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Israel-Hamas war misinformation on social media is harder to track

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Researchers sifting through social media content about the Israel-Hamas conflict say it’s getting harder to verify information and track the spread of misleading material, adding to the digital fog of war.

As misinformation and violent content surrounding the war proliferate online, social media companies’ pullbacks in moderation and other policy shifts have made it “close to impossible” to do the work researchers were able to do less than a year ago, said Rebekah Tromble, the director of George Washington University’s Institute for Data, Democracy and Politics.

“It has become much more difficult for researchers to collect and analyze meaningful data to understand what’s actually happening on any of these platforms,” she said.

Much attention has focused on X, formerly known as Twitter, which has made significant changes since Elon Musk bought it for $44 billion late last year.

In the days after Hamas’ Oct. 7 attack, researchers flagged dozens of accounts pushing a coordinated disinformation campaign related to the war, and a separate report from the Technology Transparency Project found Hamas has used premium accounts on X to spread propaganda videos.

The latter issue comes after X began offering blue check marks to premium users for subscriptions starting at $8 a month, rather than applying the badge to those whose identities it had verified. That has made it harder to distinguish the accounts of journalists, public figures and institutions from those of potential impostors, experts say.

“One of the things that is touted for that [premium] service is that you get prioritized algorithmic ranking and searches,” Technology Transparency Project Director Katie Paul said. Hamas propaganda is getting the same treatment, she said, “which is making it even easier to find these videos that are also being monetized by the platform.”

X is far from the only major social media company coming under scrutiny during the conflict. Paul said that X used to be an industry leader in combating online misinformation but that in the past year it has spearheaded a movement toward a more hands-off approach.

“That leadership role has remained, but in the reverse direction,” she said, adding that the Hamas videos highlight what she described as platforms’ business incentives to embrace looser content moderation. “Companies have cut costs by laying off thousands of moderators, all while continuing to monetize harmful content that perpetuates on their platforms.”

Paul pointed to ads that ran alongside Facebook search results related to the 2022 Buffalo, New York, mass shooting video while it circulated online, as well as findings by the Technology Transparency Project and the Anti-Defamation League that YouTube previously auto-generated “art tracks,” or music with static images, for white power content that it monetized with ads.

A spokesperson for Meta, which owns Facebook and Instagram, declined to comment on the Buffalo incident. The company said at the time that it was committed to protecting users from encountering violent content. YouTube said in a statement it doesn’t want to profit from hate and has since “terminated several YouTube channels noted in ADL’s report.”

X responded with an automated message: “Busy now, please check back later.”

The deep cuts to “trust and safety” teams at many major platforms, which came in a broader wave of tech industry layoffs beginning late last year, drew warnings at the time about backsliding on efforts to police abusive content — especially during global crises.

We’re left being completely unclear what’s really happening on the ground.

Claire Wardle, co-director of Brown University’s Information Futures Lab

Some social media companies have changed their moderation policies since then, researchers say, and existing rules are sometimes being enforced differently or unevenly.

“Today in conflict situations, information is one of the most important weapons,” said Claire Wardle, a co-director of the Information Futures Lab at Brown University. Many are now successfully pushing “false narratives to support their cause,” she said, but “we’re left being completely unclear what’s really happening on the ground.”

Experts are encountering more roadblocks to accessing social media platforms’ application programming interfaces, or APIs, which allow third parties to gather more detailed information from an app than what’s available from user-facing features.

Some major platforms, such as YouTube and Facebook, have long limited access to their APIs. Over the past year, Reddit joined X in sharply reducing free use of its API, though it waives its charges for noncommercial research. The most basic access to X’s API now starts at $100 a month and can run up to $42,000 a month for enterprise use.

TikTok has taken steps in the other direction. It launched a research API this year in the U.S. as part of a transparency push after having fielded national security concerns from Western authorities over its Chinese parent company, ByteDance.

YouTube said it has already removed thousands of harmful videos and is “working around the clock” to “take action quickly” against abusive activity. Reddit said its safety teams are monitoring for policy violations during the war, including content posted by legally designated terrorist groups.

TikTok said it has added “resources to help prevent violent, hateful or misleading content on our platform” and is working with fact-checkers “to help assess the accuracy of content in this rapidly changing environment.”

“My biggest worry is the offline consequence,” said Nora Benavidez, the senior counsel and director of digital justice at the media watchdog Free Press. “Real people will suffer more because they are desperate for credible information quickly. They soak in what they see from platforms, and the platforms have largely abandoned and are in the process of abandoning their promises to keep their environments healthy.”

Real people will suffer more because they are desperate for credible information quickly. They soak in what they see.

Nora Benavidez, FRee Press senior counsel and director of digital justice

Another obstacle during the current conflict, Tromble said, is that Meta has allowed key tools such as CrowdTangle to degrade.

“Journalists and researchers, both in academia and civil society, used [CrowdTangle] extensively to study and understand the spread of mis- and disinformation and other sorts of problematic content,” Tromble said. “The team behind that tool is no longer at Meta, and its features aren’t being maintained, and it’s just becoming worse and worse to use.”

That change and others across social media mean “we simply don’t have nearly as much high-quality verifiable information to inform decision-making,” Tromble said. Where once researchers could sift through data in real time and “share that with law enforcement and executive agencies” relatively quickly, “that is effectively impossible now.”

The Meta spokesperson declined to comment on CrowdTangle but pointed to the company’s statement Friday that it is working to intercept and moderate misinformation and graphic content involving the Israel-Hamas war. The company, which has rolled out additional research tools this year, said it has “removed seven times as many pieces of content” for violating its policies compared with the two months preceding the Hamas attack.

Resources remain tight for examining how social media content affects the public, said Zeve Sanderson, the founding executive director at New York University’s Center for Social Media and Politics.

“Researchers really don’t have either a wide or deep perspective onto the platforms,” he said. “If you want to understand how those pieces of misinformation are fitting into an overall information ecosystem at a particular moment in time, that’s where the current data-access landscape is especially limiting.”

 

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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