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Art galleries on the brink as pandemic lays waste to plans – TheChronicleHerald.ca

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By Barbara Lewis and Will Russell

MUDDLES GREEN, England (Reuters) – This was to have been the year that an art gallery deep in the southern English countryside took the United States by storm with exhibitions of the extraordinary Lee Miller, a 1920s fashion model, surrealist and World War Two photographer.

Filming for a biopic starring Kate Winslet was also meant to have begun at Farleys House in Muddles Green, where the American-born Miller recovered from documenting the horrors of war and entertained guests including Pablo Picasso and fellow surrealist photographer and her former lover Man Ray.

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Instead, the pandemic has put almost every plan on hold.

“It’s like a wasteland of tumbleweed,” said Ami Bouhassane, Miller’s granddaughter.

She curates the Miller archive with her father, Antony Penrose, Miller’s son with the surrealist artist Roland Penrose.

COVID-19 has compounded the uncertainty created by Britain’s departure from the European Union (EU), with a transition period ending on Dec. 31. That has left galleries anxious about how complicated it might become to stage shows and transport artworks abroad.

For more than a decade, Farleys House and Gallery has averaged four international exhibitions a year, loaned mostly around Europe, accounting for roughly a third of its revenue. Other income comes from rights relating to the 60,000 negatives in the Miller archive and from visitors to Muddles Green.

This year, it was planning on seven and to expand into the United States as part of a strategy to cope with Brexit. Two have gone ahead – one in Germany, traditionally one of its most important markets, and another in non-EU Switzerland.

A third show, intended for Europe, is being shown instead to Farleys’ trickle of socially-distanced visitors, while the other exhibitions are in storage.

Such problems are shared to varying degrees by art institutions great and small as visitor numbers no longer justify large-scale exhibitions and planning is fraught.

“The COVID-19 pandemic has impacted the entirety of the arts and culture sector,” said Arts Council England in an email. The body is helping to administer a government 1.57 billion pound ($2.04 billion) Culture Recovery Fund.

London’s Wallace Collection, which includes works by Rubens, Van Dyck and Titian, has also seen a 90% fall in visitors and has deferred exhibitions to next year.

“Financially it doesn’t make sense to do blockbuster shows at the moment,” Xavier Bray, director of the museum, told Reuters.

Commercial revenue from events, a shop and restaurant has dropped by 1.5 million pounds and the museum faces “a massive deficit” this year, Bray said. “Any help is going to be crucial to the survival of institutions like the Wallace Collection.”

($1 = 0.7717 pounds)

(Reporting by Barbara Lewis in Muddles Green and Will Russell in London; additional reporting by Gerhard Mey and Carolyn Cohn,; Editing by Alexandra Hudson)

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Banksy Goes Green With New Street Art That's Like An Optical Illusion – HuffPost

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Banksy is back with his first confirmed installation of 2024.

The anonymous British street artist posted on his Instagram account on Monday that he was behind a mural that was first spotted in Finsbury Park in London over the weekend.

In the artwork, a stenciled figure of a woman appears to have sprayed green paint over a white wall behind a pollarded tree, thus giving an optical illusion effect of foliage.

Banksy, who has never been officially identified, shared before and after images of the art on Instagram.

See the post here:

The artist didn’t caption the post, prompting multiple theories as to the meaning of the mural.

Some people thought it was a message of hope amid the climate crisis, of which Banksy, who originally hails from Bristol in southwest England, has used his artwork to highlight on multiple previous occasions.

Others suggested it was a pessimistic take on the environment or a commentary on greenwashing, the tactic the United Nations defines on its website as “misleading the public to believe that a company or other entity is doing more to protect the environment than it is.”

Banksy confirmed he was behind the mural in Finsbury Park, London. (Photo by Jonathan Brady/PA Images via Getty Images)

Banksy confirmed he was behind the mural in Finsbury Park, London. (Photo by Jonathan Brady/PA Images via Getty Images)
Jonathan Brady – PA Images via Getty Images

Documentarian James Peak, the creator of the BBC’s “The Banksy Story” radio series, said the message is “clear” that “nature’s struggling and it is up to us to help it grow back.”

“When you step back, it looks like the tree is bursting to life, but in a noticeably fake and synthetic way,” he told the broadcaster. “And it’s pretty subtle for a massive tree, I’d say.”

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Banksy: Artist confirms new London tree mural is his own work – BBC.com

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Banksy: Artist confirms new London tree mural is his own work  BBC.com

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Banksy artwork appears on side of flats in north London – Sky News

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The artist Banksy has confirmed he is the creator of a large green mural of a tree with apparent environmental overtones which appeared in north London over the weekend.

Residents said they woke up on Sunday to the massive painting on the side of a block of flats in Hornsey Road near Finsbury Park.

Pic:PA
Image:
Pic: PA

Pest Control, the official body that authenticates Banksy work, confirmed to Sky News the painting was indeed Banksy’s latest offering.

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The elusive artist – who shares his work on his Instagram page – also posted a picture of the site on his official page on Monday, showing the wall before and after the work was completed.

The large-scale painting is a green splatter-effect shape, painted behind a cut-back tree – giving the appearance of adding a halo of leaves and foliage to the bare branches.

The green paint drips down to the floor, where a figure of a young girl painted with a stencil in green and black is looking up at the work.

She appears to be holding a pressure sprayer.

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The shade of bright green paint used in the piece matches the colour of Islington Council branding, and also seems likely to be a nod to St Patrick’s Day, which was on Sunday 17 March.

Local resident Amy, who lives in the building said she could never have predicted Bansky would have chosen her flat wall to paint on.

She told Sky News: “We’ve lived here for three years, so we’ve seen the tree as it was when it was full of leaves and now it’s been chopped down.”

She described it as “a big willow tree” with “layers of leaves kind of over spilling”. She went on: “I suppose that’s what he’s tried to capture with the green. And then I think about a year or two ago, they chopped it down because it was getting too big”.

She described the unexpected painting as “really exciting” adding, “I’m really happy for the community that something so cool happened here“.

MP for Islington North, former Labour leader Jeremy Corbyn also visited the site, sharing pictures on X and writing: “Banksy has come to Islington! What wonderful artwork, proving there is hope for our natural world everywhere.”

Islington councillor Flora Williamson shared images of the art on X, and said she was a fan of Banksy’s work.

She wrote: “By far the most exciting thing to happen on today’s canvass session on Hornsey Road was seeing that Banksy had come to Tollington overnight. Lots of local interest – I’m a fan of it.”

Lidia Guerra, another Hornsey Road resident, said: “The way it’s been done with the paint spraying down reminds me of a weeping willow, so there’s perhaps a message about the struggle of nature with the dead tree in front.

“It’s just great – when we read about it last night, we knew we had to come and see it as soon as possible.

“We feel so proud to think he chose our street.”

Ahead of his latest creation, Banksy’s last confirmed work was a stop sign in Peckham, south London, with three military drones stuck across it, and was shared just before Christmas.

However, that work was removed less than an hour after it was confirmed to be genuine on the artist’s social media, with witnesses reporting it was taken down by a man with bolt cutters.

Two men were later arrested on suspicion of theft and criminal damage.

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