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Art for Art’s Sake – Wayne Hall, pharmacist – The Crag and Canyon

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Hall grew up in Drayton Valley, Judy Creek, Swan Hills and eventually Redwater, Alberta, where he attended Grades 10-12.

“I will have been at pharmacist for 44 years coming June 2021,” Hall said. “I chose pharmacy as I always had an interest in the sciences and helping people. Pharmacy also provided a secure, stimulating job.”

Covid-19 has changed the way pharmacists work.

“Pharmacy has its pro’s and con’s like any other profession but the stresses are manageable and I have been blessed to work with some very good co-workers that help make the stresses more manageable,” Hall said. “Covid-19 has increased stress levels for everyone due to reduced social contacts, social distancing and isolation.”

Covid-19 has been a learning experience for everyone and not all cases of Covid are symptomatic, he said.

“It is the non-symptomatic cases that pose concern as they are not as easy to track,” Hall said. “As with other places of business, we have implemented safety measures such as sneeze guards, face masks, face shields, gloves, upgraded cleaning and disinfection protocols and social distancing. We are paying extra attention to personal hygiene such as continual hand washing and sanitizing. Everyone is mandated to wear a facemask and social distance.”

Business is as usual with enhanced safety measures, he said.

“We are also providing delivery service to reduce risk of exposure with especially high risk patients,” he said. “We have seen a definite increase in people receiving the influenza vaccine this year but flu numbers are lower. Lower numbers are probably attributed to increased personal hygiene, wearing face masks, social distancing and social isolation.”

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Upcoming contemporary art exhibit featuring a collection of overlapping drawings as 'illegible, messy scribbles' – Kelowna News – Castanet.net

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A Kelowna-based artist is showcasing a new type of art exhibit, focusing on a collection of overlapping drawings that are illegible, messy scribbles for contemporary art.

The Iranian-Canadian artist, Aileen Bahmanipour, has created what she expresses as ‘useless drawings that contradict the very purpose of drawing, which is to have something the viewer is able to see.’

Described as both ‘an image-maker and image-breaker,’ Bahmanipour, exhibit if one that took inspiration from milling machines, extraction tools, and other similar industrial machines that separate particles from materials.

The Wasting Techniques exhibit hosts a series of complex drawings are on clear acetate sheets and will also be sprayed regularly with a spitting machine, which will overtime wash away the drawings and turn them into stains on the floor.

The exhibit also includes multiple ways for visitors to interact with the exhibition, either in person or over a live stream. Two cameras have been set up by the artist, one in front of the transparent sheet and one behind.

“We are intrigued to see the evolution of this exhibition over the next 6 weeks as the artworks change and transform from the spitting machine. Bahmanipour has created an exhibition that avoids being static by not only the transformative quality of the work, but the multiple access points for visitors to experience it,” Artistic and Administrative Director, Lorna McParland said in a press release.

Wasting Techniques will be on view in the Main Gallery of the Alternator Centre for Contemporary Art from Jan. 29 to March 13, 2021.

Visitors will also have an opportunity to learn more about Bahmanipour with an upcoming artist talk with them via zoom on Feb. 18. To learn more and register to participate, visit the Alternator Centre’s website.

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Weekend Round-Up: Stylish Set-Dressing, Madden Strategy, And Parisian Art – HODINKEE

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Peter Schjeldahl has been the head art critic at The New Yorker since 1998. I would be lying to you if I said I was a frequent reader of his work, but I’ve always made it a point to bookmark his criticism when I stumble across it. That doesn’t mean I always return to it, mind you, but his writing generally ends up saved inside a perpetually growing list of need-to-read tabs on my laptop, waiting for me to grow restless enough to come back to it. This week, I opened up one of his more recently published pieces, The Art Of Dying, from December 2019. In this thoughtful piece of self-reflection, Schjeldahl discusses a recent lung cancer diagnosis, his years of sobriety, and how he’s lived his life thus far. Nothing is normal these days, and Schjeldahl’s writing here reminds us that we’re all nothing but a sum of our personal experiences and that how we tell our story truly matters. I highly recommend it.

– Logan Baker, Editor, HODINKEE Shop

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Italian art gallery becomes a COVID-19 vaccine centre – The Globe and Mail

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Carolyn Christov-Bakargiev is director of the Castello di Rivoli Museum of Contemporary Art​, which is turning into a vaccination centre in March, 2021.

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The Castello di Rivoli, near Turin, has been a marvel of reinvention over its thousand-year history. It has been a castle – castello in Italian – royal palace, military barracks, refugee centre and, lately, a UNESCO World Heritage site and art gallery.

In March or April, it will assume another role, COVID-19 vaccination centre, when the Castello di Rivoli Museum of Contemporary Art, the site’s main tenant, opens its galleries to visitors who fancy combining a bit of culture with their inoculations.

The idea of turning one of Europe’s best-known contemporary art museums into a temporary health clinic was conceived by Carolyn Christov-Bakargiev, 63, the museum’s American-Italian director. “Art has always helped and healed,” she said. “It provides an experience that includes and involves others and can be a form of therapy to treat trauma.”

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While vaccinations are normally not considered traumatic experiences, getting one in an airy gallery might take the edge off any lingering jab anxiety. Polls suggest there is vaccine hesitancy among significant minorities of Europeans.

Coronavirus vaccinations will be administered in the third floor gallery of Castello di Rivoli, near Turin, Italy, which has been reinvented over the centuries as a castle, royal palace, military barracks, and a refugee centre.

handout/Handout

The vaccines will be administered in the third-floor gallery of the museum, where the walls are lined with the creations of Claudia Comte, a Swiss artist whose work, according to museum literature, comprises “large scale environmental installations … of a form of consciousness primarily shaped through the digital experience.”

While Ms. Comte’s art may not be to everyone’s taste, the gallery no doubt beats a sterile, windowless hospital room as a vaccination centre. Ms. Comte is also working on what Ms. Christov-Bakargiev called a “soothing, calming” soundtrack that will be played while medics administer the vaccines.

After they get their jabs, the newly inoculated will be allowed to wander the lower galleries (assuming Italian pandemic restrictions allow them to open), where one of the new installations will include Sex, by German visual artist Anne Imhof. Works by Pablo Picasso, Andy Warhol and Amadeo Modigliani are also on display.

The vaccinations will be done by the local health authority, which will have to ensure that the proper safety protocols are in place. Ms. Christov-Bakargiev said the museum should be ideal for the inoculation effort, since it is already equipped with thermal scanners and a climate-control system and has ample space for physical distancing, waiting rooms and vaccination booths. The third floor covers 10,000 square feet.

Castello di Rivoli Museum of Contemporary Art​ is joining the drive that has led to administration of more than 1.2 million vaccine doses in Italy by Jan. 19, 2021.

Paolo Pellion/Handout

She said the idea of turning the museum into a vaccination centre came to her months ago but took on new urgency on Dec. 13, when museum chairman Fiorenzo Alfieri died of COVID-19 after a month-long illness. He was 77.

“The day after he died, I thought that I needed to do something more than close the museum during the pandemic and wait,” she said. “We had to do something more.”

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Many museums and art galleries in Europe began as hospitals, including Les Invalides in Paris and the Museo Nacional Centro de Arte Reina Sofia in Madrid, home of Picasso’s Guernica. Castello di Rivoli is just doing it in reverse order – a museum that is becoming, in effect, a hospital.

According to Bloomberg’s vaccine tracker, Italy, which has seen 83,000 pandemic deaths, had administered more than 1.2 million vaccine does by Jan. 19. Ranked by doses per 100 people, the tally puts it well ahead of the European Union average.

Italian health authorities are planning to open vaccination sites in public spaces across the country, including city squares. Cultura Italiae, a group of cultural leaders, has proposed that other museums and cultural centres copy the Castello di Rivoli vaccination model. After all, “public museums are committed to creating an accessible, pluralistic space to serve our community,” Ms. Christov-Bakargiev said.

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