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Thieves Hit TEFAF Art Fair in Daylight Heist – The New York Times

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A gang used a sledgehammer to smash open a display case and make off with jewelry at the renowned Dutch art fair, as dealers looked on, aghast.

On Tuesday morning, Marian Bies-de Wolf was working at TEFAF, the world’s pre-eminent fine art and antiquities fairs, when she saw a group of men running through its corridors.

It was a strange sight, she said in a telephone interview, since “nobody runs at TEFAF,” which is held annually in Maastricht, the Netherlands.

Then things got stranger, Ms. Bies-de Wolf said, as the men pulled out a heavy object and “started bashing up” a glass case in the next booth, which belonged to the London jewelry dealer Symbolic & Chase. Ms. Bies-de Wolf could not see if the men took anything, she said; after someone shouted that the thieves had a gun, she ran away.

Several hours after the robbery, it was still unclear what the thieves had stolen. The Dutch police said in a news release that four men had taken jewelry, but gave no further information. Two men from Belgium had been arrested and their potential involvement was being investigated, it added, while a search for other people connected to the theft was ongoing.

Wim Coenen, a spokesman for the Dutch police in Limburg, the region that covers Maastricht, said in a telephone interview that he could not comment further or state whether any jewelry had been recovered.

A spokesman for Symbolic & Chase declined to comment on the incident.

TEFAF, also known as the European Fine Art Fair, is one of the world’s longest-running art fairs specializing in fine art and antiquities. The current edition, its 35th, opened on Saturday and runs through Thursday.

This year’s event features 242 dealers, among them Symbolic & Chase. According to its Instagram feed, Symbolic & Chase had a multitude of items on display at the fair, including diamond rings, and an intricate, Japanese-inspired gold bracelet.

TEFAF’s organizers did not mention the fair had experienced a robbery on social media. In a post on Twitter they said that the fair was “temporarily evacuated due to an incident,” and was “still open to visitors and exhibitors.”

Yet events seemed more dramatic to witnesses. James Butterwick, a British dealer, said by phone that he was just yards from the robbery when it happened. Mr. Butterwick said he walked out of another booth to see a man trying to smash a glass case.

A Dutch fair visitor picked up a vase of flowers and tried to confront the robbers, Mr. Butterwick added, only for one of the thieves to pull out what appeared to be a gun, which he waved at onlookers. “Things took a bit of a turn for the worse,” Mr. Butterwick said.

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A gang used a sledgehammer to smash open a display case and make off with jewelry at the renowned Dutch art fair, as dealers looked on, aghast. Video by Jos Stassen.

Mr. Butterwick, whose account was corroborated by video of the robbery posted on social media, said the event lasted about 30 seconds. He did not see what the robbers stole, he added, but they seemed to be “after specific items.”

When he entered the fair, Mr. Butterwick said, security personnel at the entrance “took a close look at you,” and checked bags, though no one had to walk through metal detectors or was patted down.

He added that he did not see any security guards confront the robbers. TEFAF said in an email statement on Tuesday afternoon that the Dutch police were on site within minutes. “Nobody was injured during the incident,” the TEFAF statement added.

This is not the first time TEFAF has been hit by a robbery. In 2008, thieves stole a diamond necklace worth about $1.8 million from the fair; in 2010, a ring and necklace worth about $1.3 million were stolen from a booth run by Hancocks, another London jewelry dealer.

Hancocks did not respond to a request for an interview on Tuesday.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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