Calgary art exhibition celebrates Indigenous connections to land – CBC.ca

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A new art exhibition at the Inglewood Bird Sanctuary Nature Centre in Calgary is highlighting the work of local Indigenous artists and their connection to the land. 

Divine Feminine is the summer instalment of a year-long rotating art exhibition series from the City of Calgary called Land is Home.

Jessica McMann, the Indigenous curator for the city’s public art program, said just three per cent of the city’s entire public art collection is by Indigenous artists.

Through the Land is Home project, McMann wants to bring more Indigenous creations into the public eye. 

“It starts people on that path toward reconciliation when they see artwork that they can resonate with, and it may not look how they think Indigenous artwork looks,” said McMann. 

“We have all these unique pieces … and [they] will bring those conversations and encourage people to make those connections and reach out and start to learn about the Treaty 7 nations in this area.” 

Home is a sculpture welded from scrap metal by Zoe Buckskin depicting a mountain range behind the sun. The moon is represented at the base of the structure with a teepee connecting the elements in the middle. (Jo Horwood/CBC)

Zoe Buckskin from Kainai Nation is one of three artists being profiled in this season’s exhibition.

“That’s a view I see all the time,” Buckskin explained about one of her sculptures. “So, it’s reflected in a lot of my art pieces with the patterns and colours and objects that are used.” 

“I used moon, mountain and teepee structures to represent home for me,” said Buckskin, who recently graduated from the artisan entrepreneur program at Portage College where she learned different forms of artwork like welding.

The exhibition also includes the digital art of Kelsey Twoyoungmen from Stoney Nakoda Nation as well as the work of Hali Heavy Shield, Buckskin’s aunt. 

“She was actually the one that sent me the link to apply for this exhibition, and it was cool because my uncle actually applied for it as well, and he’s featured here at the Bird Sanctuary,” said Buckskin, whose grandmother inspired her to begin her journey as an artist. 

The artwork of Hali Heavy Shield, Buckskin’s aunt, is also on display at the exhibition, which runs until Sept. 29. (Jo Horwood/CBC)

Celebrating Indigenous women artists

McMann said she’s happy with how the selection of artists in this round of the exhibition came together. 

“It really made sense to have them in the summer when we celebrate women, we celebrate the Earth, we celebrate the summer,” said McMann. 

“All of their artwork seemed to really speak to each other, especially with their themes: Kelsey Twoyoungmen with her women’s empowerment, then we have the Divine Feminine, which the exhibit is named after, and then you have the home and that connection to the home, and the Land is Home, literally in the name of Zoe’s sculpture.” 

The summer exhibition will be open until Sept. 29. McMann said there are plans for a permanent space for Indigenous art once the Bird Sanctuary finishes some renovations.

Entry to the Inglewood Bird Sanctuary is free.

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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