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While locked up in a U.S. prison, Jesse Krimes secretly created epic works of art

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Jesse Krimes is one of the most talked-about visual artists in the world right now — and some of his most famous work was made in a U.S. prison.

The Philadelphia-based artist served five years of a six-year sentence in a federal penitentiary after being convicted of a non-violent drug offence. While incarcerated, he secretly created monumental works of art using materials like bedsheets, hair gel and newspapers, smuggling the pieces out one-by-one through the prison mail room.

Like anyone who’s spent time in prison, Krimes had to adjust to life on the outside when he was released, but his situation was made more complicated by the fact that he was trying to find his footing as a rising star in the world of art. The artist was awarded a prestigious Guggenheim Fellowship and his work has been shown at the Museum of Modern Art in New York.

YouTube video

Now, nearly a decade after his release, he’s the subject of a new MTV documentary, Art & Krimes by Krimes, available on Paramount+.

Listen to Krimes discuss his work in an interview on Q with Tom Power and follow along using the images below.

Purgatory

Artwork by Jesse Krimes
Jesse Krimes, Purgatory, 2009. Prison-issued soap, newsprint transfer, playing cards. (Jesse Krimes)

Krimes made his first prison artwork, Purgatory, while awaiting sentencing in solitary confinement. With no access to fresh air or socialization, Krimes told Q: “I started thinking about how I could use the materials of the prison against itself.”

Purgatory (detail)

Artwork by Jesse Krimes
Jesse Krimes, Purgatory (detail), 2009. (Jesse Krimes)

Using materials found in his cell, Krimes made Purgatory by transferring newspaper mugshots of people accused of crimes onto hundreds of wet bars of soap. The result is a commentary on crime, punishment and what it means to be absolved.

Purgatory (detail)

Artwork by Jesse Krimes
Jesse Krimes, Purgatory (detail), 2009. (Jesse Krimes)

Krimes hid the printed soaps from Purgatory in prison playing card containers and smuggled them to the outside world through the mailroom. He used the interior connector of a battery to cut the containers, and toothpaste to “glue” them together.

Apokaluptein:16389067

Artwork by Jesse Krimes
Jesse Krimes, Apokaluptein:16389067, 2010–13. Hand-transferred digital print, graphite, gouache, federal prison bedsheets. (Jesse Krimes)

Considered Krimes’s masterwork, Apokaluptein:16389067 is a mural made up of 39 prison bedsheets and illegally constructed over the course of three years. The title references the Greek origin of the word apocalypse. The numbers allude to Krimes’s Federal Bureau of Prisons identification number.

Apokaluptein:16389067:II

Artwork by Jesse Krimes
Jesse Krimes, Apokaluptein:16389067:II, 2015. Eastern State Penitentiary installation, digital image transfer, acrylic paint, federal prison bedsheets, wood, drywall, spackle. (Jesse Krimes)

Installed at the former Eastern State Penitentiary in Pennsylvania, this piece, titled Apokaluptein:16389067:II, covers the interior walls of an abandoned cell. The installation is meant to reflect on Krimes’s experience making art to survive in prison.

Elegy Quilts series

Upon being released from prison, Krimes began to expand his practice. Pictured above is some of his textile work using antique quilts and used clothing collected from people who have been incarcerated.


Interview produced by Vanessa Greco.

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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