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Art Trip: Meryl McMaster's haunting self-portrait at As Immense as the Sky merges lineages – The Globe and Mail

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Meryl McMaster’s There Are No Footprints Where I Go.

Courtesy of the artist

In Meryl McMaster’s haunting self-portrait There Are No Footprints Where I Go – part of the exhibition As Immense as the Sky, on view at Ikon Gallery in Birmingham until Feb. 23, 2020 – the artist retraces a journey taken by her mother’s Dutch ancestors during the 18th century, when they crossed into Canada via Picton, Ont., at the time of the American Revolution.

In McMaster’s restaging, however, the boat is guided by a distinctly Indigenous cultural figure: Raven, the trickster hero who put the sun back into the sky after it was stolen by a man. The sun is perhaps what he is carrying in the lantern he holds in his beak, as he and his blindfolded companion row toward the horizon.

By assuming this guise – aided by theatrical props and costumes, which the artist creates herself – McMaster merges her matrilineal European and patrilineal Plains Cree heritage, and charts a course through a place that belongs both to her direct ancestors and a time that predates human existence.

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In McMaster’s work, which earned her a Scotiabank New Generation Photography Award in 2018, birds often function as “a reminder to see the world from different perspectives,” the artist says. In other photographs from the series, canaries and goldfinches “reference unwanted creatures who were exploited in the interest of exploration and industrial progress.” Birds use stars to navigate, and having Raven guide a boat beneath an overcast sky is a warning to remember that, “as the stars become hidden by light pollution, we start to lose our way.”

In an effort to better know herself, McMaster has embarked on a journey that uses “stories from family and knowledge keepers” as signposts, helping her bring awareness to the fact that both the environment and the body are sites clouded by the consequences of colonialism. The experience “has reinforced for me how small I am in the universe,” the artist says, “and how we are time capsules learning and gathering information to pass down to the next generation, just like the last generation did before that.”

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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