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Crypto art is gaining ground, creating new opportunities for Montreal's art world – CTV Montreal

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MONTREAL —
Maybe you’ve recently heard the term “NFT.” It’s an acronym for non-fungible tokens. Say what?

It’s a curious trend that some people are paying big money for — a digital item that the buyer can’t even touch.

Art, music, video sequences and even collectables can be bought and sold as non-fungible tokens, or NFTs, and they are gaining in popularity.

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Recently, the artist Beeple sold a work at Christie’s art auction for $69 million US. The first tweet ever sent, by Twitter co-founder and CEO Jack Dorsey also recently sold as an NFT for almost $3 million.

The buyers don’t get a tangible piece of art, but they get to own the digital asset.

“When it comes to creating an asset or piece of artwork, or video game level, something that can be digitized, is what NFTs are all about,” explains technology expert Marc Saltzman. “And the whole investment world is salivating over the opportunity of buying something low and selling it high. Hence, the whole craze of NFTs lately, even though they’ve been around for about five years.”

Imagine the handwritten autograph you got from a celebrity when you were a kid. All your friends took a good look at it or even photocopied it, but the original was yours. Like a certificate of authenticity that a traditional painting comes with, an NFT is the same – but digital.

“The transaction is digital, it is on the blockchain which is an online ledger of checks and balances communally vetted by 10s of 1000s of computers around the world,” said Saltzman.

The growing interest in NFTs is creating a boost for the art industry.

Torontonian Gabriel Granatstein is curious about technology and does research in his spare time.

“I’m very interested in the blockchain and the cryptocurrencies and I’ve been reading and learning about NFTs and I called my mom and said you should put your work up as an NFT,” he said.

Granatstein’s mother is a traditional mixed-media artist in Montreal.

Lynda Schnieder Granatstein embraces new ways to create. She’s been using a drone to take photographs to provide a new perspective on local landscapes. She then composes large-scale paintings from those images and is eager to access new ways to share her work.

“I believe that when you learn new things, you grow. and I never want to stay still, I want to always keep learning,” she said.

She’s learned about NFTs, and with her son, now has a large Montreal cityscape up for bid on Rarible, a website that deals in digital art and collectables. The art piece that can hang on someone’s wall in their home can also be shared on their homepage for the world to see — it’s old school meets new technology.

Pointing at her art, Lynda explained her methods.

“If you were to look very closely in this, you would see many different layers of paper; etching paper and printed materials that I have glued on and painted over to provide the texture that I think enriches a painting.”

Her traditional, tangible, textured painting is one option, and the NFT is another.

Gabriel Granatstein mused about how we carry so much value in our pocket these days.

“I think we’ve moved away from a lot of tangible items. When you look at your phone now, you have your credit card on your phone, your ID, and now you can have art on your phone. When I was young, I used to collect baseball cards and now those are digital,” he said, laughing because digital baseball cards are much more convenient. “Now you don’t have to carry a suitcase full of baseball cards, which I’ve been carrying from house to house to house for the last 20 years.”

Maybe we need to think of an NFT as beautiful Bitcoin, a piece of crypto-art that the whole world can see, but you alone can own. 

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Collaborative art project highlights the artistic and healing properties of trees – GuelphToday

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Combining nature, art and science came to fruition with a collaborative stick weaving project today.

At the How To Draw A Tree Wellness Circle on Johnston Green at the University of Guelph, people were welcomed to join artists Dawn Matheson and Agnes Niewiadomski to create a sculpture made out of sticks. 

Trees saved Matheson’s life. She has her own challenges with mental health but being with trees in nature relaxes her and calms her mind.

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“It’s just a practice I’ve developed. It grounds me,” she said. 

She wanted to bring a bit about what fuels her creativity and helps her mental health to the public with this art project.

The process of the sculpture will continue to unravel in the next couple of weeks as people add sticks to it. About 50 people came out to the event on Wednesday.

Eventually the sculpture will be used as a set piece for a play put on by Guelph Collegiate Vocational Institute (GCVI) students. 

“Our idea is always like, challenge yourself to try something that you’re not used to,” said Gerard Gouchro, teacher and minor head of arts at GCVI. Students came to help create pieces of art as part of the sculpture. 

The project stemmed from an idea to get people engaged with the wellness circle. An art project called How To Draw A Tree was created by Matheson four years ago. Although the project is finished she hopes people will still engage with it. 

The team behind the project is a mix of artists, sound composers, students, poets, ecopsychologists and more. They created sound walks. People can go through a guided tour in the Arboretum while listening to artists talk about their relationship to trees.

There are four guided sound walks onsite and each person has a tree planted at the wellness circle that they connected with while working on the project.

The stick sculpture will be a work in progress. There will be a sign that reads anyone is welcome to add a stick to the sculpture. “It’ll become a true process based community sculpture, maybe it’ll get destroyed, which is fine by me. I’m a process based artist, there’s no final product,” said Matheson.

Most of the materials used for stick weaving are sticks from trees in the Arboretum that were pruned in the winter. Instead of the material being put into a chipper “this was a great opportunity to share it here for this project,” said Justine Richardson, director of the Arboretum. 

Matheson hoped with minimal instruction people felt free to add sticks to the sculpture wherever they saw fit.

“It’s just kind of come alive to see everyone’s contributions. I’m really impressed,” said Niewiadomski.

Trees are the ultimate improvisers; they move wherever the sun is, said Matheson. Trees are good listeners and you can’t experience a lot of rejection from them.

“There’s two parallel crises that are the biggest crisis in the world right now. And that’s mental illness and climate crisis,” she said. This is what the project is about.

There will be researchers from the U of G who will be studying the art project and will give feedback to see how beneficial creating a connection between people and the earth is.

The question that runs through Matheson’s mind is; how do we glean life and creativity from trees but also give back to nature?

The art piece will be up for the next couple of weeks on Johnston Green and people can contribute by adding in their own sticks.

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PHOTOS: 'Urban art advocates' brighten up London with public murals – The London Free Press

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Squatters at Gordon Ramsay's Pub Have 'Left the Building' After Turning It Into an Art Café – PEOPLE

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Squatters occupying one of Gordon Ramsay’s London pubs have vacated the property, one week after police were made aware of their activity.

The Camden Art Cafe, an “autonomous cafe” who had identified themselves as the occupants of the celebrity chef’s York & Albany pub, shared the news in an Instagram post.

“We are sad to announce Camden art collective have left the building after being served papers yesterday,” the post read. “We wish those left in the building the best of luck in their endeavours. We hope to be a part of the community again soon, watch this space!!”

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The account did not specify who is left in the building, and London’s Metropolitan Police could not immediately be reached by PEOPLE for comment.

On April 13, BBC reported that the Central London pub had been occupied by at least six people, who allegedly boarded the windows. PEOPLE confirmed on April 15 that Ramsay’s pub had been occupied by squatters. 

York & Albany pub.

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The building where York & Albany was located and rented by Ramsay was listed on the market for £13 million, or about $16 million U.S. dollars, in December.

The Camden Art Cafe spoke about the price when they shared an official statement on April 15 about occupying the building.

“We aim to open our doors regularly to anyone and everyone, particularly the people of Camden who have been victims of gentrification and parasitic projects like HS2,” the statement said, adding that they will provide free food and “space to display their art without the ridiculous red-tape that galleries require people to jump over.”

The post continued, talking about how the wealth disparities in Camden made it “fitting that £13 million properties that most locals would never be able to afford to visit should be opened up to all.” 

On April 15, the Metropolitan Police told PEOPLE that they were made aware of the squatters at a “disused property” near London’s Regent’s Park on April 10.

“This is a civil matter and so police did not attend as an emergency call out,” the statement continued. 

In the statement, the police said they would get involved if necessary: “We [are] in the process of identifying if any subsequent offences [sic] have occurred, and will take action where appropriate.”

Ramsay’s team declined to comment on the situation since it is being handled legally.

According to the U.K.’s official squatter rules on the government website, “Simply being on another person’s non-residential property without their permission is not usually a crime.”

But the website lists vandalization, not leaving when ordered by the court and using utilities as crimes that would permit police involvement.

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