Samsung Electronics has equipped the new flagship attraction, “Chasseurs de Tornades” (Tornado Hunters), at the Futuroscope theme park in Poitiers, France, with innovative technology to bring an immersive and lifelike experience to guests. Samsung’s collaboration with Futuroscope Management and Development (FMD) helped bring the breathtaking attraction to life, making the signage installed by Samsung the largest 360-degree circular LED screen in Europe.
The new attraction, Chasseurs de Tornades, is the result of four years of diligent work between the FMD team and Samsung, an industry leader in the global signage market for the past 13 consecutive years.1 The collaboration has produced a completely immersive audience experience through the use of cutting-edge audiovisual technology.
The concept behind the attraction is an exciting adventure where viewers confront nature’s most extreme elements, plunging them into an immersive whirlwind experience created by Samsung. Based on the story of Chasseurs de Tornades, visitors follow a team of researchers in their all-terrain vehicle in pursuit of tornadoes.
Sitting atop a dynamic rotating platform, guests come face-to-face with the intensity of a powerful tornado on the largest circular LED wall in Europe. The enormous LED wall from Samsung measures 17 meters in diameter by eight meters high with a total surface area of 420 square meters, making it the largest LED screen of this type in an amusement park that Samsung has installed in the world.
▲ Behind the seats are removable LED walls, allowing actors to be able to perform in the open space.
Collectively, it is made up of 800 LED cabinets from the Samsung Indoor IFR series and offers 21K resolution for hyper realistic immersion. Thanks to HDR LED technology, scenes are optimized for high contrast to display detailed, lifelike images. The maximum peak light output is 2,400 nits, and the static contrast rate is 12,000:1, allowing for premium picture quality.
The attraction itself is a 120-seat dynamic motion theatre surrounded by the 360-degree LED screen. Four parts of the screen move down to let the audience come in and out, as well as see two live stage shows through the sliding doors. The flexible design properties of the IFR solution make it suitable for any location, perfectly aligning with the circular dimensions needed for this unique attraction. Additionally, the IFR solution provides double the power supply, giving the attraction greater reliability.
▲ The view from the technical room, showing the attraction’s platform supported by three axes that help it lift, rotate 360⁰ and move in three different directions at the same time.
A highlight of the attraction is the removable LED walls where actors perform — a part of the attraction that Samsung was selected to outfit with an LED screen made up of 105 cabinets. To create a truly immersive experience for guests from the moment they enter the attraction, Samsung equipped the “pre-show” area with 20 LED cabinets to create an optical theater known as a “hologram.”
“The circular screen we installed at Futuroscope is the largest LED project we have completed,” said Jeremy Taghon, Head of CE B2B Division at Samsung Electronics France. “I am impressed by and thankful for the hard work and partnership between FMD and Samsung that brought this important technological milestone to life.”
“The contrast ratio, the image, the sharpness, it’s just incredible. An attraction like this is made to last at least 15 years, and LED is the only technology that’s durable enough,” said Yannis Marchet, Development and Projects Director at FMD. “When management agreed we could work with Samsung, everything went smoothly.”
The attraction earned several international awards in 2022, including “Best New Ride” at the European Star Awards and “Best Product Innovation” as well as “Best Dark Ride or Media-based Experience” at the ParkWorld Excellence Awards. Most recently, it won “Outstanding Achievement” from the Themed Entertainment Association, an accolade considered to be the prize for the best attraction in the world.
By installing the largest 360-degree circular LED signage in Europe, Samsung has enabled FMD to wow Futuroscope guests with a mesmerizing audiovisual experience unlike any other.
Watch the full video about Samsung’s innovative installations at the Futuroscope here:
1 Samsung has been the No.1 selling digital signage brand for 13 consecutive years by Omdia. (Note: Consumer TVs, along with Commercial Lite and Hospitality TVs used for signage are excluded.)
The advent of the second generation HomePod brings with it yet another opportunity to acknowledge the smart speaker’s accessibility to people with disabilities. Besides ecosystem-centric amenities like Handoff, Apple supports a bevy of accessibility features in the device; they include VoiceOver, Touch Accommodations, and much more. This is an important distinction to point out, as I’ve done in this space before. This column is precisely the forum for it.
It’s important to mention because, quite frankly, most reviewers fail to do so.
As a lifelong stutterer who has always felt digital assistants—and by extension, smart speakers—are exclusionary due to its voice-first interface paradigm, it disheartens me to see my peers in the reviewer racket continually undervalue the actual speech component of using these devices. It’s understandable—it’s difficult, if not downright impossible, to consider a perspective which you cannot fully comprehend. Yet there is room for empathy—and really, empathy is ultimately what earnest DEI initiatives are meant to reflect—with regards to how privileged it is for the majority of journalists (and their readers) to effortlessly shout into the ether and have Alexa or Siri or the Google Assistant swiftly spring into action.
Look no further than the embargoed HomePod 2 reviews that dropped earlier this week ahead of the product’s general availability starting on Friday. Every single one of them, whether in print or on YouTube, focuses solely on the sound quality. While perfectly sensible to do so, it’s cringeworthy to watch everyone utter not a single word about the speaker’s accessibility features or how verbally accessible Siri may be to someone with a speech delay. Again, expertise is hard—but empathy is not. Put another way, there are very real and very important characteristics of Apple’s new smart speaker that largely go ignored because it’s presumed (albeit rightly so, given how language models are typically trained) that a person is able to competently communicate with the thing. The elephant in the room is there’s far more to tell concerning the HomePod’s story. It’s counterintuitive to most, but it isn’t all about sound quality or smarts or computational audio or ecosystem.
Of course, the responsibility rests not on the tech press alone. Smart speaker makers in Apple, Amazon, Google, Sonos, and others all have to do their part on a technical level such that using a HomePod is a more accessible experience for those with speech impairments. Back in early October, I reported on tech heavyweights Amazon, Apple, Google, Meta, and Microsoft coming together “in a way that would make Voltron blush” on an initiative with the University of Illinois to help make voice-centric products more accessible to people with speech disabilities. The project, called the Speech Accessibility Project, is described as “a new research initiative to make voice recognition technology more useful for people with a range of diverse speech patterns and disabilities.” The essential idea here is current speech models favor typical speech, which makes sense for the masses, but which critically leaves out those who speak using atypical speech patterns. Thus, it’s imperative for engineers to make the technology as inclusive as possible by feeding the artificial intelligence the most diverse dataset possible.
“There are millions of Americans who have speech differences or disabilities. Most of us interact with digital assistants fairly seamlessly, but for folks with less intelligible speech, there can be a barrier to access,” Clarion Mendes, a clinical professor in speech and hearing science and a speech-language pathologist, told me in an interview ahead of my report from October. “This initiative [the Speech Accessibility Project] lessens the digital divide for individuals with disabilities. Increasing access and breaking down barriers means improved quality of life and increased independence. As we embark on this project, the voices and needs of folks in the disability community will be paramount as they share their feedback.”
Astute readers will note what Mendes ultimately expresses: empathy!
It should be stressed the thrust of this piece is not to throw my colleagues and friends under the bus and denigrate their work. They aren’t unfeeling people. The thrust here is simply that, as a stutterer, I feel extremely marginalized and underrepresented when I watch, say, MKBHD hurl rapid-fire commands at Siri or another without trouble. By and large, the smart speaker category has long felt exclusionary to me for the speech issue alone. The uneasiness doesn’t go away just because Apple’s HomePod line sounds great and fits nicely with my use of HomeKit. These are issues Apple (and its contemporaries) must reckon with in the long-term to create the most well-rounded digital assistant experience possible. Software tools like Siri Pause Time, a feature new to iOS 16 that allows users to tell Siri how long to wait until a person stops speaking to respond, is limited in its true effectiveness. The problem is, it sidesteps the problem rather than meet it at the source. It puts a band-aid on something that requires more intricate treatment.
All told, what the new HomePod reviews illustrate so well is the fact the technology media still has a ways to go yet—despite making big strides in recent times—in truly embracing accessibility as a core component of everyday coverage. The expectation shouldn’t be to ask mainstream reviewers to suddenly become experts at assistive technologies to assess stuff; that’s unrealistic. What is highly realistic, however, is to carry an expectation that editors and writers would seek the knowledge they don’t have. It’s conceptually (and practically) no different than an outlet investing in other social justice reporting—in the AAPI and Black communities, for example, especially important nowadays given recent events.
If reviewers can endlessly lament the perceived idiocy of Siri, it isn’t a stretch to acknowledge the adjacency of Siri’s lack of gracefulness in parsing atypical speech. Moreover, it shouldn’t be akin to pulling teeth to ask newspeople to consider regularly running more nuanced takes on products alongside the more overviewing ones. The disability viewpoint is not esoteric; it matters. It’s long past time disability inclusion (and disabled reporters) figure prominently at the tech desks of newsrooms the world over. Accessibility deserves a seat at the table too.
This year’s first Samsung Galaxy Unpacked event will take place in front of an audience in San Francisco’s Masonic Auditorium, marking the first in-person event for Samsung in three years. It kicks off on Wednesday, February 1st, at 1PM ET / 10AM PT, and we’re expecting some exciting announcements.
Unlike Galaxy Unpacked events in the recent past, Samsung’s product reservation page suggests that the company’s also planning to release several new laptops instead of new earbuds or smartwatches. We could see up to five variations of its brand-new Galaxy Book 3 laptops, featuring thinner and lighter OLED panels with sensors embedded directly into the touchscreens.
If you’re looking to stay up to date on this year’s Galaxy Unpacked, The Verge will keep you posted on all the news and product announcements from the event.
Were you aware that there are currently more than 2,100 online casinos which solely cater to Canadian players? Ever since the dawn of high-speed Internet, a growing number of fans have become attracted to these platforms thanks to their flexibility and decidedly user-friendly nature. Whether referring to slots, poker or a quick game of bingo, there are numerous options to explore.
However, it is also wise to take a look at some of the latest trends. Perhaps the most interesting involves the notion of live casinos. What do these portals offer, what makes them different than traditional platforms and why might live dealer games represent the next digital wave of the future?
The Basic Concept of Live Online Casinos
The main principle associated with any live casino involves the ability to interact with a human. This normally comes in the form of a dealer. As opposed to playing games that rely solely upon random number generation (RNG), a human dealer will be present via a live streaming portal. This helps to provide what some have called a rather “organic” nature to the games themselves.
For instance, a live casino ontario may offer players the ability to take part in a game of virtual poker. They will be competing against other members of the same table while taking careful note of which cards are dealt. In many ways, this level of interaction closely mirrors the experiences associated with a physical gaming establishment.
What Games Can be Accessed?
Now that we have taken a quick look at the fundamental principles of live casinos, what types of games can users play? Answering this question will partially depend on the portal itself as well as the software technology that is present. However, live dealer games can nonetheless be segmented into a handful of general categories including:
Table games such as blackjack and poker
“Combination” games such as poker that leads into a final round of jackpot slots
Those who wish to learn more should navigate to the site in question and peruse the types of live games that are offered. It could also be wise to contact a representative to address any additional questions.
Are There Any Possible Downsides?
Live casinos are certainly set to make their presence known throughout the nation. Still, it is wise to point out a few potential obstacles that may need to be overcome. One possible issue involves the relatively limited number of games when compared to standard online platforms. It could also be difficult to access certain competitions due to a sudden influx of players. Finally, live online streaming requires a relatively fast and extremely stable high-speed Internet connection. This may present a problem for those who live within the more remote regions of Canada.
Having said this, live casinos are already enjoyed by countless Canadian players. It is a foregone conclusion that they will become even more popular in the near future.