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Cities are using sheep to graze in urban landscapes and people love it

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NASHVILLE, Tenn. (AP) — Along the Cumberland River just north of downtown Nashville, Tennessee, tourists on party pontoons float past the recognizable skyline, but they also can see something a little less expected: hundreds of sheep nibbling on the grass along the riverbank.

The urban sheepherder who manages this flock, Zach Richardson, said sometimes the tourist boats will go out of their way to let their passengers get a closer glimpse of the Nashville Chew Crew grazing a few hundred yards away from densely populated residential and commercial buildings.

The joy people get from watching sheep graze is partly why they are becoming trendy workers in some urban areas.

“Everybody that comes out here and experiences the sheep, they enjoy it more than they would someone on a zero-turn mower or a guy with a leaf blower or a weed eater,” Richardson said.

Using sheep for prescribed grazing is not a new landscaping method, but more urban communities are opting for it to handle land management concerns such as invasive species, wildfire risks, protection of native vegetation and animal habitats and maintaining historic sites.

Nashville’s parks department hired the Chew Crew in 2017 to help maintain Fort Negley, a Civil War-era Union fortification that had weeds growing between and along its stones that lawnmowers could easily chip. Sheep now graze about 150 acres (60.7 hectares) of city property annually, including in the historic Nashville City Cemetery.

“It is a more environmentally sustainable way to care for the greenspace and oftentimes is cheaper than doing it with handheld equipment and staff,” said Jim Hester, assistant director of Metro Nashville Parks.

Living among the sheep — and often blending in — are the Chew Crew’s livestock guardian dogs, Anatolian shepherds, who are born and stay with them 24/7 to keep away nosy intruders, both the two-legged and the four-legged kinds. The flock is comprised of hair sheep, a type of breed that naturally sheds its hair fibers and often is used for meat.

Another important canine employee is Duggie, the border collie. With only a few whistles and commands from Richardson, Duggie can control the whole flock when they need to be moved, separated or loaded onto a trailer.

Across the country, another municipality also has become reliant on these hoofed nibblers. Santa Barbara, California, has been using grazing sheep for about seven years as one way to manage land buffers that can slow or halt the spread of wildfires.

“The community loves the grazers and it’s kind of a great way of community engagement,” said Monique O’Conner, open space planner for the city’s parks and recreation. “It’s kind of a new shiny way of land management.”

The grazed areas can change how fire moves, said Mark vonTillow, the wildland specialist for the Santa Barbara City Fire Department.

“So if a fire is coming down the hill and it’s going through a full brush field, and then all of a sudden it hits grazed area that’s sort of broken up vegetation, the fire behavior reacts drastically and drops to the ground,” vonTillow said. “That gives firefighters a chance to attack the fire.”

Even some universities have tried out herds of goats and sheep on campus property. In 2010, the University of Georgia had a privet problem that was overtaking a section of the campus not used by students or staff and pushing out native plants, said Kevin Kirsche, the school’s director of sustainability.

Rather than using chemicals or mowers, Kirsche said they hired Jennif Chandler to send in a herd of goats to strip the bark off the privet, stomp on roots and defoliate the branches.

“Bringing the goats to the site was an alternative means of removing invasive plants in a way that was nontoxic to the environment and friendly to people,” Kirsche said.

Around the same time, Richardson, the owner of Chew Crew who at the time was a UGA student studying landscape architecture, was inspired to create his own goat grazing business. The goats became the most popular four-legged creatures on campus, he said.

“What was fun and less expected was kind of the side projects and a life of its own developed around the Chew Crew,” Kirsche said. “We had art students doing time-lapse photography, documenting changes over time. One point we had a student dressed as a goat playing goat songs on the guitar and other students serving goat cheese and goat ice cream.”

Richardson, who moved his company to Nashville after finishing his degree, now prefers sheep over goats. Sheep are more flock-oriented and aren’t inclined to climb and explore as much as goats.

“I’ll never own another goat,” he admitted. “They are like little Houdinis. It’s like trying to fence in water.”

But sheep are not a silver bullet solution for all cities and their lands, according to O’Conner. “We want to educate the public on why we’re choosing to graze where we’re grazing,” she said.

Not every urban site is ideal. Chandler owns City Sheep and Goat in Colbert, Georgia, about 12.4 miles (20 kilometers) northeast of UGA’s campus in Athens, where her sheep graze on mostly residential properties and community projects such as Clyde Shepherd Nature Preserve in North Decatur, just outside of Atlanta.

In 2015, some of her sheep were attacked and killed by dogs who got through the electric fencing while in a public park. Those kinds of incidents have been rare, according to Chandler.

The sheep need to be moved regularly because they tire of the same plants and relocating reduces the chances of a predator attack, Chandler said.

Hundreds of sheep can impact the environment by spreading seeds. The city of Santa Barbara does environment surveys before bringing in grazers since it can also affect bird habitats and nests.

“Throwing like 500 sheep into an area is a much larger impact on the land and those soils than our native herbivores would have,” O’Conner said.

Along the levee of the Cumberland River, the side of the greenway where the park uses mowers looks manicured like a golf course. On the other side where the Chew Crew ewes are munching, an ecosystem is flourishing.

“There’s rabbits, butterflies, groundhogs, turtles, nesting birds,” Richardson said. “The list goes on. It’s way more diverse. Even though we’ve removed some of the vegetation, there’s still a habitat that can support wildlife.”

Richardson checks on his flock daily, but he also often receives pictures and videos that people take of the sheep because his phone is listed on the electric fence.

“If the sheep can be a catalyst to connect back to nature just for a split second or spark a kid’s imagination to go down to the river and catch a crawdad, I think more of that is good,” Richardson said.

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Flames remain hot in pre-season, beat Canucks 4-2

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CALGARY – Ryan Lomberg and Brayden Pachal each had a goal and assist on Saturday night to lead the Calgary Flames to a 4-2 victory over the Vancouver Canucks in NHL pre-season action.

Blake Coleman and Adam Klapka also scored for Calgary, which is 4-0-1 through five games.

Jonathan Lekkerimaki and Aatu Ratyu were the marksmen for Vancouver, which is 2-2 in exhibition play.

Dan Vladar, who stopped 17 of 19 shots in 40 minutes of action, got the win. Devin Cooley made nine stops in relief.

Artus Silovs, beaten four times on 24 shots, gave way to Nikita Tolopilo to start the third. Tolopilo had eight saves.

Calgary opened the scoring at 4:23 when Pachal’s rising wrist shot from the blue line through a maze of bodies eluded Silovs, who never saw it.

The Flames surged in front 2-0 three minutes later when Lomberg corralled a MacKenzie Weegar rebound in the slot and fired a shot just inside the goalpost.

Lomberg, 29, who broke into the NHL as a Flame in 2017-18, re-signed in the off-season in Calgary as a free agent after four years with the Florida Panthers, which was capped off by winning the Stanley Cup.

Vancouver got on the scoreboard at 8:35 of the second on a fortuitous bounce.

Lekkerimaki’s shot from the slot deflected off Flames defenceman Artem Grushnikov, went high into the air, and with seemingly nobody aware of where the puck went, it toppled over Vladar and landed in the Calgary net.

Since being drafted by Vancouver in the first round, in 2022, Lekkerimaki has spent the past two seasons in his native Sweden.

This will be the 20-year-old’s first season in North America and with three points (1 goal, 2 assists) in three games in the pre-season, he’s making a push for a job with the Canucks.

One of the players he is competing against is Raty, who after Calgary had taken a 3-1 lead, again got the Canucks back within one on a perfect shot after being set up on a 2-on-1 by Conor Garland.

Raty, a second-round pick in 2021, was acquired from the New York Islanders in the Bo Horvat trade. He’s spent most of the past two seasons in the AHL.

The Flames restored their two-goal cushion later in the second with Klapka firing a shot past Silovs for his third goal in as many pre-season games.

Klapka, who stands 6-foot-8, is looking to make the team’s fourth line. The 24-year-old has shown some offensive pop with three goals in as many pre-season games.

His physicality was also on display Saturday, throwing an open-ice hit in the first period on Nils Aman that sent the Canucks forward flying. In the third, a heavy hit on Akito Hirose send the defenceman careening into the sideboards. Hirose had to be helped off the ice.

UNEXPECTED OFFENCE

Known more for his physicality, Pachal has never had a multi-point game in his 62 career NHL regular-season games. The 24-year-old was in his fifth season with the Vegas Golden Knights organization when he was claimed off waivers by Calgary last February.

HUBERDEAU-MANTHA COMBO

Left-winger Jonathan Huberdeau played in his second pre-season game for Calgary and has been the case throughout camp, the right-winger was veteran Anthony Mantha, who the Flames signed to a one-year deal as a free agent. On this night, Yegor Sharangovich was at centre. In the first game, the two were centred by Martin Pospisil.

UP NEXT

Canucks: Visit the Edmonton Oilers on Monday.

Flames: Host the Seattle Kraken on Monday.

This report by The Canadian Press was first published Sept. 28, 2024.

The Canadian Press. All rights reserved.



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Hajrullahu kicks record-tying eight FGs to lead Argos past Alouettes 37-31

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TORONTO – Lirim Hajrullahu gave the Montreal Alouettes the boot Saturday night.

Hajrullahu kicked a CFL record-tying eight field goals to lift the Toronto Argonauts to a 37-31 win over the Montreal Alouettes.

“I did not know eight was the record,” Hajrullahu said. “We knew this was a tough opponent and we wanted to come out and get that (win).

“The East is heating up and so are we.”

Hajrullahu’s 27-yard field goal — his club record-tying seventh — at 12:43 of the fourth put Toronto ahead 34-31. Montreal took over at its 34-yard line with 2:10 remaining but turned the ball over on downs at its 39-yard line with 1:24 to play before an announced BMO Field gathering of 14,856.

That set up Hajrullahu’s 37-yard kick at 14:11 that put Toronto up 37-31. It tied the CFL record set in 1984 by Dave Ridgway and later tied by Mark McLoughlin and Paul Osbaldiston (both in 1996).

Montreal began its final possession at midfield but Tyshon Blackburn’s interception with 22 seconds remaining ended the threat and cementing the win for Toronto.

Toronto (8-7) earned its second win in three contests this season against Montreal (11-3-1). The Alouettes clinched first in the East — and home field for the division final — with the Ottawa Redblacks’ 29-16 road loss to the Saskatchewan Roughriders earlier Saturday.

But Montreal linebacker Darnell Sankey said that was the furthest thing from the Alouettes’ mind on Saturday.

“We were going out there to win a football game,” said Sankey, who had six tackles and a sack. “We’re not going to use that as an excuse, we didn’t come out and play our best game, for whatever reason.

“Props to Toronto … they came out and executed their game plan better than we did. They were the better team tonight.”

Toronto moved to within a point of second-place Ottawa (8-6-1) in the East Division and four points ahead of fourth-place Hamilton (6-9). The Argos host the Redblacks on Oct. 19.

“Lirim was huge, you’ve got to make those kicks,” said Toronto head coach Ryan Dinwiddie. “(But) we’ve got to finish in the red zone.

“We can’t have eight field goals. I know it tied a record but I’d settle for one to score some touchdowns.”

Toronto’s offence rolled up 517 net yards, including 234 yards rushing. Ka’Deem Carey led the way with 90 yards and a touchdown on 13 carries while adding three catches for 49 yards.

“This (win) is huge,” Carey said. “This could turn our season around and I’m going to make sure it turns our season around.”

Makai Polk had five receptions for a game-high 103 yards for Toronto. Starter Chad Kelly was 19-of-30 passing for 287 yards and an interception.

“Disappointing we didn’t run the ball well enough on second down,” Dinwiddie said. “We knew Montreal would let us run on first down, they wanted to get us in that second-and-five, do you pass it or do you run it?

“We didn’t move the chains as much as I wanted on second down but I have to go look at it. We didn’t play a great football game, we played good enough to win but we’ve got to continue to get better.”

Montreal came in allowing a CFL-low 19.6 offensive points per game but was ranked eighth against the run (112.1 yards per game). Toronto had the CFL’s second-ranked ground attack (118.4 yards per game).

Alouettes’ quarterback Cody Fajardo completed 20-of-29 passes for 225 yards with two touchdowns and an interception. Cole Spieker recorded three catches for 99 yards and a TD.

Montreal made it 31-31 on Dominque Davis’s one-yard TD run at 8:45 of the fourth, then Fajardo’s pass to Tyler Snead for the two-point convert. Hajrullahu’s 35-yard field goal at 3:15 had put Toronto ahead 31-23.

Deonta McMahon scored Toronto’s other touchdown. Hajrullahu also had a convert.

James Letcher Jr. and Walter Fletcher had Montreal’s other touchdowns. Jose Maltos added three converts and two singles.

Hajrullahu’s 49-yard field goal to end the half made it 22-22 and capped a wild finish to the second. Letcher’s 100-yard punt-return TD at 14:42 put Montreal ahead 22-19 after Fajardo’s 35-yard TD pass to Spieker at 13:27, and Maltos’ ensuing 84-yard kickoff single cut Toronto’s lead to 19-15.

Toronto dominated the opening half, rushing for 155 yards and holding the ball for more than 20 minutes. However, it managed just one touchdown and five times had to settle for field goals.

Carey had Toronto’s lone TD of the half on a five-yard run at 10:00 that put the Argos ahead 19-7. It capped a solid seven-play, 90-yard march.

Fajardo put Montreal ahead 7-3 with a 10-yard TD strike to Fletcher at 6:30. It was set up by Dionte Ruffin’s 27-yard interception return to Toronto’s 10-yard line in a light drizzle.

UP NEXT

Alouettes: Bye week.

Argonauts: Bye week.

This report by The Canadian Press was first published Sept. 28, 2024.

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She defended ‘El Chapo.’ Now this lawyer is using her narco-fame to launch a music career

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MEXICO CITY (AP) — Riding in a black SUV with tinted windows, lawyer Mariel Colón rolls up to the gates of a remote mansion, strolling past a security guard side-by-side with Emma Coronel, the wife of notorious drug lord Joaquín “El Chapo” Guzmán.

Sporting suits and sunglasses, the pair stride into a dimly lit room full of slickly dressed men smoking cigars.

All to the roar of trumpets.

The scene is from “La Señora,” the latest music video from Colón, who spent several years working as a defense lawyer for Guzmán while he faced trial in a U.S. court. Now, at a time when regional Mexican music is becoming a global phenomenon, the 31-year-old is leveraging her association with the former leader of the Sinaloa Cartel to launch her music career under the stage name of “Mariel La Abogada” (Mariel, the Lawyer).

“La Señora” features — and pays tribute to — Guzmán’s wife, who was released from prison last year and has struggled to find work. It paved the way for the two to model together last weekend during Milan Fashion Week, raising eyebrows in Italy and beyond.

“(My work) opens doors for me because of the morbid, because of people’s curiosity … They want to understand this,” Colón told The Associated Press. “I’ve always told people that Mariel is a singer who became a lawyer.”

The Puerto Rican daughter of a music director grew up listening to Mexican ballads, loving the brokenhearted passion infused in the music. She always wanted to be a singer, but her family pushed her to pursue a law degree.

She began working for Guzmán’s defense team in 2018 after graduating from law school in the U.S. and stumbling upon a Craigslist ad seeking a part-time paralegal to help prepare a Spanish-speaking client for trial.

It was only later that she learned she would be working with Guzmán, taking him and Coronel as clients full time. She saw it as a “great opportunity professionally” and said she wasn’t easily intimidated.

Once among the most wanted men in the world, Guzmán led his Sinaloa Cartel in a bloody war for control of the international drug trade, gaining a cinematic level of notoriety for his dramatic prison escapes before his extradition to the U.S. in 2017. Now his sons, known as “Los Chapitos,” are locked in a deadly power struggle with another faction of the cartel, leaving mutilated bodies around the state capital.

“(People ask) how I can do this job, that I’m part of the mafia, how can I sleep at night?” Colón said. “I don’t care what they say about me. I sleep very well at night.”

Colón is one of few people who maintain regular contact with Guzmán. She visits him three times a month in the maximum security prison in Colorado where he’s serving a life sentence. She declined to discuss details of Guzmán’s cases, citing attorney-client privilege.

Seeking to build a rapport, Colón sings to Guzmán and other clients, who have included other Mexican drug traffickers and, for a brief time, Jeffrey Epstein, who killed himself in 2019 while awaiting trial on sex-trafficking charges.

Colón serenades Guzmán with Mexican classics from bands including Los Alegres del Barranco and Tucanes de Tijuana. To this day, she said, he’s among the first to hear her new music.

“Whatever genre, anything that was coming out that I liked, I would sing it to him because he doesn’t have a radio,” she said.

Her musical career began little more than a year ago, when she released her first video, “La Abogada,” which features Colón dressed in a pink suit, crooning to law enforcement from a courtroom. Like much of the genre, her music is diverse, ranging from percussion-heavy banda to character-focused ballads known as corridos.

“La Señora” features a table sprinkled with diamonds, Guzmán’s wife astride a trotting horse and strolling beside a pool.

Colón said the song was based on Coronel’s life, sending a message of redemption and second chances. It was also a way to offer the 35-year-old work, a condition of her probation.

Coronel, a former beauty queen, was released from prison last year after completing her three-year sentence for drug trafficking and money laundering in relation to her husband’s drug empire. Coronel declined to be interviewed.

“A small waist and beautiful eyes. A brain for business and a strong voice for the bad boys. She only shows her affectionate side to El Chaparrito,” Colón belts out in her ballad. “El Chaparrito,” meaning “the little shorty,” plays with Guzmán’s nickname.

Colón’s musical rise coincides with a relative golden age of Mexican music, which grew 400% worldwide over the last five years on Spotify. In 2023, Mexican artist Peso Pluma bested Taylor Swift as the most streamed artist on YouTube.

While corridos have dominated for more than a century, young artists have filled stadiums by twisting the style on its head, mixing classic ballads with trap in corridos tumbados.

But it also cuts to the heart of a larger debate: Does the music capture the realities facing many Mexicans or does it glorify the narco-violence long plaguing the Latin American nation?

Narco culture has long been part of corridos, with many singers idealizing traffickers as “an aspirational figure going against the system,” said Rafael Saldívar, a researcher at the Autonomous University of Baja California.

“They’re cultural expressions speaking to the realities of the country,” Saldívar said. But “in a way they glorify these criminals, or do so in a way where some feel it’s pushing this kind of lifestyle.”

A classic example: king of corridos Chalino Sánchez used the violence around him in Sinaloa to spin lyrics while also calling out the “Sinaloa gang” for torturing and killing innocents. He was shot dead at a performance in the state’s capital in 1992.

Last year, Peso Pluma – who paid homage to Guzmán in songs – was forced to cancel a show in Tijuana after the 25-year-old received threats from a rival of the Sinaloa Cartel that if he came it “would be your last performance.”

Later, Tijuana banned the performance of narco ballads altogether to protect “the eyes and ears” of youths as it tries to contain violence. Local authorities in northern states previously banned musicians singing narcocorridos.

Colón, who hasn’t gone so far as to glorify arms or drugs, is quick to defend narcocorridos.

“There’s a reason why Netflix did the ‘Narcos’ show, it’s because there’s an audience for it. It intrigues people,” she said. “That doesn’t mean they’re applauding or celebrating what this person did, but they do have a sort of admiration for this person or this person’s life. Not everything is violence. These people have hearts, they have families.”

While Colón plans to put out her first record in December, Coronel has leveraged “La Señora” to launch her career as a model and social media influencer.

April Black Diamond, the designer who asked Coronel and Colón to model in a side event during Milan Fashion Week, said her choice was met with “shock.”

“People evolve. My platform isn’t about judgment but about showing different dimensions of women, their strength, and resilience,” she wrote in a statement. The next day, photos of Coronel in one of the designer’s dresses appeared plastered on a billboard in New York’s Times Square.

On Wednesday, Italy’s National Fashion Chamber issued an “urgent” press release saying the show wasn’t affiliated with official fashion week events and that brands need to follow its code of ethics.

Meanwhile, eyes on Colón and Coronel’s video continue to grow, clocking around 750,000 views on YouTube.

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