Art
A New Elephantine Age: Arts Council opens new space, launches book – Cranbrook Townsman
Pictured above are the authors and artists who collaborated on “Fourteen Trumpeting Elephants.” Back row: Dawn Fenwick, Kirsten Taylor, John de Jong, Author Norma Kroegar, Ann Holtby Jones,Front row; Yvonne Vigne, Bill McColl, Lynn Taylor, Anne Anderson, LaVerna Peters. Missing from photo: Josie Ruoss, Monique Cudbertson and Sam Millard. Photo courtesy Jenny Humphrey
For the Townsman
An elephantine event took place at 1401 5th Street North, on Sunday December 15.
Cranbrook and District Arts Council officially opened phase one of their newly acquired art space with the launch of their cooperative book project Fourteen Trumpeting Elephants.
The book has been a runaway success so far with over half of the first print run sold.
A slightly embellished story of Cranbrook Ed and the notorious Cranbrook historical event forms the basis of this book.
1401 was stampeded very quickly on Sunday with curious locals, friends and supporters of the arts.
Visitors were treated to the opportunity to have their books signed, Christmas treats and a first tour of this long awaited building addition to Cranbrook’s art scene.
Artists who participated in this project, including some of the students whose drawings formed the circus tickets are pictured on Page A1.
Cranbrook Arts invites members of the public to check out their new Activity Guide for January, February and March. A copy can be picked up at the Gift Shop on Baker Street or found on their Facebook page.
Cranbrook arts would once again like to thank Columbia Basin Trust for their support through the Community Initiatives and Capital Project programs. Thanks also goes to Cultural Spaces Canada for helping us to grow.
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The dry summer shrank a lake in Nova Scotia’s Annapolis Valley, revealing ancient Mi’kmaw artifacts and starting a conversation about how to best preserve such finds.
Aaron Taylor, an archeologist, has seen both recent finds — a point likely prepared for a spear and an arrowhead.
“They’re works of art,” he told CBC News in a phone interview. “The person making this, their family ate or didn’t eat, depending on how well their tools are [made].”
Taylor, who teaches at Saint Mary’s University and Acadia University, has excavated sites such as the Grand Pré UNESCO World Heritage site, Beechville Black Refugee site and the Gaspereau Lake pre-contact site.
Both recent finds were likely made and used about 1,500 years ago, he said, as the material came from a quarry Mi’kmaw people used around that time. The larger point was left half undone.
“Which means that the person using it was trying to make it into a point, but for some reason gave up on it, Taylor said. “It’s a beautiful piece, well-worked, but they didn’t continue on to create what was going to be an arrowhead or a point.”
Location shows Mi’kmaw trade routes
Taylor said it would likely have taken a skilled toolmaker half a day to turn the raw materials into a completed point. He speculates they may have detected a flaw in the stone that would have led it to break, so they abandoned it.
The point was found about 100 kilometres from the quarry, showing the long-distance trade routes Mi’kmaw people used, he said.
“The Mi’kmaq used rivers like we use highways,” he said. “All the rivers are places with high potential to find First Nations materials: points, arrowheads, scrappers, pottery.”
He said the people who made the artifacts likely lived in villages of 30-50 people and would have been well connected to other similarly sized Mi’kmaw villages and traded across Mi’kma’ki and into today’s Ohio Valley.
Taylor is working to create a better way to study the land and predict where Mi’kmaw people would have lived in different periods of their 13,000 years — and counting — in this land. That will make it easier to find artifacts and learn more about their lives, he said.
Currently, most finds are like these two recent ones where people stumble over them while hunting or fishing.
“It’s great to have it, but most of the information comes from what it was associated with. Where it was found, where in the stratum it was found,” he said.
A window into the deep past
Many such finds are eventually preserved at the Museum of Natural History in Halifax.
No one from the museum was available for an interview about these finds, but Katie Cottreau-Robins, curator of archeology at the museum, said the artifacts are “significant and speak to Mi’kmaw pre-history in the province.”
She said the changing climate has been exposing artifacts that long lay covered. More people contact the museum these days to share their finds, she said in an email.
She said if someone finds such an artifact, they should leave it in place and contact the museum.
“A new find may represent a new site. New sites contribute very important information to our collective understanding of the Mi’kmaq before and after the colonial presence,” she wrote.
“Some individuals have donated private collections of artifacts to the museum. The artifacts are visited and studied by the Mi’kmaq, students, community members, and the archeology professional community. They are exhibited and loaned to organizations and used in teaching and training.”
Roger Lewis, curator of ethnology at the museum, said publishing the location of such finds can lead to treasure hunting and “looting,” so CBC is not publishing the name of the lake where they were discovered.
Two modern fishers find ancient tools
Leah Stultz found the point while on a fishing trip in the Annapolis Valley.
“We were walking along where normally it would be filled with water, the lake bed, and I found it,” she said. “I noticed the colour first. It was so vibrant and out of place.”
She picked it up and put it in her pocket as a curiosity. She later learned of its significance.
Nicholas Clark found the arrowhead in the same area as he walked over the cracked earth that would usually be flooded.
“I was looking where I was walking so I wouldn’t break an ankle,” he said. “I noticed what looked like an arrowhead sitting in the mud.”
He collected the find and has stored it in his home for now.
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The Abbotsford Arts Council is now accepting applications for its sixth annual Anonymous Art Show fundraiser.
The show runs as a digital exhibition from Nov. 1 to 30 at abbotsfordartscouncil.com, and artists can apply until Oct. 10.
The show enables the community to support emerging artists and gives the buyer an opportunity to take home an artist’s original work at an affordable price.
The Anonymous Art Show features art that is submitted anonymously by members of the community of all ages and skill levels to be featured and sold in a lightly juried exhibition.
RELATED: Artists invited to submit proposals for ‘Unprecedented Times’ project
Each piece displayed in the show is on a 12” x 12” x 1.5” canvas and is sold for $100. Half the proceeds go to the artist, and the other half stays with the Abbotsford Arts Council.
When a piece is purchased, the work will be marked as sold and the artist’s name revealed. The Abbotsford Arts Council will announce each participating artist on Instagram @abbotsfordartscouncil as their work is sold.
The proceeds help fund programs such as free community events, exhibition space, arts initiatives and more.
Artists may submit their application online at abbotsfordartscouncil.com until Oct. 10, and the completed works must be delivered to the Kariton Art Gallery (2387 Ware St.) on Oct. 10 from noon to 4 p.m. or by pre-arranged appointment.
The House of Fine Art (2485 West Railway St.) will include a $5 coupon (to be used toward a future purchase) with the purchase of the required pre-stretched canvas.
Visit the arts council’s website or email gallerycoordinator@abbotsfordartscouncil.com for more information.
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