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The Noble Art of Self-Deception

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Bruce Rolff/ Shutterstock
Source: Bruce Rolff/ Shutterstock

Where I grew up, there was a lumberjack who was an oddball. He was stingy, surviving on coarse bread, grease, and salted herring. The remaining money was spent on vodka.

It is said that during his evening meal, he would spread grease on a slice of bread and place a piece of herring from a jar at one end of the bread. As he ate, he moved the herring farther away from the bread. Finally, when he finished the last piece of bread, he would return the herring to the jar and exclaim aloud to himself: “I fooled you again, you stupid bastard.”

Who was fooling whom? The lumberjack was not schizophrenic, but like everyone else, he sometimes had a dialog with himself: Should he eat the herring now or save it for his future self? The herring became increasingly rancid, the more he favored the future.

Life Lies

How is it possible to deceive oneself? Wouldn’t one immediately recognize the trickery if attempted? In reality, we are surprisingly adept at deceiving ourselves, often unconsciously. Psychologists have long understood that people live with various kinds of life lies, but self-deception manifests in many more contexts.

Self-deception operates because the self is not an indivisible entity: The unconscious side of the self can deceive the conscious one. One form of self-deception involves expressing a desire to achieve a particular goal while unconsciously working towards another. This strategy is succinctly summarized by the French philosopher Blaise Pascal’s aphorism: “The heart has its reasons which reason does not know at all.”

We overestimate ourselves to prioritize ourselves over others and thus survive. If we were to perceive our objectively true selves, we would likely become despondent.

Deception does not always involve outright lies; it can also involve an exaggerating of certain characteristics. Literal self-embellishment—makeup, hairstyling, clothing choices—is an everyday form of self-deception that most people engage in. Rarely do we desire to reveal our authentic selves.

Most individuals harbor illusions about themselves and believe that they possess above-average positive qualities. We tend to think we are more intelligent, honest, friendly, original, and reliable than average. We also believe that we will live longer than average and drive better than average (even those who have been hospitalized for traffic accidents hold this belief). Moreover, these illusions extend to self-reflection: Most people perceive themselves as less influenced by such illusions than the average person.

Overestimating Our Abilities

Naturalist Charles Darwin long ago observed that self-confidence more often stems from ignorance than knowledge. For example, drivers who have been involved in accidents or people who have failed a driving test are worse at judging their performance on a reaction test than experienced drivers are.

Social psychologists Justin Kruger and David Dunning conducted a series of tests revealing that people who are among the worst in terms of reasoning logically, writing grammatically, or understanding humor, for example, seriously overestimate their abilities. On average, the lowest-performing quarter of the participants rated themselves as being in the top 40 percent.

Metacognition

Kruger and Dunning explain this self-assessment by asserting that incompetent individuals possess poorer metacognition compared to competent ones. Metacognition is the ability to reflect on and assess one’s own thought processes.

For example, the ability to write a grammatically correct sentence is akin to the ability to recognize that there is a grammatical error in a sentence. Hence, if they fail to recognize their mistakes, they will grossly overestimate their ability to write grammatically correct.

Incompetent individuals, therefore, bear a two-fold burden: Not only do they draw the wrong conclusions and make the wrong decisions, but their incompetence also robs them of the metacognitive ability to recognize their shortcomings.

On the other hand, the top quarter of the subjects in the experiment slightly underestimated their competence on average. This aligns with research demonstrating that experts in a field have much more developed metacognition when it comes to problem-solving than novices.

Positives

A beneficial effect of overestimating oneself is that positive illusions lead to better health and longer life. Studies conducted on HIV-positive people revealed that those with excessively positive perceptions of themselves exhibited a significantly slower progression of the disease.

Similarly, patients who perceived no risk in an upcoming operation tended to recover more quickly after surgery compared to those who were concerned about the procedure. Furthermore, women who denied problems associated with a breast cancer diagnosis had fewer disease recurrences of the disease compared to others.

I travel extensively, both for work and vacations. Most of the time I carry a camera to capture people, places, and moments that I want to remember. Often, I find myself attempting to embellish the pictures, for example, only capturing people when they appear happy or deliberately excluding an ugly house in a beach photograph. I believe many amateur photographers can relate to this behavior.

Why do I really want to embellish the images? My perception has been that I want to present others with more appealing depictions of my experiences than they actually were, much like dressing up to look good. However, I rarely show the pictures to others; instead, I mostly deceive myself.

In fact, what happens when I embellish a photo is that I design a memory. My memory of the trip will be largely colored by the images I choose to preserve. I deceive myself into thinking that the trip was more golden than it really was.

Apart from everyday self-aggrandizement, one of the most prevalent forms of self-deception involves selectively choosing which information to acknowledge. “What I don’t know can’t hurt me” is a prime example of self-deception.

The common understanding of self-deception posits the existence of hidden urges and other unconscious forces that drive our actions, while conscious motives guide our actions, or so we believe. In fraudulent cases, the unconscious does not align with the conscious.

Hence, the paradox of self-deception lies in the question of how we can avoid discovering that the interpretations we make of our actions are, in the long run, so poorly aligned with our actual behavior. Our consciousness never encourages us to be honest with ourselves. A life free from self-deception can only be attained through an unadulterated understanding of our actions.

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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