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Oxygen Art Centre launches new adult classes – Nelson Star

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Submitted by Oxygen Art Centre

After much planning Oxygen is excited to launch their fall lineup of adult education opportunities, combining a fine array of online and small in-person classes.

Oxygen conducted a student survey earlier in June to find out how people were feeling (with COVID in mind) in regards to participating in arts education this fall. The response was very positive and clear — students want to be creative! Oxygen then got to work with their talented team of instructors and volunteers to re-vision how the educational offerings could be delivered in an innovative and safe way.

“Oxygen will be offering seven online courses and three small in-person courses this fall,” says education co-ordinator Natasha Smith.

“Many of our instructors have specifically created classes that can be taught online, utilizing the many tools that we now have available to make this learning experience rewarding, interactive and convenient for our students. Another benefit of online programming is that we are removing the barrier of travel for students that live outside of Nelson.”

The three in-person classes include Resurrecting the Lost Art of Letter Writing with Rayya Liebich, Eco-Printing on Textiles with Seathra Bell, and Painting on Another Level with Natasha Smith. The class sizes will be limited to a maximum of five students and all COVID-19 safety protocols at the centre will be in place.

Oxygen is also offering two online professional development courses for creatives this fall. Starting with Art Shack with artist Ian Johnston.

“It’s a visual arts professional development free-for-all!” says Johnston. “Over four evenings of group conversation we will harness the hive mind and the experience of the participants to explore a self-identified group of professional development issues such as proposals, statements, audience, networks and researching opportunities.”

This is an opportunity to share, develop your skills, and meet other artists in a supportive, collaborative space. The second professional development course is How to Submit to Commercial Galleries with artist Kristy Gordon, who will unveil the practical steps you can take to develop a connection with a commercial gallery. The one-session course includes a lecture, discussions and individual feedback.

Deborah Thompson has designed an online drawing course: Drawing with the World in Mind. This course will run twice a week on Tuesdays and Thursdays for the month of October.

“The COVID-19 Global Pandemic has highlighted a long list of global problems; climate change, homelessness, opioid crisis, racism, classism and more. Leaning into a creative practice during these times is helpful in developing meaningful insights and in cultivating imaginative ways to give constructive shape to the future,” says Thompson.

Many students will be excited that Bessie Wapp is offering Singing the Blues Goes Virtual this Fall. In this seven-week course you will explore the rich swamp of the human voice in a relaxed and supportive environment through online group and one-on-one sessions. In November, Rayya Liebich will be offering an online Poetry Immersion course. From the comfort of your home immerse yourself in the language of poetry. Weekly online classes will focus on studying the craft of poetry (image, form, feeling) and allow time for a series of guided writing prompts to help hone your writing skills.

Also running in November and over five classes Natasha Smith will be offering Moving into Abstraction as an online course. Through a series of hands-on projects, students will explore various techniques and alternative ways to develop ideas and images that will encourage a more abstract way of working.

Interdisciplinary artist, prOphecy sun will be offering an innovative course this Fall: Sonic Imaginaries: An Introduction to Creating Electronic Compositions. This online beginner level studio course explores a wide range of methods and conceptual approaches to creating electronic sound. prOphecy explains: “Each week will explore how sound emerges and will survey conceptual and methodological techniques used in music, video, sound art, and other artistic production.”

Register today for online and in-person art classes taking place throughout October and November with Oxygen’s incredible artist instructors. Don’t wait — spaces are limited. Learn more about the upcoming classes below and on our website at https://oxygenartcentre.org/classes/adult/.

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Qaumajuq—new name of Winnipeg Art Gallery's Inuit art centre—an act of decolonization – WellandTribune.ca

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​The Winnipeg Art Gallery’s Inuit Art Centre has a new name.

In a ceremony on Oct. 28, the gallery, known as WAG, announced the centre would be renamed Qaumajuq [HOW-ma-yourq], an Inuktitut word meaning “It is bright, it is lit”.

Qaumajuq is set to open in February 2021 after construction began in March 2018 on a new 40,000-square-foot-building designed by Michael Maltzan Architecture with Cibinel Architecture. It’s home to the largest public collection of contemporary Inuit art in the world.

The WAG building itself was given a name in Anishinaabemowin—Biindigin Biwaasaeyaah [BEEN- deh-gen Bi-WAH-say-yah], meaning “Come on in, the dawn of light is here” or “the dawn of light is coming.”

The naming ceremony was hosted by Dr. Stephen Borys, director and CEO of WAG. The ceremony occurred with a small gathering of Borys and Julia Lafreniere, WAG manager of Indigenous Initiatives. A Qulliq lighting ceremony was conducted by Elder Martha Peet, with virtual appearances from Theresie Tungilik and Elder Dr. Mary Courchene. The latter two formally announced the new names in Inuktitut and Anishinaabemowin respectively.

Tungilik, an Inuk artist from Rankin Inlet, Nunavut, said “Qaumajuq will be a place where all walks of life will experience, through the creation of Inuit art, our survival, hardships and resilience.”

Courchene, who comes from the Sagkeeng First Nation in Manitoba, said the Biindigin Biwaasaeyaah name was created to “include all the Indigenous populations of Manitoba, the First Nations, the Métis, and the Inuit populations.”

“The language keepers and Elders came together in a powerful moment of cross-cultural reflection and relationship-building,” Borys said. “This initiative is an act of decolonization, supporting reconciliation and Indigenous knowledge transmission for generations to come in an effort to ensure WAG-Qaumajuq will be a home where Indigenous communities feel welcome. Where everyone feels welcome.”

In addition to the new name of Qaumajuq, which will serve as the primary name for the space, various areas within the WAG will also have new names in Inuvialuktun (Inuit), Nêhiyawêwin (Cree), Dakota, and Michif (Métis) that were given by Indigenous language keepers.

“Indigenous-focused and Indigenous-led initiatives will be at the heart of this new space and giving the spaces Indigenous names is just the start,” reads the WAG’s website where pronunciations and audio clips for the new names are available.

“We are thrilled to share the names of the spaces in the seven Indigenous languages of Manitoba and Inuit Nunangat,” said Dr. Heather Igloliorte and Dr. Julie Nagam, co-chairs of the Indigenous Advisory Circle for Winnipeg Art Gallery, in a joint statement.

“The Circle demonstrates the breadth of knowledge that represents the relationship to the collection and the buildings and it has been an incredible experience for all Circle members. We are so honoured to gift the institution with these new names that point to a new path forward for galleries and museums in this country,” the statement continued.

The WAG also states that the “historic naming responds to the United Nations Declaration on the Rights of Indigenous Peoples Article 13 and the Truth and Reconciliation Commission’s Call to Action 14i, both of which reference the importance of Indigenous languages.”

Article 13 reads:

Indigenous peoples have the right to revitalize, use, develop and transmit to future generations their histories, languages, oral traditions, philosophies, writing systems and literatures, and to designate and retain their own names for communities, places and persons.

TRC Call to Action 14i states:

Aboriginal languages are a fundamental and valued element of Canadian culture and society, and there is an urgency to preserve them.

A press release issued by WAG states that Qaumajuq “will innovate the art museum, taking art from object to full sensory experience with Inuit-led programming.” One of these features includes the three-storey tall column called the ‘visible vault’ that is filled with thousands of Inuit carvings and immediately viewable upon entry into Qaumajuq.

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“This is a place that amplifies and uplifts Inuit stories, connecting Canada’s North and South. This is a site for reconciliation… We can’t wait to unveil this new cultural landmark in the heart of the country with these new names honouring Indigenous voices and languages,” Borys said.

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Art-loving couple helping Bayfield arts hub get off the ground – Toronto Star

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A Bayfield-based arts non-profit is moving forward with plans for an arts centre in the Huron County community, thanks to a large donation from a local couple.

The Bayfield Centre for the Arts (BCA) has purchased a building on the village’s edge that will be transformed into a 1,115-square-metre visual arts hub.

“The concept of a Bayfield arts centre had been cooking for several years, but I wanted to formalize the vision . . . in terms of acquiring a building and bringing together a number of art organizations under one roof,” said centre president Leslee Squirrell.

Squirrell said the new facility will include an art gallery to showcase local artists and travelling exhibits, plus studio spaces and rooms for workshops.

A variety of arts will be featured, from new media and photography to painting, pottery and woodworking.

“We do have a big vision,” Squirrell said. “Even though the centre itself might be located in Bayfield, the purpose is to be a destination arts centre. It’s for the broader local community and those all over the county.”

Purchase of the building, at Highway 21 and Cameron Street, was made possible by a “significant financial donation” from Huron County residents Mac Voisin and Marcela Bahar.

“This state-of-the-art facility will benefit generations to come,” Voisin said. “(We are) delighted to be part of this project.”

Along with educational workshops and art showcases, Squirrell said they plan a mobile art truck that will let the centre take programming on the road across the region.

A film festival is also in the works, spurred on by the recent shooting of the movie Trigger Point in Bayfield.

The film’s director, Brad Turner, lives in the Lake Huron village seasonally and is a BCA adviser, Squirrell said.

The centre now uses a converted barn on Bayfield’s Main Street as a temporary home.

Amid the COVID-19 pandemic, the organization has been holding outdoor painting and photography workshops.

“We’re doing the best we can to continue to create our vision even though COVID has created obstacles,” Squirrell said.

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She said the picturesque village is the perfect backdrop for a Southwestern Ontario arts hub, since it’s already a popular tourist destination with many local artists nearby.

“We’re an incredibly beautiful, ideal, creative type of community on Lake Huron,” Squirrell said.

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Art-loving couple helping Bayfield arts hub get off the ground – WellandTribune.ca

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A Bayfield-based arts non-profit is moving forward with plans for an arts centre in the Huron County community, thanks to a large donation from a local couple.

The Bayfield Centre for the Arts (BCA) has purchased a building on the village’s edge that will be transformed into a 12,000-square-foot (1,115-square-metre) visual arts hub.

“The concept of a Bayfield arts centre had been cooking for several years, but I wanted to formalize the vision . . . in terms of acquiring a building and bringing together a number of art organizations under one roof,” said centre president Leslee Squirrell.

Squirrell said the new facility will include an art gallery to showcase local artists and travelling exhibits, plus studio spaces and rooms for workshops.

A variety of arts will be featured, from new media and photography to painting, pottery and woodworking.

“We do have a big vision,” Squirrell said. “Even though the centre itself might be located in Bayfield, the purpose is to be a destination arts centre. It’s for the broader local community and those all over the county.”

Purchase of the building, at Highway 21 and Cameron Street, was made possible by a “significant financial donation” from Huron County residents Mac Voisin and Marcela Bahar.

“This state-of-the-art facility will benefit generations to come,” Voisin said. “(We are) delighted to be part of this project.”

Along with educational workshops and art showcases, Squirrell said they plan a mobile art truck that will let the centre take programming on the road across the region.

A film festival is also in the works, spurred on by the recent shooting of the movie Trigger Point in Bayfield.

The film’s director, Brad Turner, lives in the Lake Huron village seasonally and is a BCA adviser, Squirrell said.

The centre now uses a converted barn on Bayfield’s Main Street as a temporary home.

Amid the COVID-19 pandemic, the organization has been holding outdoor painting and photography workshops.

“We’re doing the best we can to continue to create our vision even though COVID has created obstacles,” Squirrell said.

She said the picturesque village is the perfect backdrop for a Southwestern Ontario arts hub, since it’s already a popular tourist destination with many local artists nearby.

“We’re an incredibly beautiful, ideal, creative type of community on Lake Huron,” Squirrell said.

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