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Humboldt Art Gallery reopens with local landscape-focused exhibit – Humboldt Journal

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HUMBOLDT — The Humboldt and District Gallery is reopening with a three month showing of Critical Links, an exhibit with works from the local Artists’ Block Critique Group.

The exhibit contains 31 pieces from nine artists. The pieces themselves primarily feature landscape paintings, but also include sculptures and abstract.

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“Mostly they’re focused on Humboldt and area’s landscapes,” said Yoonjin Park Bott, the gallery’s cultural programmer.

“For local people, it will be nice to see the Humboldt and area landscapes with lots of different mediums. They have oil painting and acrylic and others.”

The artists featured include Karen Pask-Thompson, Janet Corcoran, Karen Holden, Karen Maguire, Inger DeCoursey, Kathy Bradshaw, Kathleen Slavin, Sylvia Thompson and the late Del Gradish.

“The motivation for this exhibition stems from the reason we formed our critique group: the desire to share ideas and draw inspiration from each other in order to grow as artists,” said the Artists’ Block Critique Group, in a statement.

“As most of us are landscape painters, we have worked plein air [outdoors] from a specific location in the Humboldt area. During our multiple sessions, we sketched and painted our chosen landscape using a range of media, suited to each artist’s individual style and working process.”

Park Bott described the group’s work as “mature.”

“It’s not just simple landscapes that anyone can do, their life is kind of melted in the painting – that’s what I see. Technique wise, they’re pretty mature too,” she said.

“A very deep understanding of Humboldt and area landscapes and the nature, and very deep thoughts. I can actually catch it from the abstract and the collage work as well.”

Select pieces at the exhibit will be on sale.

“You can see all the artists’ work on the wall and you can buy it too, that’s the beauty of how we support the local artists,” Park Bott said.

“I think it’s great to see the artwork at the gallery again, after the long COVID-19 break, to appreciate our life again.”

Due to COVID-19, the gallery’s hours have reduced. The gallery is open this summer from Tuesday to Saturday, at 10 a.m. to 12 p.m. and 1 p.m. to 5 p.m.

Critical Links will be shown until Sept. 25.

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Irina Antonova, head of top Moscow art museum, dies at 98 – The Record (New Westminster)

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MOSCOW — Irina Antonova, a charismatic art historian who presided over one of Russia’s top art museums for more than half a century, has died at 98.

The Pushkin State Museum of Fine Arts said Antonova, its president, died in Moscow on Monday. It said Tuesday that Antonova last week tested positive for coronavirus, which exacerbated her chronic heart ailments.

Antonova began working at the Pushkin museum after her graduation in 1945, and in 1961 she became its director. She held the job until 2013, when she shifted into the ceremonial post of its president. The 52-year tenure made her the world’s longest-serving director of a major art museum.

As the Pushkin museum director, Antonova spearheaded major art exhibitions that saw the exchange of art treasures between the Pushkin Museum and top international art collections despite the Cold War-era tensions and constraints. Those exchanges, facilitated by her extensive personal contacts with colleagues in the museum world, brought Antonova wide acclaim worldwide.

She also was very active in promoting the museum’s treasures to the public.

Antonova has received numerous Russian and foreign state awards.

Russian President Vladimir Putin sent his condolences. Kremlin spokesman Dmitry Peskov said that the president often met Antonova at the museum and “highly appraised her deep expert knowledge.”

Antonova will be buried in Moscow’s Novodevichy cemetery alongside her husband, who also was an art historian. Funeral ceremonies will be closed to the public amid coronavirus restrictions.

The Associated Press


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Art world star gives back by buying work of the undiscovered – Bowen Island Undercurrent

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NEW YORK — Painter Guy Stanley Philoche, a star in the New York art world, had wanted to treat himself to a fancy watch after a hugely successful gallery show. Then the pandemic hit, and he feared for all the struggling artists who haven’t been so lucky.

So he gave up his $15,000 Rolex dreams and went on a different kind of buying spree, putting out a call on Instagram in late March to any artist anywhere who had creations to sell. The submissions rolled in, hundreds at a time.

He’s spent about $60,000 so far with plans to continue as long as he can, and Philoche’s own patrons have taken notice and asked him to make purchases on their behalf as well.

“It’s about artists helping artists,” said the 43-year-old Philoche, who came to America from Haiti with his family at age 3, nearly nothing to their names.

“I’m not a rich man,” he said, “but I owe a big debt to the art world. Art saved my life, and I made a promise to myself that once I made it, to always buy from artists who hadn’t gotten their big break.”

Philoche has a budget, seeking out works in the $300 to $500 range. He buys only what he loves, from as far away as London and as close as the studio next to his in East Harlem. An abstract mixed-media piece by Michael Shannon, his studio neighbour, was his first purchase, leading Philoche to include him and others he’s discovered in an upcoming group gallery show.

About half the artists Philoche has chosen are people he knows, many in New York. The others sent him direct messages on Instagram with sample work in hopes of being picked.

Philoche, who went to art school in Connecticut where his family settled, has lined the walls of his tiny apartment with his Philoche Collection During Covid, ranging from graffiti-inspired work and portraiture to pop art and a huge pistol done in bright yellow, red and blue paint.

Philoche’s own work goes for up to $125,000 a piece. During a recent interview at his studio, he slid out from storage large canvases from his breakthrough, Mark Rothko-esque abstract Untitled Series and a collection of female nudes with duct tape over their mouths. Often whimsical, he has also produced paintings inspired by Monopoly and other board games, as well as comics such as Charlie Brown.

Among his clients: Deutsche Bank, Merrill Lynch and Barclay Investments Inc., along with Uma Thurman, George Clooney and fellow artist Julian Schnabel.

Giving back isn’t something the affable Philoche just recently decided to do. Over his 20-plus year career, he has tried to stick to a simple rule to support other artists: Sell a painting, buy a painting. But it was a chance meeting with a friend and fellow artist who was anxious about the pandemic with a baby on the way that set him on his pandemic buying spree.

“I’m not on the first line, but my community was impacted as well,” he said. “It was just the right thing to do. I love waking up in my apartment every morning seeing the walls. There’s paintings on the floor, all over. Some of these people have never sold a painting in their life.”

His feisty French bulldog Picasso at his side, Philoche recalled his own meagre start in New York after he put himself through art school while working full-time as a bartender.

“People didn’t open the doors for me. I had to get into the room through the back door, or through the window,” he said with a laugh. “But now that I’m in the room, with a seat at the table, I have to open doors for these artists.”

Leanne Italie, The Associated Press

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Irina Antonova, head of top Moscow art museum, dies at 98 – Bowen Island Undercurrent

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MOSCOW — Irina Antonova, a charismatic art historian who presided over one of Russia’s top art museums for more than half a century, has died at 98.

The Pushkin State Museum of Fine Arts said Antonova, its president, died in Moscow on Monday. It said Tuesday that Antonova last week tested positive for coronavirus, which exacerbated her chronic heart ailments.

Antonova began working at the Pushkin museum after her graduation in 1945, and in 1961 she became its director. She held the job until 2013, when she shifted into the ceremonial post of its president. The 52-year tenure made her the world’s longest-serving director of a major art museum.

As the Pushkin museum director, Antonova spearheaded major art exhibitions that saw the exchange of art treasures between the Pushkin Museum and top international art collections despite the Cold War-era tensions and constraints. Those exchanges, facilitated by her extensive personal contacts with colleagues in the museum world, brought Antonova wide acclaim worldwide.

She also was very active in promoting the museum’s treasures to the public.

Antonova has received numerous Russian and foreign state awards.

Russian President Vladimir Putin sent his condolences. Kremlin spokesman Dmitry Peskov said that the president often met Antonova at the museum and “highly appraised her deep expert knowledge.”

Antonova will be buried in Moscow’s Novodevichy cemetery alongside her husband, who also was an art historian. Funeral ceremonies will be closed to the public amid coronavirus restrictions.

The Associated Press


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