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A fire that swept through a 19th-century former monastery in downtown Montreal last week gutted the fourth-floor space of Les Impatients and has left participants in shock.
Art
WSS Art Show puts student work on display – Pique Newsmagazine
Grade 12 student Bella had to scramble to get a second painting done in time for the Whistler Secondary School Art Show—but it was worth the rush.
“I just finished it yesterday,” she says on the day the group of students and their teacher, Brenda Norrie, are set to install the annual show at The Gallery at the Maury Young Arts Centre (Whistler Secondary School is not releasing the surnames of the students involved in the art show).
“[It’s] the biggest piece I’ve done and the most portraits I’ve had in one piece,” she says. “It’s a whole bunch of women’s faces—all ethnicities—then behind the portraits are cut outs of different articles on current events [involving] women … I was coming up with an idea and I realized I’d never painted more diverse women. I’ve only ever painted other white women. I found a reference picture of a woman in a hijab and that inspired me.”
Bella is just one of 30 WSS art students taking part in this year’s Whistler Secondary School Art Show, running until Jan. 21.
It’s a chance for the students to demonstrate techniques and skills they’ve honed, learn more about curating and installing an art show, and show off their pieces to the public.
“During class the students will ‘curate’ the show,” says Norrie. “They figure out what pieces will go where—I guide them, but I show them how the gallery is laid out and they decide what pieces will go where. We talk about what the anchor pieces are and how to do collections.”
They also mark opening night with a reception filled with friends, family and sometimes the public too.
This is the second year Bella has taken part—although she’s been in art classes since Grade 8.
“It was new for me. I had never had a piece displayed before like that. It was really, really exciting, but also very nerve wracking. I was there when the show was going on. I could see all the people standing in front of my piece and looking at it,” she says.
Does she feel any more relaxed going into her second show—this time with two paintings?
“I kind of feel I’m in the same position,” she says. “I’ve gotten through it once already, so I know what to expect, but I still have that giddy feeling … It’s really fun and satisfying once you’re finished everything, but obviously the process can be kind of stressful. In the end, it’s always really satisfying and really fun.”
The other painting she is displaying—which, like many of the students, she has priced and potentially will sell—is a blue-coloured close-up of a face with freckles that are constellations.
“It’s like a boy is lovesick or has lost a love and can’t sleep, so he’s looking up at the sky and he can see her face,” she explains. “I don’t know if I want to let that one go or not—I get quite attached to my paintings.”
Whether they sell pieces or not, the real-world art experience is invaluable to the class, Norrie says.
“It’s a huge opportunity for the kids,” she says. “It’s always very exciting. That’s why I do it. It is a lot of work every year.”
Catch the WSS Art Show on display at The Gallery at the Maury Young Arts Centre until Jan. 21.
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Les Impatients, which uses art to help people with mental health problems, lost its downtown workshop space, offices and gallery.
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The blaze broke out late Thursday afternoon at the Monastére du Bon-Pasteur building and quickly became a five-alarm fire requiring the intervention of 150 firefighters. It took until Saturday to bring the fire under control.
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The mission of Les Impatients, established in 1992, is to help people with mental health problems through the vehicle of artistic expression. The Monastère du Bon-Pasteur building, a multi-purpose building on Sherbrooke St. E., had been home to Les Impatients since 1999.
“A lot of people are in shock,” Frédéric Palardy said of participants. “It’s almost like a home for them. Some come twice a week.”
They participate in art workshops and, as well, some are in music and dance workshops and a choir — all organized by Les Impatients.
“The main thing is that everyone is safe and no one was hurt,” Palardy said. “My thoughts are for our neighbours.”
The multi-purpose building housed a seniors’ residence and a housing co-operative, Heritage Montreal, a daycare centre, condos and a chapel that served as a concert hall.
“I know a lot of people in the residence and the co-op,” he said.
But the fire “is terrible for us, too.”
Les Impatients was on the top floor and among the building’s most severely affected by the blaze, said Palardy. Although it is not yet known for sure, the fire is believed to have started in the roof.
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Firefighters combat a major blaze at the former Monastère du Bon Pasteur in Montreal on May 25, 2023. Photo by Isabelle Douailly-Backman /jpeg
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Firefighters combat the major blaze at the former Monastère du Bon Pasteur in Montreal on May 26, 2023. Photo by Isabelle Douailly-Backman /jpeg
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Firefighters battle a blaze at the former Monastère du Bon-Pasteur in Montreal on May 26, 2023. Photo by John Kenney /Montreal Gazette
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Firefighters on Sherbrooke Street east after they battled an ongoing blaze at the former Monastère du Bon-Pasteur in Montreal on May 26, 2023. Photo by John Kenney /Montreal Gazette
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Firefighters battle a blaze at the former Monastère du Bon-Pasteur in Montreal on May 26, 2023. Photo by John Kenney /Montreal Gazette
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A firefighter kicks on the roof while battling a blaze at the former Monastère du Bon-Pasteur in Montreal on May 26, 2023. Photo by John Kenney /Montreal Gazette
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A firefighter kicks on the roof while battling a blaze at the former Monastère du Bon-Pasteur in Montreal on May 26, 2023. Photo by John Kenney /Montreal Gazette
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Firefighters battle a blaze at the former Monastère du Bon-Pasteur in Montreal on May 26, 2023. Photo by John Kenney /Montreal Gazette
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A tower is hosed as firefighters battle a blaze at the former Monastère du Bon-Pasteur in Montreal on May 26, 2023. Photo by John Kenney /Montreal Gazette
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Firefighters battle a blaze at the former Monastère du Bon-Pasteur in Montreal on May 26, 2023. Photo by John Kenney /Montreal Gazette
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A woman talks with a police officer as firefighters battle a blaze at the former Monastère du Bon-Pasteur in Montreal on May 26, 2023. Photo by John Kenney /Montreal Gazette
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Firefighters battle a blaze at the former Monastère du Bon-Pasteur in Montreal on May 26, 2023. Photo by John Kenney /Montreal Gazette
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Firefighters battle a blaze at the former Monastère du Bon-Pasteur in Montreal on May 26, 2023. Photo by John Kenney /Montreal Gazette
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Firefighters on Sherbrooke Street east after they battled an ongoing blaze at the former Monastère du Bon-Pasteur in Montreal on May 26, 2023. Photo by John Kenney /Montreal Gazette
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The space the organization occupied included its downtown workshop space, offices, gallery space and a boutique. Also lost in the fire were the organization’s archives, its musical instruments and about 10 per cent of its artworks.
With about 30,000 works, Les Impatients has what is believed to be North America’s largest collection of outsider art, Palardy said. The term describes art that has a naïve quality and was often produced by people without formal training as artists.
Les Impatients had insurance, but it was primarily for theft, Palardy said.
“We have to start from scratch,” he said, adding that the organization is working on an appeal.
Meanwhile, Palardy said the organization has received countless emails and messages of support, including a text Sunday from deputy health minister Lionel Carmant and messages from representatives of the City of Montreal’s culture department.
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“A part of the soul of Les Impatients has gone up in smoke,” the organization said in a communiqué. “The emotion and the sadness are vivid but the priority for the organization is to continue its mission, through this chaos, to serve its community well.”
An interim location for Les Impatients administrative offices has been found, Palardy said Sunday, but the activities of the downtown section, which were held in the former monastery building, are suspended for now. That location normally serves about 130 people five days and three evenings every week through its workshops and the organization is already at work to find a new location, Palardy said.
The former monastery location is the largest and most well-established of Les Impatients’ 25 locations elsewhere in Montreal and across Quebec which, together, serve more than 900 people. The other locations will continue to function, he said.
The Parle-moi d’Amour event, the biggest fundraiser of the year for Les Impatients, is set for September. Sadly, Palardy said, some of the works that were to be included were lost in the fire.
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Les Impatients’ exhibit shows the healing power of art
From the archives of the Sault Ste. Marie Public Library:
John Laford was a prominent Sault Ste. Marie artist, who was born in 1955 on an Indigenous reserve in the West Bay area of Manitoulin Island.
Leaving his home at the age of 15, he eventually made his way to Sault Ste. Marie by his early 20s.
He felt that he had been painting for as long as he could remember. He always enjoyed art, design and doodling after he finished school but with no formal training, he was largely self-taught.
Laford travelled throughout Europe, Canada and the United States, studying and learning from various artists along the way.
“I would only paint to get enough money to continue along the way,” he said.
By 1969, Laford began painting full-time. In 1977, at the age of 22, he had his work exhibited at the Centennial Room at the Sault Ste. Marie Public Library. He used his work to show his Ojibway legends and spiritual beliefs. His spiritual beliefs and Ojibway legends were central not just to his artistic career but to his personal life as well.
Laford went on to be a vocal critic of the Children’s Aid Society (CAS).
As a child, he played with a young boy who lived next to him. In a 1978 Sault Star article he explained, it was not until he was 12 that he realized that the boy was his older brother.
When he was one year old, his father died. His mother took his four sisters and two brothers and moved back to her reserve. She did not receive any financial assistance to care for her children and CAS took over.
“CAS saw my mother had too many kids and just took them away,” Laford said. “To me, it seemed they just wanted to scatter the family. I wasn’t adopted into a native family and the Children’s Aid paid for my care but no one ever bothered to tell me about my real parents and brothers and sisters.”
The foster family cared for four of them for a while which he described as very strict but fairly good people which he says helped him.
At the age of 15, he ran away from home with his older brother and travelled to Toronto in an attempt to find their mother.
“I quit school. Things weren’t too good on the reserve. I was drinking a lot,” he said.
When they arrived in Toronto it took them a week to find their mother. He spent three years with her getting to know her and the rest of his family.
“What I’m saying is my opinion, just my own ideas about the things I went through with Children’s Aid. I would have liked to have grown up with my mother, stayed with my real mother, but it didn’t happen that way. You could look at it (CAS) as destroying Indian families but they’re trying to do something good,” he said near the end of the Sault Star article.
Laford and two other Indigenous artists Cecil Youngfox and Peter Migwans formed a group called “Artists of the Northern Sun.” They hoped it would “form the nucleus of the Indian community in Sault Ste. Marie.”
The three artists created the group around 1977 when Laford moved to Sault Ste. Marie. They planned on organizing events that would bring Indigenous and Non-Indigenous Canadians together. The three wanted to create a higher profile and take on a leadership role in the community.
By 1980 Laford had become a well-established artist in his own right whose work was included in the McMichael Canadian Art Collection. His work had been exhibited in Hamilton, Toronto, and Montreal and in 1980 his work was part of the Manitoulin Island artist’s show at the Royal Ontario Museum (ROM). In 1990 his work was once again featured in Sault Ste. Marie at the Art Gallery of Algoma.
Laford passed away in 2021 at the age of 67. He left a lasting mark and legacy in the
Indigenous community. He used his spirituality and culture’s legends to create works of art that are enjoyed and viewed by Canadians and the world alike.
Each week, the Sault Ste. Marie Public Library and its Archives provide SooToday readers with a glimpse of the city’s past.
Find out more of what the Public Library has to offer at www.ssmpl.ca and look for more “Remember This?” columns here.
A celebration of Indigenous culture is in downtown Kitchener for the weekend.
The “I Am Kitchener: Indigenous Art Market” has taken over the Gaukel block, with everything from clothes, to art, to beadwork.
The two-day event is a showcase for artists across Southwestern Ontario, but also a welcoming to the wider community.
“I think it’s really important for folks in the region to really come out and support events like this,” said co-organizers Maddie Resmer. “It’s a huge step forwards. What it means to connect with Indigenous community members in the region, in Kitchener, and for folks in the area to get to know some of the Indigenous artists that live here and are close to these territories, that’s how we celebrate ourselves, right?
“We highlight the positive and brilliant people who come from our culture.”
The Indigenous art market wraps up Sunday.
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