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Hands on with the best features of iPhone 12 Pro Max

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The entirety of Apple’s iPhone 12 line is finally out. We’ve spent the day testing the new iPhone 12 Pro Max and wanted to go over some of its best new features and how they play out in the real world.

New design

Everyone has seen the design of the new phones, and even side-by-side lineups of the iPhone 12 mini, iPhone 12, iPhone 12 Pro, and iPhone 12 Pro Max. They all share what is essentially an identical aesthetic, albeit at different scales.

Each handset sport iPhone 5-style flat sides and a ceramic shield glass on the front, while Pro models get a new Pacific Blue color option.

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The iPhone 12 Pro Max is the largest iPhone Apple has ever created. It takes the 6.5-inch display of the iPhone 11 Pro Max and stretches it just a touch to hit 6.7 inches on the diagonal. It doesn’t sound like much, and even in use it doesn’t seem discernibly larger until you have it side-by-side with the previous Pro Max model.

The volume buttons and the side button have shifted down for easier access

The volume buttons and the side button have shifted down for easier access

What we do love, though, are some of the other subtle design changes that Apple has made. Both the side button and the volume buttons have been shifted down ever so slightly. This makes them more easily accessible while holding the phone and is certainly a noticeable and welcomed change. The phone is absolutely huge, but this change makes that size a bit more palatable.

Battery life

Being the largest iPhone, it is no surprise that iPhone 12 Pro Max also has the largest battery, although the 11 Pro Max beats it out in terms of sheer capacity (14.13 Wh vs. 15.04 Wh). We will have to examine battery life under stress, but we still have to point this out as one of our favorite new features because of not only how long the battery appears to last, but how many ways you can charge.

Just today using the device, we started by connecting to Lightning right out of the box, then used MagSafe for most of the day before finally tossing it on a Qi charging pad while we sat down to edit.

Battery is great on iPhone 12 Pro Max

Battery is great on iPhone 12 Pro Max

The many ways to charge makes the battery feel even more capacious. Apple has the iPhone 12 Pro Max rated for the same battery life as the iPhone 11 Pro Max — 20 hours of video playback, 12 hours of video streaming, and 80 hours of audio streaming — but if you don’t use 5G, we wouldn’t be surprised if that stretched a little further. The phone made it through a ton of tests without almost any hit on battery life.

For comparison’s sake, the iPhone 12 Pro only gets 17 hours of video playback, 11 hours of video streaming, and 65 hours of audio streaming. We’ll take the extra battery life.

Wide camera image sensor

The big deal with the iPhone 12 Pro Max is the camera. We’ve barely started testing this thing out and we are already excited. Apple has included a 47-percent larger sensor in this plus-sized phone and it certainly pays off.

Comparing iPhone 12 Pro Max and iPhone 12 Pro camera modules

Comparing iPhone 12 Pro Max and iPhone 12 Pro camera modules

Physically, you can see the difference. The camera module on the iPhone 12 Pro Max is bigger in size and protrudes a bit more as well. All to handle that new larger sensor and the upgraded sensor-shift stabilization that goes along with it.

The iPhone 12 Pro Max cameras stick out slightly further

The iPhone 12 Pro Max cameras stick out slightly further

Thanks to that new larger sensor on the wide-angle camera, much more light can be captured, resulting in less noisy photos when we tested in low light. That is backed up by the increased ISO. The iPhone 12 Pro has a top ISO of 5,808, and the 12 Pro Max has a top ISO of 7,616. Improved light sensitivity again means better shots in low light.

Compared: iPhone 12 Pro (left) and iPhone 12 Pro Max (right)

Compared: iPhone 12 Pro (left) and iPhone 12 Pro Max (right)

The final benefit of that new sensor is increased depth of field compared to the iPhone 12 Pro. In a couple quick shots around the office, we notice more bokeh blur in the foreground and background, which creates better subject isolation and overall more pleasing shots.

Tele lens

The wide angle camera isn’t the only one that got an upgrade. Apple also took the liberty of moving the telephoto lens from a 52mm equivalent to a 65mm equivalent. This yields 2.5X optical zoom compared to only 2X optical zoom on the iPhone 12 Pro.

New maximum zoom

New maximum zoom

You see this on any shot you take whether a normal photo or a portrait shot. It will even increase the maximum digital zoom, going from 10x to 12X maximum. When shooting video, you can get 7X digital zoom rather than being capped at 6X.

We took quite a few shots to play with the cameras and it makes a good difference. We aren’t usually trying to capture objects super far away, but just far enough from the wide-angle lens we jump to the tele. With 2.5X zoom, we get just a little closer with no loss in quality.

RAM

The last thing we noticed was the increase in RAM, from 4GB to 6GB. The iPhone 12 Pro Max isn’t the only one that has 6GB of RAM, but this is where we noticed it most. Coming from our iPhone 11 Pro Max, when completing a lot of tasks we would sometimes notice background apps having to reload once we open them. This wasn’t the case nearly as much on the new device.

The display of the iPhone 12 Pro Max

The display of the iPhone 12 Pro Max

We tried opening as many apps as we could and let them load. Then we bogged down the processor by exporting a 4K HDR video. Then we went back to try to re-open all of those apps to see if they’d have to reload themselves. Not one did. It isn’t the most scientific of tests, but it is very much like the real world. We frequently jump between so many operations and apps that having them instantly ready to go felt like magic.

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Source:- AppleInsider

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Aaron Sluchinski adds Kyle Doering to lineup for next season – Sportsnet.ca

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Venerable Video App Plex Emerges As FAST Favorite – Forbes

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With cord cutters and streamers becoming more selective about where they invest their subscription dollars and the costs of premium services like Netflix
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rising, FAST (Free Ad-Supported TV) services that offer thick bundles of niche channels and vintage content are on the rise with consumers. One of the more interesting contenders is Plex, a privately-held company that started in the late aughts as an app to help video enthusiasts organize and share their home libraries. Plex expanded into the FAST space in 2018, and today announced it has surpassed a thousand channels (1112, in fact, including a just-announced NFL Channel) in its free-to-stream lineup, making it one of the largest inventories in the market.

The rising popularity of the FAST model, which also appeals to advertisers looking to combine the sizzle of a 30-second spot with the data targeting of an online platform, has drawn a lot of players into the space, each with its own spin on a service that can appear very similar to viewers. After all, how many channels of British murder mysteries, 2000s-era prestige shows and Hallmark tearjerkers can providers squeeze through a fiberoptic cable before viewers cease to care exactly where it’s coming from?

The companies that emerge on top need to deliver a unique and special experience for consumers, combined with a strong value proposition for advertisers. Each big player comes with its own advantages: Roku’s OTT experience, Tubi’s origins as an ad-tech platform, Samsung and LG’s ownership of the TV interface, Amazon
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Prime’s connection to consumers, and so on. Plex’s edge, according to the company’s executives, is its community.

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“We began as a personal media management software,” said Plex CEO Keith Valory, who joined the company in 2012 at the invitation of co-founder and current chief product officer Scott Olechowski. “Eventually, we thought that the more interesting problem to solve over time is media chaos. People shouldn’t have to go to 20 different apps to get the content they want.”

Valory says Plex had grown a fanbase of hardcore videophiles who use the product to keep track of extensive media libraries. These enthusiasts pushed the company to develop rich capabilities around content management, discovery, recommendations, reviews and shareability, which turn out to be important differentiators when viewers are faced with thousands of choices.

Valory says he and Olechowski began building the framework for the AVOD (ad-supported video on demand) strategy in 2017, doing business development deals with studios and building relationships. They launched the service in 2019, just in time to benefit from the COVID streaming boom. “We launched our FAST channels and continued to accelerate the business,” he said. Over time, Plex has added live content, sports and hyperlocal channels to the service, which is available in over 180 countries worldwide, offered through the familiar Plex interface.

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According to Gavin Bridge, VP of Media Research for CPG Global and a FAST-focused analyst who tracks the number of FAST channels in the United States via his monthly FASTMaster report, there were more than 1,963 FAST channels in the U.S. alone as of March 2024. Currently, Plex accounts for 847 of them, and it’s growing every day.

Building click-appeal for viewers is one part of the FAST equation, but the other critical component is serving that audience up to advertisers in the narrowest, most targeted slices possible. Every FAST platform has its own proprietary algorithms for targeting and programmatic placement of the right spots to the right viewers, based on what it knows about its audience’s behavior and proclivities. Sponsors need to weigh that when deciding how to allocate their media dollars.

Valory says Plex’s edge comes from its data. “We’re very open about and transparent about sharing data with both our content partners and our advertising partners within privacy limits,” he said. “But we also have a different, more affluent set of users because they’re coming in to manage a number of their subscriptions and whatnot. We can identify them in aggregate [preserving privacy] and essentially create high-end profiles of what users are watching across every device, every country and every service.”

Because of its unique heritage, Plex has data that no one else has, relating to user behavior behind the firewall in consuming their owned video content. Valory says that many users opt in to sharing this data to improve recommendations and relevance. “We have an opportunity to help advertisers target those users on other platforms like TikTok or Facebook,” Valory said.

The company has also invested in its ad delivery capabilities. “We’re making sure we’ve optimized our ability to stay in the programmatic market, to the point that our programmatic auctions are vastly outperforming our direct sales,” said Todd Hay, VP of Revenue and Engagement for Plex. “The next step was to enrich what that inventory looks like. Advertisers like having that visibility for brand safety.”

Hay says the company uses its detailed data about viewer behavior to help micro-target in-stream trailers, native advertising, sponsored hubs, and opportunities to insert content into a viewer’s watch list with a one-click popup. He says this helps brands target consumers by their affinities: for example, correlating cruise ads to food programming because of the high correlation between those viewers and that product.

The frequency, duration and interruptive nature of these spots – even if they are highly targeted and relevant – has irritated some users, including many in the hardcore Plex fan community, who look askance at the company’s shift in focus away from their beloved media app and toward the streaming market. Many have asked for a premium ad-free paid tier, but that is precluded by FAST content distribution and licensing agreements, according to the company.

Valory acknowledges the concerns of the community. “We love our superfans and their needs are very important,” he said. “I think many of them understand that, realistically, for us to grow and thrive, we can’t just be a personal media server running at home. But at the same time, the largest development team in the company still services the personal media product even though it is not the largest revenue business, and we’re only able to do that because of all the other things we’re doing.

“People will say oh, that’s just the CEO giving a political answer, but I assure you, we talk about this all the time internally, and some of the biggest superfans and loudest users of the product are the people who work here.”

Valory said that Plex, which currently does not disclose financial information, generates roughly 20 percent of its revenues from member subscriptions, which unlock premium capabilities of its media platform, compared to 80 percent from the ad business.

Moving forward, Valory says the company sees opportunities in bundling paid subscription models, using Plex’s detailed knowledge of user tastes and behavior. “Some services are paying insane amounts on user acquisition,” said Valery. “I think our better opportunity is to help other subscriptions bundle and create discounts for end users. We don’t need to take a dime of that; we will make our money on advertising and helping people get the content they want.”

The shakeout of premium SVOD services is just getting underway, and the FAST/AVOD market, with its range of players and distinct value propositions, makes it a difficult environment for advertisers, investors and consumers to place their bets. But whatever the future of streaming holds, Plex is betting that the best strategy is to build out from the center

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New Realme Narzo 70 series phone coming soon, teasers promise faster charging, lag-free performance – gizmochina

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Realme recently launched the Narzo 70 Pro 5G smartphone in India, featuring an appealing design and the Dimensity 7050 chip. The brand has teased the release of a new Narzo phone through its X handle, suggesting it could be another addition to the Narzo 70 series.

New Narzo 70 series phone teased

The above teaser reveals that the upcoming Narzo phone will provide a lag-free experience. The other teaser suggests that the device will arrive with fast charging support. It states that a few minutes of charging will allow it to run for a couple of hours.

The Narzo 70 Pro packs a 5,000mAh battery with 67W fast charging. It is unclear whether the upcoming phone will offer faster charging capabilities than the Narzo 70 Pro. It is advisable to wait for further teasers to confirm the phone’s moniker.

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To recall, the Realme Narzo 70 Pro 5G features a 6.7-inch FHD+ 120Hz AMOLED display with a peak brightness of 2000nits. Powered by the Dimensity 7050 chip, it comes with LPDDR4x RAM and UFS 3.1 storage for smooth performance. It packs a 5000mAh battery and 67W fast charging support.

On the front, the device features a 16-megapixel selfie camera. Its back panel has a 50-megapixel Sony IMX890 primary camera with OIS support, an 8-megapixel ultra-wide lens, and a 2-megapixel macro camera. The phone runs on Realme UI 5-based Android 14.

The Narzo 70 Pro offers other features, such as an IP54-rated chassis, an in-display fingerprint scanner, rainwater smart touch technology, dual speakers, a 3D VC cooling system, and 8GB virtual RAM.

In terms of pricing, the 8GB+128GB variant of the Narzo 70 Pro retails at Rs 17,999 (~$215). On the other hand, the 8GB+256GB variant costs Rs 21,999 (~$265). It comes in Glass Green and Glass Gold shades.

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