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Art Gallery unveils new exhibit featuring Quebec artist Francoise Sullivan – Windsor Star

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4 years ago

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The Art Gallery of Windsor is hosting a wide-ranging exhibit by Francoise Sullivan, culled from 70 years of fearless artistic expression by a Quebec pioneer in modern and contemporary art.

The exhibit features more than 40 works of art representing a diverse mix of painting, sculpture, choreography and video. It is ably complemented by the AGW’s own collection of works by Quebec artists from the Automatist movement that introduced the rest of Canada to modern, abstract art.

“This is an important ground breaking movement that pushed forward abstract expression in Canada,” said Catharine Mastin, the AGW’s executive director. “The Automatists were pivotal in moving the entire country forward in pursuing abstraction.”

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And at the centre was Sullivan who at 96 continues to paint and create and who will be on hand for a book signing Friday evening as part of the Fridays Live official launch of the winter/spring exhibitions.

Sullivan said her own love of art was nurtured by a father who enjoyed poetry and public speaking and a mother who appreciated art and signed her up for ballet and dance classes.


The Art Gallery of Windsor is preparing their Winter/Spring 2020 Exhibition Opening. The diverse works of Francoise Sullivan, shown at the AGW with some of her art on Thursday, February 13, 2020, will be featured.

Dan Janisse /

Windsor Star

“I used to play teach dance to my friends on the sidewalk,” Sullivan said Thursday of her childhood in Montreal. “We created little theatres in the basement.”

In 1945, Sullivan went to New York to study dance.

She returned to Montreal bursting with new ideas and became “one of the inventors of contemporary dance,” according to Mark Lanctot, curator at the Musee d’art contemporain de Montreal. “To dance barefoot was unheard of then and to do an entirely improvised dance for a camera was a very innovative thing.”

Lanctot, who curated this touring exhibit, describes Sullivan as “a monument, but not a monument in the traditional sense. She is a dynamic monument, always questioning what she does, pushing it in directions that are unexpected.”

The exhibit features one of Sullivan’s best-known works, a 1948 performance piece titled Danse dans la neige (Dance in the Snow).

The series of black and white photographs capture Sullivan’s improvised dance movements on a barren snow-covered landscape.

“She was reacting to the landscape for no one, just a camera,” Lanctot said.

In the 60s, Sullivan learned to weld and created popular sculptures out of steel and Plexiglas.

In the 70s, she focused on conceptual art before returning to painting in the 80s.


The Art Gallery of Windsor is preparing their Winter/Spring 2020 Exhibition Opening. The diverse works of Francoise Sullivan, shown at the AGW with some of her art on Thursday, February 13, 2020, will be featured.

Dan Janisse /

Windsor Star

“I just had an exhibition (of new works) last November,” Sullivan said. “Now, I’ll have to do some more.”

The AGW’s own Automatiste collection features Paul-Emile Borduas, Jean-Paul Riopelle, Jean-Paul Mousseau, Pierre Gauvreau, Marcelle Ferron and Marcel Barbeau.

“Some of these pieces are of great importance to the Automatist movement,” Mastin said. “We truly do have a gem of a Canadian art collection.”

The winter/spring exhibit runs from now to May 10. In addition to Friday’s launch, there is a guided tour by AGW curator Chris Finn Saturday at 12 noon followed by a panel discussion featuring Lanctot and visiting Automatist scholar Ray Ellenwood.

The AGW has extended hours (12 to 4 p.m.) on Family Day Monday with a number of family-friendly activities.

mcaton@postmedia.com

twitter.com/winstarcaton


The Art Gallery of Windsor is preparing their Winter/Spring 2020 Exhibition Opening. The diverse works of Francoise Sullivan, shown at the AGW on Thursday, February 13, 2020, will be featured.

Dan Janisse /

Windsor Star


The Art Gallery of Windsor is preparing their Winter/Spring 2020 Exhibition Opening. The diverse works of Francoise Sullivan, shown at the AGW on Thursday, February 13, 2020, will be featured.

Dan Janisse /

Windsor Star


The Art Gallery of Windsor is preparing their Winter/Spring 2020 Exhibition Opening. The diverse works of Francoise Sullivan, shown at the AGW on Thursday, February 13, 2020, will be featured.

Dan Janisse /

Windsor Star


The Art Gallery of Windsor is preparing their Winter/Spring 2020 Exhibition Opening. The diverse works of Francoise Sullivan, shown at the AGW on Thursday, February 13, 2020, will be featured.

Dan Janisse /

Windsor Star


The Art Gallery of Windsor is preparing their Winter/Spring 2020 Exhibition Opening. The diverse works of Francoise Sullivan, shown at the AGW on Thursday, February 13, 2020, will be featured.

Dan Janisse /

jpg


The Art Gallery of Windsor is preparing their Winter/Spring 2020 Exhibition Opening. The diverse works of Francoise Sullivan, shown at the AGW with some of her art on Thursday, February 13, 2020, will be featured.

Dan Janisse /

Windsor Star

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British government deems man’s art-filled apartment a historic site – The Washington Post

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April 18, 2024

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When Claire Jones stepped into the apartment of her husband’s late uncle for the first time, she discovered what looked like the trappings of a carnival.

A giant concrete sculpture of a roaring lion’s head stood in the living room, enveloping the fireplace. Looming in the next room was a giant Minotaur head. Papier-mâché sculptures littered the hallways and colorful murals adorned every wall and ceiling, even in the bathroom.

Jones and her family had known Ron Gittins as an eccentric and solitary artist. But they hadn’t realized until shortly after he died in 2019 at age 79 that he had carved, sculpted and painted his passion onto the walls of his rented apartment in Birkenhead, a riverside town in northwestern England where he lived alone.

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It couldn’t stay, Gittins’s landlord had said. But Jones knew she wanted to preserve the scene.

“I was just kind of like, ‘We can’t just let this go,’” she told The Washington Post.

For years, Gittins’s family worked to protect his whimsical life’s work, insisting that the apartment, “Ron’s Place,” was an irreplaceable art installation worthy of preservation. This month, the British government agreed. Historic England, a national body that designates historically significant sites in England, added Ron’s Place to its National Heritage List, the family announced in early April.

The designation, which forbids an owner from making changes to Ron’s Place without governmental consent, places Gittins’s apartment among the ranks of the medieval churches and Victorian villas that usually receive such recognition in the country, securing an unlikely legacy for Gittins’s creation. The apartment received a Grade II listing, which is given to “particularly important buildings of more than special interest,” according to Historic England.

“This was Ron, who led a very small, private life,” said Paul Kelly, a board member of the Wirral Arts and Culture Community Land Trust, an organization created to manage Ron’s Place. “Suddenly, he was being recognized as having done something of interest on that scale. … What an extraordinary thing.”

Gittins, a self-employed artist and theater performer, was an outcast of sorts among his family, his niece Jan Williams wrote to The Post. He showed up at reunions in flamboyant outfits and spoke in codes, joking that he was a secret agent. He was known in Birkenhead as the local eccentric who sometimes strutted around town dressed as a Roman centurion.

He was, Williams said, “colorful, larger than life, loud, opinionated, argumentative yet affectionate.”

Gittins kept his family at a distance. He let few people into his apartment, which his rental agreement had permitted him to decorate “to his own taste,” according to the Ron’s Place website.

Walking into Gittins’s home after his death felt like finally discovering the world he’d been inhabiting, Williams said. The lion’s head glistened with eyes made from shards of glass, and a frying pan sat in its mouth. Strewn around the apartment were smaller models, like an Egyptian sarcophagus that opened up to reveal a model mummy. While sorting through Gittins’s possessions, Williams found a postcard he had written addressed to her, saying that he couldn’t wait to show her his creations.

“Ron had created a fantasy world for his own pleasure,” Williams said. “A sort of stage set where he played the leading role.”

Williams, herself an artist and photographer, led the effort to save Gittins’s apartment. She first arranged to keep renting the apartment from his landlord, fundraising to cover the cost and forming a community organization to manage the space. Endorsements trickled in from singers, authors and sculptors who visited Ron’s Place at the family’s invitation. They landed a story in the Guardian and a video feature from the BBC.

In November 2022, the building that housed Ron’s Place was put up for auction. Buyers circled, and Williams scrambled to raise the hundreds of thousands of dollars they needed to win a bidding war. It ended in a “fairytale-style” miracle, Williams said: On March 1, 2023, the last day of the auction, a donor emailed with an offer to lend Williams’s organization most of the money it needed to purchase the building for about $400,000. The donor told Williams she had learned about Ron’s Place that morning, while reading the newspaper on her commute.

“It felt as if it was meant to be,” Williams said.

In a Hail Mary bid to delay the sale, Williams had also petitioned Historic England to list Ron’s Place as historically significant. It was a long shot — the designation is normally given to churches, inns and manors with centuries’ more history than Gittins’s apartment.

Historic England, however, heeded her request, even after Williams and the land trust secured ownership of Ron’s Place. When Sarah Charlesworth, an evaluator with Historic England, visited the apartment later that year, she immediately noticed the same floor-to-ceiling lion statue that had greeted Williams and Jones years earlier.

“I was actually thinking ‘This is a slam dunk’ as soon as I came in,” Charlesworth said.

Ron’s Place seemed to her like a striking example of “outsider art” — artwork created by people with no formal artistic training and without the intention of being exhibited or sold. It was, Charlesworth said, a facet of Britain’s history just as worthy of preservation as its churches and castles.

“Listing is not just about stately homes and chocolate box cottages,” she said. “It is about being representative and inclusive and making sure that we do represent all aspects of the nation’s history.”

The apartment is closed to visitors as it undergoes repairs. Williams and Kelly, the Wirral Arts and Culture Community Land Trust board member, said the organization has plans after acquiring the entire building that houses Ron’s Place, which also includes a garden and three upstairs apartments. They hope to preserve Gittins’s artwork on the ground floor as a museum and art space and renovate the other apartments into low-cost housing units for artists.

It’s an unlikely legacy for Gittins after devoting much of his life to the secret world in his apartment, Kelly said. But he thinks Gittins would be pleased to see others taking notice.

“Ron was a real outsider,” Kelly said. “But … this has been recognition for his work. He would be loving it.”

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PARIS RESTAURANT PLÉNITUDE IS REVEALED AS THE RECIPIENT OF THE ART OF HOSPITALITY AWARD 2024 … – Yahoo Canada Finance

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April 18, 2024

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Announced in advance of the awards ceremony for the first time ever, this accolade seeks to help raise the profile of the art of hospitality

LONDON, April 18, 2024 /CNW/ — Paris restaurant Plénitude is revealed as the recipient of the Art of Hospitality Award 2024 from The World’s 50 Best Restaurants, ahead of the official ceremony taking place in Las Vegas in June.

The World’s 50 Best Restaurants announces Paris restaurant Plénitude as the recipient of the Art of Hospitality Award 2024The World’s 50 Best Restaurants announces Paris restaurant Plénitude as the recipient of the Art of Hospitality Award 2024

The World’s 50 Best Restaurants announces Paris restaurant Plénitude as the recipient of the Art of Hospitality Award 2024

Located on the first floor of the French capital’s Cheval Blanc Paris, Chef Arnaud Donckele and Director Alexandre Larvoir have created in Plénitude an ode to the tradition of French fine dining, spending two years choosing the crockery, artisans, ceramicist and fabrics that help to create the restaurant’s intimate ambiance. With just 30 covers, every detail delivers an intimate experience for its diners, complete with the restaurant’s signature French elegance.

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Normandy-born Chef Donckele, who also runs Cheval Blanc Saint-Tropez fine dining restaurant La Vague d’Or, has taken on the role of master perfumer in his creations to make sauces, known as the essence of French cuisine. In his hands, each is treated like a perfume or liquid painting, created such that the sauces are the main event, with meat and fish as their complements. Under the leadership of Larvoir, the restaurant’s impeccable service team knows Donckele’s creations intimately and conveys their essence to guests stepping through the door of Cheval Blanc Paris, which was placed at No.34 on The World’s 50 Best Hotels 2023.

William Drew, Director of Content for The World’s 50 Best Restaurants, says: “We are thrilled to announce Plénitude as the winner of this year’s Art of Hospitality Award. Despite its relative youth, this Paris restaurant has been making waves on the global gastronomy scene for its flawless and inventive approach, celebrating the art of service and showing the world that French hospitality remains at the top of its game.”

Chef Donckele says: “Give yourself the pleasure of giving pleasure.” Larvoir adds: “At Plénitude, service is a wonderful encounter at every table. We seek to welcome our guests as if they were at home, to discover and understand them, to captivate and move them thanks to Arnaud’s fabulous sauces, to make them laugh too, before leaving them with the sincere wish to see them again soon.”

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The World’s 50 Best Restaurants 2024 Logo (PRNewsfoto/50 Best)The World’s 50 Best Restaurants 2024 Logo (PRNewsfoto/50 Best)

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Canada's art installation at Venice Biennale rooted in research, history, beauty – Hamilton Spectator

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April 18, 2024

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Hundreds of thousands of tiny glass beads will soon be twinkling in the sun across the entire Canadian pavilion at the Venice Biennale, Canada’s newly revealed entry in one of the world’s most prestigious art fairs.

But Kapwani Kiwanga, the Hamilton-born, Paris-based creator of the work, wants you to get past the cobalt blue glass glinting in the Venetian light. She wants you to think of each bead as a character.

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