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Breaking news: How the war impacts Ukraine’s independent media – Al Jazeera English

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On Sundays, freelance journalist Tetiana Bezruk would open her laptop and check the court schedule in Kyiv for the week.

A reporter on high-profile anti-corruption cases for Ukrainian and international media, including the investigation into crimes committed against protesters by police during Ukraine’s 2014 Euromaidan revolution, she would scour the list of hearings for potential stories.

But since February 2022, when Russia’s full-scale invasion began, Bezruk has not been to court.

Now, she is a war reporter.

“I decided to cover this war because it is in every aspect of my life,” she told Al Jazeera.

The past year has been an education in front-line reporting, including working from Kharkiv, Dnipro and Kherson, where she witnessed heavy shelling.

“Never in all my assignments have I been so scared physically,” she said.

In December, Kherson oblast was liberated and Bezruk spent time with survivors of the Russian occupation.

“I counted three or four buildings in the village that weren’t destroyed or had their roofs intact,” she said. “These trips hurt me a lot.”

Zaborona_1
Independent investigative and culture outlet Zaborona has moved its Kyiv office to a smaller space, so team members have better access to electricity [Courtesy: Katerina Sergatskova]

Practical and safety considerations have been learned on the job, such as paying attention to exit routes and having access to a car – crucial for extracting yourself from the front line if something goes wrong.

With its Kyiv office affected by missile attacks on the city, staff at business publication Liga also became war reporters overnight.

The title focused only on war reporting for several months after the full-scale Russian invasion.

“We didn’t have experience covering the war or any special training [at the beginning],” says Yulia Bankova, Liga’s editor-in-chief.

The team quickly sourced helmets and protective equipment from international organisations, learning how to cover war “on the job”.

Bankova also worked with experienced, insured freelance journalists for some front-line reporting.

For Ukrainian journalists with little or no war reporting experience, safety and security is of paramount importance.

According to Ukraine’s Institute of Mass Information, 45 Ukrainian media workers have been killed as a result of the full-scale invasion by Russia and 21 journalists working in Ukraine have been captured and kidnapped by Russian forces.

Internews, a non-profit founded in San Francisco that supports international, independent media, was initially focused on the immediate safety needs of journalists, such as relocating reporters from areas that had suddenly become a front line.

With its Ukrainian partners, Internews brought about 250 flak jackets and helmets as well as 550 tactical first aid kits into the country.

Summer 2022, the city of Mykolayiv. Together with rescue group inside the residential building that was destroyed by Russian rocket. [Courtesy: Danylo Pavlov]
Journalist Tetiana Bezruk pictured in the summer of 2022, in the city of Mykolayiv, with a rescue group inside a residential building that was destroyed by Russian rocket [Courtesy: Danylo Pavlov]

A year later, its work now includes replacing lost or damaged equipment and providing power banks and solar power batteries to help sustain media operations during power outages caused by Russian attacks on electricity and power stations. It has also received requests for satellite internet to help newsrooms stay online.

Independent investigative and culture outlet Zaborona has moved its Kyiv office to a smaller space, so 10 to 12 team members have better access to electricity.

Editor-in-chief Katerina Sergatskova co-founded the 2402 Fund to provide safety and communication equipment and safety, security and reporting training to Ukrainian journalists.

‘Lack of realistic funding’

For many Ukrainian media, there is “a lack of realistic funding to operate” and report on a battlefield dominated by “surveillance, reconnaissance and intelligence”, an international media safety expert who requested anonymity, who has worked in Ukraine for many years, told Al Jazeera.

And according to Gillian McCormack, who leads the Internews team in Ukraine, “A year on, you are also looking at high levels of burnout and stress.”

One Liga team member rescued his wife from occupied Severodonetsk and another spent at least 10 days with his family in a bomb shelter in Chernihiv.

“Almost everyone has their own tragic experience,” said Bankova.

Therapy sessions for staff have been held to address the psychological toll of living with and reporting on the war.

Freelancer Bezruk says being a journalist helps her with the psychological toll. “You can communicate your thoughts; you don’t put it inside of you. You put out your fear, your anxiety.”

As for the commercial aspect of Ukraine’s media industry, an estimated 233 outlets in Ukraine have been forced to close temporarily or completely as a result of the war, whether because of seized or destroyed offices, occupation or economic challenges.

“Right now, it’s difficult to survive,” says McCormack of Internews. “The ad market has taken a real hit.”

Bankova said Liga lost all its advertising in one day – approximately 65 percent of its revenue. It is now heavily reliant on funding from grants and some support from reader subscriptions and donations.

At the same time, in a country dominated by state-run news channels and TV channels owned by oligarchs, Ukraine’s independent media have experienced operating under pressure while holding the powerful to account.

With business models devastated by war and a workforce thinned by safety concerns or as journalists enlist, experts are concerned about the future of the sector.

“During the war, it’s even more important [to have independent media] because Ukraine has a reputation for being corrupt,” said Bankova. “Only the Ukrainian media can cover this corruption.”

The Ukrainian media market has also lost “quality journalists” to international media covering the war, said Bankova.

“Foreign journalists have a big team and insurance, but Ukrainian journalists are not as well protected and do dangerous work on the front line.”

In March 2022, Ukrainian journalist Oleksandra Kuvshynova was killed while working with Fox News.

At the time, concerns were raised that Kuvshynova’s death had been overlooked because an international colleague had died and another was injured in the same attack.

Though treatment of Ukrainian journalists by international media has improved since the beginning of the war, Bankova said she is repeatedly asked by foreign reporters whether she can remain objective being Ukrainian.

“It’s black and white,” she said. “As journalists, we focus on documenting facts and people’s stories, not personal feelings.”

Freelance journalist Bezruk has worked as a “fixer” for international media and said she learned a lot from foreign colleagues with war reporting experience.

In the Kyiv region, she saw mass graves for the first time and watched how a foreign colleague approached the relatives of victims, maintaining professionalism while also dealing with the horror of experiencing the situation firsthand.

Involving Ukrainian journalists in international coverage of the war can provide context and help international media avoid Russian propaganda and disinformation, said Bankova and Zaborona’s Sergatskova.

“We know any city we come to,” said Sergatskova. “We know the history of the buildings destroyed. Russia has been our neighbour our whole lives.”

Unlike international news, Ukraine’s media, in particular local outlets, provide crucial, localised safety information and allow internally displaced people to keep track of home news. It can also provide a lifeline of connection for those living under occupation, said McCormack.

Despite operational challenges, threats to physical and mental safety, and Russia’s alleged targeting of journalists and independent media, Ukraine’s journalists keep going.

“People say they don’t see the sense in being a journalist any more. I’ve never had these thoughts,” said Sergatskova.

“A journalist is one of the most important figures in the war because we can show what is happening. Russia doesn’t want us to see the atrocities it commits. That’s why it’s so important we continue. We have to record it.”

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Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

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Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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