Connect with us

Art

Rural Northern art show heads online for 2020

Published

 on

His artwork is called the “Ego Check.” It features an owl and a wolf displaying two different personalities a person can have, showing the battle of the ego. Through his work, Lucas wants viewers to know that it is alright to feel overwhelmed and to have to put yourself in check sometimes.

Former nurse Amanda Imsland, previously Emsland, moved from The Pas to British Columbia five years ago. Her artwork helped her reconnect with her Manitoban roots and the lifestyle that it brings.

“I wasn’t sure my artwork was going to be accepted because I am not currently in Manitoba. On some level, it felt like recognition that I am indeed from Manitoba even if I am living in a different province. That felt important to me and I feel comforted to be connected to home,” she said.

Imsland’s artwork, “Had Worn Them About The Same,” is a hat and vest made out of some materials that she and her father hunted. The inside is made out of recycled wool and the outside is a brocade pattern. The vest is wrapped up with a vintage fur and designed with horseback riding in mind.

Laxative teacher Miriam Jakel from Churchill found out about the MRNJA from a colleague of hers. Before submitting her artwork, Jakel was not confident that her art pieces were good enough but she decided to try anyway.

“As an artist, I always think that what I do is not perfect. It is nice to see my work out there in public and I am happy it is out there and that people I don’t know and people who don’t know me can see my piece,” she said.

Jakel’s work, “Crescent Waters,” is created from driftwood found on the shores of the Churchill River and resin. Her work represents the slowly flowing water and ice of the Churchill River. Artworks can be assessed on the MRNJA’s website, https://artgallery.manitobaartsnetwork.ca/.

Nicole Wong covers northern and Indigenous issues for the Winnipeg Sun under the Local Journalism Initiative, a federally funded program that supports the creation of original civic journalism.

Source: – Winnipeg Sun

Source link

Continue Reading

Art

Stony Plain: 'Punching above [its] weight when it comes to public art' – CBC.ca

Published

 on


Judy Bennett gazes fondly at her favourite mural in her hometown of Stony Plain, Alta. 

“To me it’s just downright grass roots. This is the way things happened. Around a kitchen table, talked about things that needed to be done and how they could do it together,” said the town councillor. 

The mural by James Mackay was commissioned in 2012 by cooperatives like banks, grocery stores and insurance companies in the community to mark the 100th anniversary of co-ops. 

The mural is one of nearly 40 dotting the town 40 kilometres west of Edmonton. The works not only draw tourists but are also a point of civic pride. 

Take a tour of some of the murals dotting the community of Stony Plain, Alta. 2:05

You can see more from the town of Stony Plain on Our Edmonton on Saturday at 10 a.m., Sunday at noon and Monday at 11 a.m. on CBC TV and CBC GEM.

Bennett says since the first mural was unveiled around 30 years ago, they have come to adorn dry cleaning shops, hair salons, the post office and the arena. 

The murals depict the town’s past and colourful characters like local NHL goalie great Glenn Hall, long-serving country physician Dr. Richard Oatway, and teenage translator and telephone operator Ottilia Zucht, who could speak five languages.  

In a normal year, tourists can hop aboard a horse-drawn wagon with long-time tour guide Greg Hanna. In a pandemic year, Bennett encourages people to walk or drive the mural route using a map available on the town’s website

A mural called Goods in Kind by Stony Plain artist Windi Scott-Hanson shows the town’s first lawyer F.W. Lundy who often accepted goods rather than money for his services. (Adrienne Lamb/CBC)

“We wanted these murals to be outside, so they were always accessible and what a great idea that was, especially during the pandemic,” Bennett said. 

Mayor William Choy stands in front of the newest mural in the pedestrian tunnel below the CN rail line just off the skateboard park at 4401 49th Avenue. 

The bright colours, messages of hope and pineapples wearing sunglasses make the mural “awesome,” Choy says.

“That’s a living, breathing wall, allowing residents to express themselves in a productive and friendly manner,” he says. 

This summer, the town partnered with artists Daphne Côté and AJA Louden, short for Adrian Joseph Alexander, to host a public art project featuring an introduction to graffiti-style art. 

Artists Daphne Côté and AJA Louden offered a spray paint mural workshop in Stony Plain this summer. (Supplied by AJA Louden)

“The murals allow us to showcase the history and past of Stony Plain but also allows us to move forward such as the projects here,” Choy says. “A new generation of art and thinking.” 

Louden, an Edmonton-based contemporary urban muralist, worked with about a dozen skateboard and scooter kids and other residents who showed up to learn.

“I think we brought about 50 or 60 cans of spray paint,” Louden recalls. 

“My favourite part was watching that eureka moment, when people finally figure out a new trick with the spray can or realize that they could,” he says.

“They maybe didn’t see themselves as an artist before this and they’ve started to find a medium that felt fun and felt new. That’s really exciting.” 

Louden hopes to return next summer for more sessions at the skateboard park.

“I’ve always been impressed with communities like Stony Plain for punching above their weight when it comes to public art, lots of cool murals that celebrate the heritage of the town.”

The Book by James Mackay, completed in 2012, is featured outside the town’s public library. (Adrienne Lamb/CBC)

Let’s block ads! (Why?)



Source link

Continue Reading

Art

Art and cultural venues get £75m boost from Culture Recovery Fund – Yahoo Canada Sports

Published

 on


A production of Shakespeare's Twelfth Night
The culture secretary has announced grants of up to £3m in a bid to save 35 of the country’s cultural icons. Photo: Reuters/Russell Cheyne

Arts venues and cultural organisations have received a £75m ($57m) injection from the government’s Culture Recovery Fund.

<p class="canvas-atom canvas-text Mb(1.0em) Mb(0)–sm Mt(0.8em)–sm" type="text" content="The culture secretary has announced grants of up to £3m in a bid to save 35 of the country’s cultural icons, with £52m (70%) of funding awarded outside of London.&nbsp;” data-reactid=”24″>The culture secretary has announced grants of up to £3m in a bid to save 35 of the country’s cultural icons, with £52m (70%) of funding awarded outside of London. 

It is the largest boost from the £1.57bn Culture Recovery Fund to date.

Recipients of the grants include iconic venues such as Shakespeare’s Globe, Sadler’s Wells, the Old Vic, the Birmingham Repertory Theatre, the Design Museum and the Sheffield Crucible.

London’s Shakespeare’s Globe will receive £2,985,707 to support start-up costs for a planned reopening in spring 2021, while The Old Vic will receive £3m from the fund.

The funding also aims to provide jobs across the country and support the wider community.

Culture Secretary Oliver Dowden said: “As part of our unprecedented £1.57bn rescue fund, today we’re saving British cultural icons with large grants of up to £3m – from Shakespeare’s Globe to the Sheffield Crucible. 

“These places and organisations are irreplaceable parts of our heritage and what make us the cultural superpower we are. This vital funding will secure their future and protect jobs right away.”

<p class="canvas-atom canvas-text Mb(1.0em) Mb(0)–sm Mt(0.8em)–sm" type="text" content="READ MORE: COVID-hit UK arts groups welcome government cash infusion” data-reactid=”31″>READ MORE: COVID-hit UK arts groups welcome government cash infusion

This is the fourth round of funding announced by the Department for Digital, Culture, Media and Sport (DCMS). Independent cinemas, heritage institutions and cultural organisations were awarded grants of up to £1m in previous rounds.

The DCMS said more than £500m of support has now been allocated from the Culture Recovery Fund to British cultural institutions. The grants are designed to help them survive until April 2021.

Sir Nicholas Serota, chairman of Arts Council England, said the funding has “provided a lifeline” to allow arts and cultural organisations to continue.

“This latest funding, which are the largest grants to date, will support some of the country’s most loved and admired cultural spaces – from great regional theatres and museums to historic venues in the capital – which are critical to the development of a new generation of talent and in providing work for freelance creatives,” he said.

<p class="canvas-atom canvas-text Mb(1.0em) Mb(0)–sm Mt(0.8em)–sm" type="text" content="Watch: Oliver Dowden defends UK government’s record on arts funding” data-reactid=”36″>Watch: Oliver Dowden defends UK government’s record on arts funding

Let’s block ads! (Why?)



Source link

Continue Reading

Art

St. John's major focus of fall exhibition at Confederation Centre Art Gallery in Charlottetown – TheChronicleHerald.ca

Published

 on



CHARLOTTETOWN, P.E.I. — Mimi Stockland always considered herself to be a creative person.

But, it wasn’t until she moved to St. John’s, N.L., five year ago that Stockland truly felt things take off.

Now, her work is on display for all to see.

Stockland is one of the featured artists whose works are part of the new fall exhibition at the Confederation Centre Art Gallery in Charlottetown. The exhibition, Give Me Shelter, profiles the work of 13 emerging St. John’s artists, all of it curated by Pan Wendt, the centre’s art gallery curator.

“It was a whole new world. I had a vague idea … but something just clicked,” Stockland said in an interview at the Confederation Centre Art Gallery on Thursday. “Five years ago I permanently moved to Newfoundland with the goal of joining the artistic community. I’ve always wanted to be an artist. I always liked making things.”

The Confederation Centre Art Gallery exhibition entitled, Give Me Shelter, features this oil on canvas from John McDonald, which is called Moving On, 2019. Courtesy of Emma Butler Gallery. – Contributed

Stockland found the East Coast artistic community not only welcoming but encouraging, support she did not feel while working as an artist in Montreal, Que., where she was based beforehand.

“My humour really just clicked with East Coast humour. I was understood; my jokes landed better.”

Stockland graduated from textile school in 2015 and decided to start putting her work out in the professional world and see what happened. She also established a professional art practice in St. John’s.

Her work in the fall exhibition at the centre is based on a mix of things she has created over the past five years, all displayed in a collage.

Pepa Chan, another St. John’s-based artist whose work is part of the exhibition, chose to focus on relationships and trauma.

Pepa Chan is one of the featured artists whose work is part of the new Confederation Centre Art Gallery exhibition, Give Me Shelter, which profiles the work of 13 emerging artists in St. John’s, N.L. The exhibition is curated by Pan Wendt, curator at the centre. - Dave Stewart
Pepa Chan is one of the featured artists whose work is part of the new Confederation Centre Art Gallery exhibition, Give Me Shelter, which profiles the work of 13 emerging artists in St. John’s, N.L. The exhibition is curated by Pan Wendt, curator at the centre. – Dave Stewart

“It’s about making ourselves vulnerable when we are relating to others,” said Chan, who is originally from Buenos Aires, Argentina. “It’s about intimacy and the risk we take when we are connecting with others.”

Chan calls her exhibit, Brush. An televised image of someone having their long hair brushed plays in the background. But, there is also an image of a brush with burning matches in place of the normal bristles.

Part of Pepa Chan’s exhibit at the Confederation Centre Art Gallery features images of strands of hair. Chan is in the process of setting up her exhibit here. - Dave Stewart
Part of Pepa Chan’s exhibit at the Confederation Centre Art Gallery features images of strands of hair. Chan is in the process of setting up her exhibit here. – Dave Stewart

Chan said that’s meant to signify that brushing can be cathartic to some people but symbolize trauma for others.

“There’s abandonment in my family and violence,” she said. “I lose a lot of hair and that’s related to stress and anxiety. I’m basically using hair brushing and losing hair as metaphors for all of those things.”

Wendt said Give Me Shelter is an exhibition that reflects the fact St. John’s is a cosmopolitan city.

“It really gives you a sense of the scene in St. John’s,” Wendt said. “You go there and you really feel that even though, when you go there, you get a real sense of (the city’s) heritage and its past. Give Me Shelter is a … place the artists feel very at home.”

The Confederation Centre Art Gallery exhibition includes the portrait series Tukien (Awaken), Reclaiming the Throne, from St. John’s, N.L.-based Mi’kmaw painter Nelson White. - Contributed
The Confederation Centre Art Gallery exhibition includes the portrait series Tukien (Awaken), Reclaiming the Throne, from St. John’s, N.L.-based Mi’kmaw painter Nelson White. – Contributed

Fall exhibitions

Following are the fall exhibitions at the Confederation Centre Art Gallery:

  • St. John’s-based Mi’kmaw painter Nelson White’s portrait series Tukien (Awaken) celebrates Indigenous artists and activists.
  • Give Me Shelter features the work of 13 artists from St. John’s, N.L. They are Nicholas Aiden, Greg Bennett, Pepa Chan, Hazel Eckert, Jose Gonzalez, Ashley Hemmings, John McDonald, Jason Penney, Emily Pittman, Daniel Rumbolt, Mimi Stockland, April White and Olivia Wong.
  • Alexis Bellavance: ops, a video installation looking at the constant and regular breathing of the sea and sky by the Montreal-based artist.

Twitter.com/DveStewart

Let’s block ads! (Why?)



Source link

Continue Reading

Trending