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Polarising, sensational media coverage of transgender athletes should end – our research shows a way forward – The Conversation Indonesia

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Given recent and often sensationalist media coverage of the issue, it’s easy to overlook the fact that transgender athletes have participated in elite sport for decades – at least as far back as tennis player Renée Richards competing in in the 1976 US Open.

Renée Richards playing at the Women’s 1976 US Open Tennis Championships.
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Transgender athletes have also been able to compete in the Olympic Games since 2004. But in the past year, the visibility of transgender women athletes such as New Zealand weightlifter Laurel Hubbard and American swimmer Lia Thomas has triggered considerable media interest and public debate.

Most recently, international water sports federation FINA has released a new policy that will only allow transgender women athletes who’ve transitioned before the age of 12 to take part in elite international swimming competitions. Some have called the policy trans-exclusionary and an “unacceptable erosion of bodily autonomy”.

Clearly, the topic raises critical questions of sex, gender and sport categorisation, requiring complex argument and nuanced understanding of transgender issues. Media coverage, however, can frame those questions in starkly oppositional terms, suggesting there are only two sides to the debate (for or against inclusion) and that “fairness” and “inclusion” are irreconcilable.

Our research, published this week (and in a forthcoming book, Justice for Trans Athletes: Challenges and Struggles), suggests news media are not neutral in their reporting of these issues and they play a powerful role in shifting public perception and shaping policy regarding transgender people’s participation in sport.

Language, framing and voice

To examine this, we analysed the written media coverage surrounding New Zealand weightlifter Laurel Hubbard’s qualification and participation in the 2020 Tokyo Olympics. We examined 620 English-language articles across three time periods, from the announcement of her qualification, during the Games and after the event.

Building on previous research into media coverage of transgender people, we started by establishing a language “codebook” that included categories such as inclusion, fairness, mis-gendering and medical transition details.

Second, we created subcategories based on content tone and implied meaning, coding for every speaker in a given article.




Read more:
Why the way we talk about Olympian Laurel Hubbard has real consequences for all transgender people


We found that despite helpful media guides produced by LGBTQI+ organisations such as Athlete Ally, GLAAD and the Trans Journalists Association, much of the coverage continued to repeat old patterns, including the use of problematic language such as “deadnaming” (using a pre-transition name).

Overall, our study revealed a common framing of the topic as a “legitimate controversy” (a term coined by communications scholar Daniel Hallin in his analysis of media coverage of the Vietnam War).

The significant majority of media in our sample framed Hubbard’s inclusion in polarising “for or against” terms, and explicitly and implicitly narrated her Olympic inclusion and participation as highly questionable, and the topic as open for public debate.

One of the more sensationalist pieces argued her participation would be a “terrible mistake that destroys women’s rights to equality and fairness – and will kill the Olympic dream for female athletes”.

Weightlifter Laurel Hubbard speaks to international media during the 2020 Tokyo Olympics.
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Nuance and complexity

Most reports, however, took a less extreme approach, instead presenting the details of Hubbard’s life – her transition and how she met IOC criteria – in a way that invited the audience to take a position on her inclusion.

But while selectively seeking and using quotes from advocates and opponents might be perceived as balanced and good journalistic practice, it also risks stifling a more nuanced dialogue. Some media sources even used public polling, further framing this as a debate that everyone – regardless of expertise – should join.

Although Hubbard’s view was often included in the form of prepared statements from press releases or quotes from older interviews, she was presented as just one voice – not necessarily an important one – in the debate about her own inclusion.




Read more:
The debate over transgender athletes’ rights is testing the current limits of science and the law


Our research shows that what has been lacking in much media coverage is a sense of Hubbard’s humanity and her own experiences of her athletic career. In essence, she was denied the one thing she ever asked of the media: “to be treated the way that other athletes have been treated”.

Scientists’ views were given the most credence, particularly those focused narrowly on the effects of testosterone. Journalists rarely acknowledged that the scientific community itself is divided, or that research on this subject remains contested, with little focusing specifically on trans women athletes.

Previous research has demonstrated the psychological harm, including stress and depression, done by negative or stereotypical media depictions of transgender people. This includes framing their participation in society and sport as “up for debate” or “out of place”.




Read more:
A win for transgender athletes and athletes with sex variations: the Olympics shifts away from testosterone tests and toward human rights


Ethical and responsible reporting

However, a few journalists in our sample adopted more ethical approaches in their reporting on Hubbard’s inclusion. We interviewed several, who spoke of their efforts to further educate themselves and to limit harmful rhetoric. As one American sports journalist explained:

In general, this notion that journalists serve their audience by just “here’s both sides, you decide” is a fallacy. It is our job to try to sort through some of this, where there is disproportionate harm, disproportionate blame.

Another Australian journalist spoke of the need for more nuanced coverage:

I wish that there was more of a will inside the media to expand the conversation […] to paint the complexities. But unfortunately […] everything is a very quick response, often with no foundation or research, no time given to it. [So] the temptation is you just go for the headline. And I think that’s where the media is failing a lot of these more complex discussions.

We also acknowledge how challenging this issue is to write about well, accurately, non-sensationally and constructively. This is similarly experienced by many academics.

To move this conversation forward productively will require responsible journalism that considers the complexities of the subject, engages critically with science, and respects and values the voices and lived experiences of transgender athletes and those from the wider transgender community.

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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